The Black Gigolo A Novel

Michael Alexander, a man with the Midas touch, suddenly finds his world spiraling out of control after the tragic death of his beloved wife. From the pinnacle of his profession, he plunges in to the dark world of despair, poverty, and drugs, but is rescued from the crack-infested lifestyle he has embraced by his longtime friend, Kenneth Bolling. Kenneth and his wife encourage Michael to release his grif and rejoin the world of the living. as Michael finds himself once again, he meets Coretta James, a beautiful billionaire, who offers him a position in her organization. and things escalate from there! This combination thriller, action, and disater book has well-developed characters who will bring tears to your eyes, laughter to your heart, and cause you to gnash your teeh in anger.

Tom Simmons has everything: he is tall; he is charming; he is self-assured; and he is strikingly handsome - the kind of guy who will always command the attention of the opposite sex. Ben Hingley is none of these things. Gullible, obsessive, and emotionally illiterate, this unprepossessing little man seems destined to live out his days a despised and misunderstood loner. Yet these two contrasting characters do share something in common - the gathering indulgence of three very different women: a raffish, thrill-seeking author; a crestfallen politician; and a kindly churchgoer who bears the scars of a truly shocking crime. Three women who find themselves caught up in a bizarre love tangle - as well as an even deadlier tangle with a past that is catching up with each one of them.

Gigolo is an early twentieth-century novel by Edna Ferber, the American, novelist, author and playwright whose novels generally feature a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character.

Gigolo is an early twentieth-century novel by Edna Ferber, the American, novelist, author and playwright whose novels generally feature a strong female as the protagonist, although she fleshed out multiple characters in each book. She usually highlighted at least one strong secondary character who faced discrimination ethnically or for other reasons; through this technique, Ferber demonstrated her belief that people are people and that the non-so-pretty persons have the best character.

The most comprehensive reference work on African literature to date, this book covers all the key historical and cultural issues in the field. The Encyclopedia contains over 600 entries covering criticism and theory, African literature's development as a field of scholarship, and studies of established and lesser-known writers and their texts. While the greatest proportion of literary work in Africa has been a product of the twentieth century, the Encyclopedia also covers the literature back to the earliest eras of story-telling and oral transmission, making this a unique and valuable resource for those studying social sciences as well as humanities. This work includes cross-references, suggestions for further reading, and a comprehensive index.

Becoming Black is a powerful theorization of Black subjectivity throughout the African diaspora. In this unique comparative study, Michelle M. Wright discusses the commonalties and differences in how Black writers and thinkers from the United States, the Caribbean, Africa, France, Great Britain, and Germany have responded to white European and American claims about Black consciousness. As Wright traces more than a century of debate on Black subjectivity between intellectuals of African descent and white philosophers, she also highlights how feminist writers have challenged patriarchal theories of Black identity. Wright argues that three nineteenth-century American and European works addressing race—Thomas Jefferson’s Notes on the State of Virginia, G. W. F. Hegel’s Philosophy of History, and Count Arthur de Gobineau’s Essay on the Inequality of the Human Races—were particularly influential in shaping twentieth-century ideas about Black subjectivity. She considers these treatises in depth and describes how the revolutionary Black thinkers W. E. B. Du Bois, Aimé Césaire, Léopold Sédar Senghor, and Frantz Fanon countered the theories they promulgated. She explains that while Du Bois, Césaire, Senghor, and Fanon rejected the racist ideologies of Jefferson, Hegel, and Gobineau, for the most part they did so within what remained a nationalist, patriarchal framework. Such persistent nationalist and sexist ideologies were later subverted, Wright shows, in the work of Black women writers including Carolyn Rodgers and Audre Lorde and, more recently, the British novelists Joan Riley, Naomi King, Jo Hodges, and Andrea Levy. By considering diasporic writing ranging from Du Bois to Lorde to the contemporary African novelists Simon Njami and Daniel Biyaoula, Wright reveals Black subjectivity as rich, varied, and always evolving.