The Blue Afternoon

"A perfect-pitch story of love and redemption" (The New York Times), Boyd's atmospheric new novel confirms his reputation as heir to the grand narrative traditions of Joseph Conrad and Somerset Maugham. In 1936 Los angeles, as her long-estranged father tells architect Kay Fischer the story behind her secret parentage, he plunges readers into a tale of grisly murders and an illicit passion that still obsseses him 30 years later.

"A perfect-pitch story of love and redemption" (The New York Times), Boyd's atmospheric new novel confirms his reputation as heir to the grand narrative traditions of Joseph Conrad and Somerset Maugham. In 1936 Los angeles, as her long-estranged father tells architect Kay Fischer the story behind her secret parentage, he plunges readers into a tale of grisly murders and an illicit passion that still obsseses him 30 years later.

Written from a vantage point both high and deliberately narrow, the early novels of the late British master Anthony Powell nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and the strange drivers of human behavior. More explorations of relationships and vanity than plot-driven narratives, Powell’s early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time. In Afternoon Men, the earliest and perhaps most acid of Powell’s novels, we meet the museum clerk William Atwater, a young man stymied in both his professional and romantic endeavors. Immersed in Atwater’s coterie of acquaintances—a similarly unsatisfied cast of rootless, cocktail-swilling London sophisticates—we learn of the conflict between his humdrum work life and louche social scene, of his unrequited love, and, during a trip to the country, of the absurd contrivances of proper manners. A satire that verges on nihilism and a story touched with sexism and equal doses self-loathing and self-medication, AfternoonMen has a grim edge to it. But its dialogue sparks and its scenes grip, and for aficionados of Powell, this first installment in his literary canon will be a welcome window onto the mind of a great artist learning his craft.

A professional translator and amateur detective travels to Barcelona to find a missing man in this mystery hailed as a “high-spirited comic adventure” (The New York Times). American but with an Irish passport, the itinerant translator Cassandra Reilly is living in London when she receives an unexpected phone call. The voice on the other end belongs to Frankie Stevens, a San Francisco transplant with an unusual request. Her husband, Ben, has gone missing—presumably in Barcelona—and Frankie needs a translator to help her find him. Not one to pass up a well-paying gig or a free trip to Barcelona, Cassandra takes the job. But she quickly realizes that all is not as it seems. Frankie’s charm is matched only by her guile. As Cassandra chases down leads in search of Ben, she becomes increasingly tangled in a web of half-truths—and caught between former flames Ana and Carmen. Winner of the British Crime Writers’ Award for Best Mystery Based in Europe and the Lambda Literary Award for Best Lesbian Mystery, Gaudí Afternoon is the first book in the Cassandra Reilly Mystery series, which continues with Trouble in Transylvania and The Death of a Much-Travelled Woman, and concludes with The Case of the Orphaned Bassoonists.

In the 1930s, Kay Fischer is a modernist architect. When she is approached by a stranger claiming to be her father, she is uncertain how to react. But as he pursues her, she finds herself drawn to him and when he asks her to accompany him on a mysterious pilgrimage to Lisbon, she accepts.

25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

Taut, stylish, and psychologically acute, Afternoon of a Faun dramatizes the search for truth as an accusation of sexual assault plunges a journalist into a series of deepening crises. "The truth might be hard to bring to light, but that didn’t mean it didn’t exist, because it did exist: fixed in its moment, unalterable, and certainly not a matter of ‘belief.’ " When an old flame accuses him of sexual assault in her memoir, expat English journalist Marco Rosedale is brought rapidly and inexorably to the brink of ruin. His reputation and livelihood at stake, Marco confides in a close friend, who finds himself caught between the obligations of friendship and an increasingly urgent desire to uncover the truth. This unnamed friend is drawn, magnetized, into the orbit of the woman at the center of the accusation—and finds his position as the safely detached narrator turning into something more dangerous. Soon, the question of his own complicity becomes impossible to avoid. Set during the months leading up to Donald Trump’s election, with detours into the 1970s, this propulsive novel investigates the very meaning of truth at a time when it feels increasingly malleable. An atmospheric and unsettling drama from a novelist acclaimed as “the literary descendent of Dostoevsky and Patricia Highsmith” (Boston Globe), Afternoon of a Faun combines a sharply observed study of our shifting social mores with a meditation on what makes us believe, or disbelieve, the stories people tell about themselves.

From the beloved Pulitzer Prize-winning author a brilliantly observed, joyful and wrenching, funny and true new novel that reveals, as only she can, the very nature of a family's life. "It was a beautiful, breezy, yellow-and-green afternoon." This is the way Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The whole family--their two daughters and two sons, their grandchildren, even their faithful old dog--is on the porch, listening contentedly as Abby tells the tale they have heard so many times before. And yet this gathering is different too: Abby and Red are growing older, and decisions must be made about how best to look after them, and the fate of the house so lovingly built by Red's father. Brimming with the luminous insight, humor, and compassion that are Anne Tyler's hallmarks, this capacious novel takes us across three generations of the Whitshanks, their shared stories and long-held secrets, all the unguarded and richly lived moments that combine to define who and what they are as a family.