The Blind Storyteller

"Do newborns think-do they know that 'three' is greater than 'two'? Do they prefer 'right' to 'wrong'? What about emotions--do newborns recognize happiness or anger? If they do, then how are our inborn thoughts and feelings encoded in our bodies? Could they persist after we die? Going all the way back to ancient Greece, human nature and the mind-body link are the topics of age-old scholarly debates. But laypeople also have strong opinions about such matters. Most people believe, for example, that newborn babies don't know the difference between right and wrong-such knowledge, they insist, can only be learned. For emotions, they presume the opposite-that our capacity to feel fear, for example, is both inborn and embodied. These beliefs are stories we tell ourselves about what we know and who we are. They reflect and influence our understanding of ourselves and others and they guide every aspect of our lives. In a twist that could have come out of a Greek tragedy, Berent proposes that our errors are our fate. These mistakes emanate from the very principles that make our minds tick: our blindness to human nature is rooted in human nature itself. An intellectual journey that draws on philosophy, anthropology, linguistics, cognitive science, and Berent's own cutting-edge research, The Blind Storyteller grapples with a host of provocative questions, from why we are so infatuated with our brains to what happens when we die. The end result is a startling new perspective on our humanity."--

A retelling of the story of Shahrazad that interweaves fantasy, court intrigue, and romance.

Marrakech is the heart and lifeblood of Morocco's ancient storytelling tradition. For nearly a thousand years, storytellers have gathered in the Jemaa el Fna, the legendary square of the city, to recount ancient folktales and fables to rapt audiences. But this unique chain of oral tradition that has passed seamlessly from generation to generation is teetering on the brink of extinction. The competing distractions of television, movies and the internet have drawn the crowds away from the storytellers and few have the desire to learn the stories and continue their legacy. Richard Hamilton has witnessed at first hand the death throes of this rich and captivating tradition and, in the labyrinth of the Marrakech medina, has tracked down the last few remaining storytellers, recording stories that are replete with the mysteries and beauty of the Maghreb.

For children raised on Abiyoyo here's a cozy collection of old and new classics to share with parents. Each section is preceded by an introduction describing the origins of the stories. Also included is a brief afterword for each story, suggesting ways to personalize the stories for the reader's own family. The book ends with a collection of story beginnings to help anyone become a storyteller.

Chinese Storytellers takes us to the teahouses and hidden corners of Yangzhou to explore the ancient art of Chinese storytelling (shuoshu).

The story of the Blind Man and the Loon is a living Native folktale about a blind man who is betrayed by his mother or wife but whose vision is magically restored by a kind loon. Variations of this tale are told by Native storytellers all across Alaska, arctic Canada, Greenland, the Northwest Coast, and even into the Great Basin and the Great Plains. As the story has traveled through cultures and ecosystems over many centuries, individual storytellers have added cultural and local ecological details to the tale, creating countless variations. In The Blind Man and the Loon: The Story of a Tale, folklorist Craig Mishler goes back to 1827, tracing the story's emergence across Greenland and North America in manuscripts, books, and in the visual arts and other media such as film, music, and dance theater. Examining and comparing the story's variants and permutations across cultures in detail, Mishler brings the individual storyteller into his analysis of how the tale changed over time, considering how storytellers and the oral tradition function within various societies. Two maps unequivocally demonstrate the routes the story has traveled. The result is a masterful compilation and analysis of Native oral traditions that sheds light on how folktales spread and are adapted by widely diverse cultures.

" . . . it presents some of the most important folklore studies to appear in [Nordic] countries in the past thirty years." —The Scandinavian-American Bulletin " . . . will . . . be of interest to folklorists in general. The selected essays . . . deal with issues that any folklorist who wishes to be up-to-date must consider. . . . A valuable addition to folklore studies . . . " —Choice Nordic folklore studies have made major theoretical contributions to international folklore scholarship. The articles in this collection not only reflect areas in which Nordic folklore studies have been particularly strong, but also demonstrate recent changes in theoretical paradigms and empirical application.

The Gypsy Storyteller Friendship. Love. Lust. Betrayal. Freedom. An often excruciating cycle we all must pass through at least once in our lives... Thomas William Simpson, the acclaimed author of This Way Madness Lies, follows his impressive debut novel with an extraordinary work of pure storytelling magic. The Gypsy Storyteller tells the tale of two young men whose lives, from the time of their births, are fatefully linked. It is also the story of a devastating lovers' triangle spinning wildly out of control. Growing up in an affluent suburb of New York City, Matthew Chandler and Daniel Hawthorn have much in common. But they are, in fact, polar opposites, emotionally and psychologically. Matthew descends from solid English stock, pure white Angle Saxon Protestant stuff right down to his core. Daniel's mother, a direct descendent of Nathaniel Hawthorne, has managed to cast off her Puritan cloak, marrying a full-blooded Eastern European Gypsy whose family was annihilated during the Holocaust. Matthew is preternaturally cautious. Daniel is relentlessly daring. Matthew plays by the rules, Daniel breaks them with gusto. Through a boyhood of wild, uproarious adventures that include jumping boxcars, a fatal stabbing, and an eye-opening but terrifying trip to Czechoslovakia in the company of Daniel's father, the boys' unlikely friendship endures. Until Matthew, herded off to boarding school by his uptight parents, meets the beautiful and mysterious Rachel Ann Fredericks. Almost immediately, the straight line that has held Matthew and Daniel together for so many years transforms itself into a triangle. Gifted, free-spirited, and wildly independent, Rachel forces a whole new dimension upon the young men's lives, forcing them to confront the reality they can be enemies as well as allies. In The Gypsy Storyteller Simpson deftly explores the connections between friendship, love, and betrayal. And through the sheer power of his prose he makes us believe that freedom, even the dream of freedom, is what ultimately holds our lives in the balance. Full of the spirit of adventure-physical, spiritual, and sexual-this constantly surprising novel pushes back the horizons of contemporary fiction. The Gypsy Storyteller pulses with flesh and blood vitality, humor, and above all, with a keen sensitivity for the painful struggles of the human heart. In the best tradition of Mark Twain, John Fowles, and John Irving, this fine and generous novel takes us places we have not visited before.