The Black Stars Who Made Baseball Whole

For major league baseball, the decade following Jackie Robinson’s 1947 debut was one of slow yet persistent change. Four other black players made their first, brief big-league appearances that year, followed by only two in 1948 and four in 1949. But by the end of 1959, 122 black ballplayers had made it to the big leagues. Like Robinson, their lives were made difficult off the field, and on it they dodged beanballs and spikes. This book brings attention to the accomplishments of this transitional generation of African American players—made up of men like Luscious Luke Easter, Sam “The Jet” Jethroe, and Sad Sam Jones—many of whom spent years in the minors, the Negro leagues, or both before getting their shot. Chapters on each season from 1947 to 1959 incorporate biographical and career profiles for 25 players who stood out during baseball’s integration. A final chapter covers the outstanding minor league players who for various reasons never got a real chance to play major league ball. Appendices include a roster of black major leaguers from 1947 through 1959, a list of black-player firsts and statistics on the year-by-year population of black players in the majors.

"A commemorative volume on the 1954 Cleveland Indians"--

Offers a history of African American exclusion from baseball, and assesses the changing racial attitudes that led up to Jackie Robinson's acceptance by the Brooklyn Dodgers.

Lively and unusual art inspired by baseball's best all-around player. As much as any other sports figure, Willie Mays embodies the changes that racial integration brought to America's game fields and its larger culture in the mid-20th century. Playing baseball with grace, skill, flair, and obvious delight, Willie Mays broke color barriers for more than just himself. He combined the ability to stroke majestic home runs while with an equal ability to outrun and catch what would have been home runs for opponents most famously when he turned Vic Wertz's titantic blast into a long out in the 1954 World Series. As is often said of great players but never more true than in his case, Willie Mays could do it all. Assembled in this work are 40 representations of how contemporary artists respond to and portray the skill, fame, and sheer love of the game that make Mays so remarkable and memorable. The art includes a broad range of styles and media from impressionistic graphite pencil drawings on paper through realistic Kodachrome photographic prints to expressionistic colored acrylics on canvas or glass. Mike Shannon offers a perceptive introductory essay on Mays's long career and places the art in the context of his times. First curated as a traveling exhibit to honor Willie Mays's 75th birthday, the exhibit opened at the Louisville Slugger Museum in Louisville, Kentucky, and is currently on tour.

Moses Fleetwood Walker was the first black American to play baseball in a major league. He achieved college baseball stardom at Oberlin College in the 1880s. Teammates as well as opponents harassed him; Cap Anson, the Chicago White Stockings star, is blamed for driving Walker and the few other blacks in the major leagues out of the game, but he could not have done so alone. A gifted athlete, inventor, civil rights activist, author, and entrepreneur, Walker lived precariously along America’s racial fault lines. He died in 1924, thwarted in ambition and talent and frustrated by both the American dream and the national pastime.

Few baseball fans are aware of the number of players with disabilities who have succeeded in the majors. Much of this unawareness is due to the affected players themselves who downplay weaknesses and tend to minimize their disabilities, considering them just one of the chinks in the armor that everyone must deal with. More than 20 players who have overcome their disabilities to have major league careers are profiled in this work. The book is divided by type of disability suffered: missing or partially missing limbs or extremities (Jim Abbott, Hugh "One Arm" Daily, Pete Gray, Monty Stratton, Bert Shepard); injured or diseased limbs (Lou Brissie, Whitey Kurowski, Eddie Kazak, Charley Gelbert, Bo Jackson, Dave Dravecky); disfigured extremities (Mordecai "Three Finger" Brown, Charley "Red" Ruffing, Hal Peck, Carlos May, Gil Coan, Jim Mecir); impaired organ function, vision, and hearing (William "Dummy" Hoy, George "Specs" Toporcer, Chick Hafey, Ron Santo, Russ Christopher, Joe Hoerner, John Hiller, Danny Thompson, Walt Bond); and neurological and psychological disorders (Grover Cleveland Alexander, Tony Lazzeri, Jimmy Piersall, Jim Eisenreich).