The Bolter

A San Francisco Chronicle Best Book of the Year An O, The Oprah Magazine #1 Terrific Read In an age of bolters—women who broke the rules and fled their marriages—Idina Sackville was the most celebrated of them all. Her relentless affairs, wild sex parties, and brazen flaunting of convention shocked high society and inspired countless writers and artists, from Nancy Mitford to Greta Garbo. But Idina’s compelling charm masked the pain of betrayal and heartbreak. Now Frances Osborne explores the life of Idina, her enigmatic great-grandmother, using letters, diaries, and family legend, following her from Edwardian London to the hills of Kenya, where she reigned over the scandalous antics of the “Happy Valley Set.” Dazzlingly chic yet warmly intimate, The Bolter is a fascinating look at a woman whose energy still burns bright almost a century later.

The riveting true story of decadence, deception, and murder among British aristocrats in colonial Kenya In 1941, with London burning in the Blitz, a group of hedonistic English nobles partied shamelessly in Kenya. Far removed from falling bombs, the wealthy elites of “Happy Valley” indulged in morphine, alcohol, and unrestricted sex, often with their friends’ spouses. But the party turned sinister in the early hours of a January morning for Josslyn Hay, Lord Erroll, who had been enjoying the favors of the beautiful young wife of a middle-aged neighbor. Hay was found dead, a bullet in his brain. The murder shocked the close-knit community of wealthy expatriates in Nairobi and shined a harsh light on their louche lifestyle. Three decades later, author James Fox researched the slaying of Lord Erroll, an unsolved crime still sheathed in a thick cloud of rumor and innuendo. What he discovered was both unsettling and luridly compelling. White Mischief is a spellbinding true-crime classic, a tale of privileged excess and the wages of sin, and an account of one writer’s determined effort to crack a cold and craven killing.

How augmented reality and virtual reality are taking their places in contemporary media culture alongside film and television. T This book positions augmented reality (AR) and virtual reality (VR) firmly in contemporary media culture. The authors view AR and VR not as the latest hyped technologies but as media—the latest in a series of what they term “reality media,” taking their places alongside film and television. Reality media inserts a layer of media between us and our perception of the world; AR and VR do not replace reality but refashion a reality for us. Each reality medium mediates and remediates; each offers a new representation that we implicitly compare to our experience of the world in itself but also through other media. The authors show that as forms of reality media emerge, they not only chart a future path for media culture, but also redefine media past. With AR and VR in mind, then, we can recognize their precursors in eighteenth-century panoramas and the Broadway lights of the 1930s. A digital version of Reality Media, available through the book’s website, invites readers to visit a series of virtual rooms featuring interactivity, 3-D models, videos, images, and texts that explore the themes of the book.

How the creative abundance of today's media culture was made possible by the decline of elitism in the arts and the rise of digital media. Media culture today encompasses a universe of forms—websites, video games, blogs, books, films, television and radio programs, magazines, and more—and a multitude of practices that include making, remixing, sharing, and critiquing. This multiplicity is so vast that it cannot be comprehended as a whole. In this book, Jay David Bolter traces the roots of our media multiverse to two developments in the second half of the twentieth century: the decline of elite art and the rise of digital media. Bolter explains that we no longer have a collective belief in “Culture with a capital C.” The hierarchies that ranked, for example, classical music as more important than pop, literary novels as more worthy than comic books, and television and movies as unserious have broken down. The art formerly known as high takes its place in the media plenitude. The elite culture of the twentieth century has left its mark on our current media landscape in the form of what Bolter calls “popular modernism.” Meanwhile, new forms of digital media have emerged and magnified these changes, offering new platforms for communication and expression. Bolter outlines a series of dichotomies that characterize our current media culture: catharsis and flow, the continuous rhythm of digital experience; remix (fueled by the internet's vast resources for sampling and mixing) and originality; history (not replayable) and simulation (endlessly replayable); and social media and coherent politics.

Peer into the into the bizarre culture and motivations of the Necrons in this great novel from Nate Crowley. After centuries of exile, the necron lord Oltyx has at last been granted the thing he has always craved: the throne of the Ithakas Dynasty. Kingship, however, is not quite what he had hoped for. Oltyx’s reign begins aboard the dying battleship Akrops, as it lumbers away from the ruins of his crownworld. Behind it is a hostile armada of unfathomable size, launched by the barbaric alien war-cult known as the Imperium of Man. And within the Akrops’ sepulchral hold, an even greater threat festers: the creeping horror of the flayer curse. Faced with such overwhelming odds, Oltyx begins a desperate voyage into a darkness so profound that salvation and doom look much the same. If he and his dynasty are to make it through that long night, Oltyx will have to become a very different sort of king.