The Book Of Labyrinths And Mazes

Two of the world’s ancient traditions come alive for young readers in this fascinating book that proves the most interesting distance between two points is never a straight line. This brilliant book on mazes and labyrinths in history and the modern world encourages young readers to really think about why these puzzles are so appealing. Filled with photographs, drawings, artwork, illustrations, and puzzles, it takes a thematic approach to these enigmatic works. Why are we sometimes afraid to get lost—and why does the idea excite us? How do mazes and labyrinths figure in history and mythology? What can nature tell us about humankind’s obsession with lines, spirals, and patterns? Along the way children will learn about the labyrinth designed by Daedalus for King Minos in the ancient city of Crete; the mystery of the Hemet Maze Stone in southern California; and the magnificent labyrinth at the Cathedral of Chartres. They are encouraged to trace their fingers along a labyrinth to experience its soothing effect, to solve maze-related number puzzles, and to create their own mazes and labyrinths. Packed with fun facts and engaging ideas, this book will help children understand why mazes and labyrinths are so popular, while inspiring them to identify and create these fascinating puzzles in their own world.

amusements using principle of maze, most based on story situations. Quite unusual. 84 illustrations.

The hedge-maze, which is the only type with which most of us have a first-hand acquaintance, is generally felt to be a survival of a romantic age, even though we esteem its function as nothing higher than that of a playground for children. Many a tender intrigue has been woven around its dark yew alleys. Mr. Compton Mackenzie, for example, introduces it most effectively as a lovers' rendezvous in "The Passionate Elopement," and no doubt the readers of romantic literature will recall other instances of a like nature. The story of fair Rosamond's Bower is one which will leap to the mind in this connection. This type of maze alone is worth more than a passing thought, but it is far from being the only, or even the most interesting, development of the labyrinth idea. What is the difference, it may be asked, between a maze and a labyrinth? The answer is, little or none. Some writers seem to prefer to apply the word "maze" to hedge-mazes only, using the word "labyrinth" to denote the structures described by the writers of antiquity, or as a general term for any confusing arrangement of paths. Others, again, show a tendency to restrict the application of the term "maze" to cases in which the idea of a puzzle is involved. It would certainly seem somewhat inappropriate to talk of "the Cretan Maze" or "the Hampton Court Labyrinth," but, generally speaking, we may use the words interchangeably, regarding "maze" as merely the northern equivalent of the classic "labyrinth." Both words have come to signify a complex path of some kind, but when we press for a closer definition we encounter difficulties. We cannot, for instance, say that it is "a tortuous branched path designed to baffle or deceive those who attempt to find the goal to which it leads," for, though that description holds good in some cases, it ignores the many cases in which there is only one path, without branches, and therefore no intent to baffle or mislead, and others again in which there is no definite "goal." We cannot say that it is a winding path "bounded by walls or hedges," for in many instances there are neither walls nor hedges. One of the most famous labyrinths, for example, consisted chiefly of a vast and complicated series of rooms and columns. In fact, we shall find it convenient to leave the question of the definition of the words, and also that of their origin, until we have examined the various examples that exist or are known to have existed.

The path least traveled makes all the difference in this volume, especially when you find yourself crossing bridges, escaping from caves, lighting firecrackers, spelling out passwords, and untangling snakes. These 50 challenges include classic, solid, and ripple mazes, along with short-path and avoidance labyrinths and other intriguing problems. Solutions.

The labyrinth is one of the world's oldest symbols, and its meaning is often shrouded in myth and mystery or ties to religious rites. Today, this enigmatic form inspires artists to create their own interpretations in different, even unusual, ways, including by working with materials as varied as ice, snow, salt, wood, stone, glass, cement, and metal. This new collection features both classical examples and the best contemporary projects, showcasing work by artists, landscape artists, and architects from around the world. The diverse and stunning examples include pavement labyrinths of thirteenth-century French cathedrals, a historic English turf maze, Renaissance hedge mazes, and numerous present-day projects by artists and architects, including BIG, Chris Drury, Richard Fleischner, Dan Graham, Robert Irwin, Arata Isozaki, Robert Morris, Yoko Ono, and Billie Tsien and Tod Williams.

DigiCat Publishing presents to you this special edition of "Mazes and Labyrinths" (A General Account of Their History and Development) by W. H. Matthews. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

According to legend, anyone who wandered into the labyrinth in Ancient Crete never came out again. Some labyrinths may have offered patterns for an erotic spring dance. Those on the floors of Medieval cathedrals represent mathematical perfection–and walking their paths was a symbolic approach to the divine. From ancient Mediterranean coin patterns to the great French cathedral labyrinths to contemporary cornfield mazes, labyrinths and mazes have appeared all over the world, but never have so many been created as in today’s revival, on farms, and in parks, churches, hospitals, and spas across the country. In his charmingly quirky investigation of an image that has inspired countless beautiful patterns and mysterious practices, David Willis McCullough offers an irresistible way to enjoy their enduring appeal.