The Bloodless Boy

A New York Times Best New Historical Novel of 2021 "Potent... fast-paced..." - The New York Times Book Review "Wonderfully imagined and wonderfully written . . . Superb!" -- Lee Child Part Wolf Hall, part The Name of the Rose, a riveting new literary thriller set in Restoration London, with a cast of real historic figures, set against the actual historic events and intrigues of the returned king and his court … The City of London, 1678. New Year’s Day. Twelve years have passed since the Great Fire ripped through the City. Eighteen since the fall of Oliver Cromwell and the restoration of a King. London is gripped by hysteria, and rumors of Catholic plots and sinister foreign assassins abound. When the body of a young boy drained of his blood is discovered on the snowy bank of the Fleet River, Robert Hooke, the Curator of Experiments at the just-formed Royal Society for Improving Natural Knowledge, and his assistant Harry Hunt, are called in to explain such a ghastly finding—and whether it's part of a plot against the king. They soon learn it is not the first bloodless boy to have been discovered. Meanwhile, that same morning Henry Oldenburg, the Secretary of the Royal Society, blows his brains out, and a disgraced Earl is released from the Tower of London, bent on revenge against the King, Charles II. Wary of the political hornet’s nest they are walking into – and using scientific evidence rather than paranoia in their pursuit of truth – Hooke and Hunt must discover why the boy was murdered, and why his blood was taken. The Bloodless Boy is an absorbing literary thriller that introduces two new indelible heroes to historical crime fiction. It is also a powerfully atmospheric recreation of the darkest corners of Restoration London, where the Court and the underworld seem to merge, even as the light of scientific inquiry is starting to emerge …

INSTANT #1 NEW YORK TIMES BESTSELLER: Agent Pendergast faces his most unexpected challenge yet when bloodless bodies begin to appear in Savannah, GA. A fabulous heist: On the evening of November 24, 1971, D. B. Cooper hijacked Flight 305—Portland to Seattle—with a fake bomb, collected a ransom of $200,000, and then parachuted from the rear of the plane, disappearing into the night…and into history. A brutal crime steeped in legend and malevolence: Fifty years later, Agent Pendergast takes on a bizarre and gruesome case: in the ghost-haunted city of Savannah, Georgia, bodies are found with no blood left in their veins—sowing panic and reviving whispered tales of the infamous Savannah Vampire. A case like no other: As the mystery rises along with the body count, Pendergast and his partner, Agent Coldmoon, race to understand how—or if—these murders are connected to the only unsolved skyjacking in American history. Together, they uncover not just the answer…but an unearthly evil beyond all imagining.

In 1845, British engineer John Adolphus Etzler invented machines to transform the division of labour and sent Londoners to form a utopian community in Trinidad. One recruit is a young boy, Willy, who helps build the society's future home in a remote swamp. Far from realising Etzler's dream of paradise, most are stricken with the 'Black Vomit'. Willy and his father make a final attempt to fix a wrecked boat, but Willy's father falls ill and dies. Willy must decide whether return home with Marguerite, who he loves, or become the head of his family in their new home.

1680. In the Norfolk Fens, a body is revealed, a man murdered during the time of the Civil Wars. Harry Hunt of the Royal Society is called to investigate, for the dead man is Sir Jeffrey Hudson, the Queen's dwarf, a fierce warrior for the Royalist cause, who once killed a man in a duel. But no one knew of Hudson's death...except the murderer. For years, an imposter has lived in Hudson's place, working as a spy. Now this man, too, has disappeared, taking with him knowledge of a plot to kill the Queen. Harry's search takes him to Paris, ruled by Louis XIV and the sinister Chief of Police, La Reynie. There, he becomes ensnared in a city obsessed with poisoning. With the help of a cross-dressing aristocratic swordswoman, who has schemes of her own, Harry embarks on a desperate race to return to London. He must save the Queen and all who gather for her Catholic Consult. He must save them from the Clockwork Assassins. The CLOCKWORK ASSASSINS is Harry Hunt's second adventure, the sequel to The BLOODLESS BOY.

In this mischievous and utterly original debut, Hansel and Gretel walk out of their own story and into eight other classic Grimm-inspired tales. As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches. Fairy tales have never been more irreverent or subversive as Hansel and Gretel learn to take charge of their destinies and become the clever architects of their own happily ever after.

An FBI agent, rotting away in a high-security prison for a murder he did not commit... His brilliant, psychotic brother, about to perpetrate a horrific crime... A young woman with an extrodinary past, on th edge of a violent breakdown... An ancient Egyptian tomb with an enigmatic curse, about to be unveiled at a celebrity-studded New York gala... Memento Mori

"A witty and grisly gothic unlike anything I’ve ever read. You should absolutely read this." --Kelly Link, author of Get in Trouble A new arrival at an isolated school for orphaned boys quickly comes to realize there is something wrong with his new home. He hears chilling whispers in the night, his troubled classmates are violent and hostile, and the Headmaster sends cryptic messages, begging his new charge to confess. As the new boy learns to survive on the edges of this impolite society, he starts to unravel a mystery at the school's dark heart. And that's when the corpses start turning up. A coming-of-age tale, a Gothic ghost story, and a murder mystery all in one, The Job of the Wasp is a bloodcurdling and brilliantly subversive novel about paranoia, love, and the nightmare of adolescence.

It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.