The Black Resurrection

Isaura's son has been kidnapped. His kidnappers are taking him to Huancavelica, a Peruvian mercury mine so dangerous it's known as the "Mine of Death." Her only ally is Amadi, a runaway slave haunted by guilt he refuses to explain. Her only choice is to beat the kidnappers to Huancavelica and lay a trap … assuming she can survive the mine herself. The Black Resurrection is a standalone sequel to The Red Wraith, a historical fantasy set in Early America.

This book begins at the Bible's account of a discovered empty tomb three days after Jesus' death. Considering scholarship from both sides of the aisle, it explains why there is good reason to conclude that this tradition is a legend. Following up on this possibility, this book turns its attention to the earliest recorded Christian beliefs that Jesus was raised on the third day and that he appeared to many people. Covering many topics often encountered in discussions about Jesus' resurrection, this book proposes an answer to the question: What plausibly could have caused the rise of these extraordinary beliefs if there never was a discovered empty tomb and Jesus did not actually rise from the dead?

Growing up in the American South, Esau McCaulley knew firsthand the ongoing struggle between despair and hope that marks the lives of some in the African American context. A key element in the fight for hope, he discovered, has long been the practice of Bible reading and interpretation that comes out of traditional Black churches. This ecclesial tradition is often disregarded or viewed with suspicion by much of the wider church and academy, but it has something vital to say. Reading While Black is a personal and scholarly testament to the power and hope of Black biblical interpretation. At a time in which some within the African American community are questioning the place of the Christian faith in the struggle for justice, New Testament scholar McCaulley argues that reading Scripture from the perspective of Black church tradition is invaluable for connecting with a rich faith history and addressing the urgent issues of our times. He advocates for a model of interpretation that involves an ongoing conversation between the collective Black experience and the Bible, in which the particular questions coming out of Black communities are given pride of place and the Bible is given space to respond by affirming, challenging, and, at times, reshaping Black concerns. McCaulley demonstrates this model with studies on how Scripture speaks to topics often overlooked by white interpreters, such as ethnicity, political protest, policing, and slavery. Ultimately McCaulley calls the church to a dynamic theological engagement with Scripture, in which Christians of diverse backgrounds dialogue with their own social location as well as the cultures of others. Reading While Black moves the conversation forward.

When an Inquisitorial conclave is attacked, Inquisitor Covenant's pursuit of the heretic responsible draws him into an even greater conspiracy. War rages in the Caradryad Sector. Worlds are falling to madness and rebellion, and the great war machine of the Imperium is moving to counter the threat. Amongst its agents is Inquisitor Covenant. Puritan, psyker, expert swordsman, he reserves an especial hatred for those of his order who would seek to harness the power of Ruin as a weapon. Summoned to an inquisitorial conclave, Covenant believes he has uncovered such a misguided agent and prepares to denounce the heretic Talicto before his fellows. But when the gathering is attacked and many left dead in its wake, Covenant vows to hunt down Talicto and discover the truth behind the mysterious cult apparently at the heart of the massacre: the Unseen. In the murky plot into which he is drawn, Covenant knows only one thing for certain: trust no one.

With the publication of his two early works, Black Theology & Black Power (1969) and A Black Theology of Liberation (1970), James Cone emerged as one of the most creative and provocative theological voices in North America. These books, which offered a searing indictment of white theology and society, introduced a radical reappraisal of the Christian message for our time. Combining the visions of Malcolm X and Martin Luther King, Jr., Cone radically reappraised Christianity from the perspective of the oppressed black community in North America. Forty years later, his work retains its original power, enhanced now by reflections on the evolution of his own thinking and of black theology and on the needs of the present moment.

How do we practice hope after trauma? What shape does hope take after abuse? In grappling with these questions, Ashley E. Theuring implicates the entire church and advocates changing our theologies of hope and our understanding of resurrection. Reimagining the Empty Tomb narrative from the Gospel of Mark in light of the experiences of domestic violence survivors, Fragile Resurrection reveals the possibility for everyday practices and relationships to mediate hope and resurrection. Theuring constructs an embodied imaginative hope found in the wake of trauma, which can speak to our current context of trauma and uncertainty.

El creixement dels moviments sociopolítics entre els anys seixanta i noranta als Estats Units i a Sud-àfrica va establir els ferms fonaments sobre els quals, amb una força i ímpetu sense precedents, es va forjar el teatre negre d?aquests anys. Forma i contingut van sorgir a l?una del compromís polític i artístic adoptat per aquests artistes contra l?imperialisme, el colonialisme i el racisme occidentals. Per primera vegada en la història, el teatre negre dels Estats Units i de Sud-àfrica analitzava i valorava les arrels negres per a poder il·luminar la recerca d?un futur de llibertat. No obstant això, el context sociopolític i les circumstàncies específiques de cada país han generat igualment els trets distintius del teatre afronord-americà i negre sud-africà (incloses les diferències de gènere) manifestos en ramificacions artístiques totalment heterogènies i úniques.