The Book Of Tropes

Over 150 schemes and tropes with definitions and examples created by the author.

Even a quick glance at popular books, movies, and streaming series says it all-- a skillful application of tropes sells stories. That's because tropes create a foundation between the audience and the action. I'm not suggesting we slap a few tropes together, and call it done. I'm talking about twisting tropes to create characters that fans can't stop thinking about to increase story conflict. How do we do that? By digging down into the functions of tropes. But isn't a trope just a trope? What do secret baby, road trip, and revenge have in common? Conflict. Conflict. Conflict. The Trope Thesaurus explores tropes common in romance, mystery, suspense, thriller, science fiction, and fantasy. It also features a listing of tropes with their definitions, along with some ideas about how to use them more effectively to craft stronger stories. New and established writers will appreciate this different take on a craft topic in the quest to become a fan favorite.

"Sacred Tropes" interweaves Tanakh, New Testament, and Qur'an essays which collectively and individually enlist literary approaches including environmental, cultural studies, gender, psychoanalytic, ideological, economic, historicism, law, and rhetorical criticisms. "Sacred Tropes" represents a pioneering, comparatist approach to Abrahamic studies.

Comparing various fantasy fiction stories, this book shows that it is not the tropes and cliches that make a story good or bad but how the author applies them. The book also explores the concept of text versus meta-text--that is, when the story's world and character actions contradict the reader's expectations based on the tropes being used. Covering authors from Mercedes Lackey and Brandon Sanderson to Christopher Paolini and Stephenie Meyer, the author finds that it is the nature of tropes and the language used that make a fantasy story, for bad or good.

NYT and USAT bestselling author and screenwriter, Cindy Dees, brings her formidable skills as a master storyteller and master writing teacher to this encyclopedic series analyzing the major tropes used in modern commercial fiction. In this volume, Cindy explores 33 iconic internal romance tropes, the stories of personal affliction, wounds, fears, and personality traits that form obstacles to love inside the hearts and minds of your characters. Written by a working writer for working writers, this is a comprehensive reference guide and brainstorming tool to help you quickly generate ideas, create characters and plot, revise and edit, brand and market your story. You’ll write faster, cleaner, and deliver your audience a story they’ll recognize and love. If you’re writing a novel, script, play, comic, graphic novel, video game script, or any other story format, this book is for you. If you’re writing a love story specifically, or you’re writing any genre of fiction in which you’d like to include a romantic relationship, this book is for you. Each trope entry includes: · a detailed definition and analysis · descriptions of all obligatory scenes necessary to structure this trope correctly · lists of additional key scenes important to this trope · an extensive list of questions to think about when writing this trope · an extensive list of traps to avoid when writing this trope · reasons why audiences love this trope · a list of similar tropes · a list of examples of each trope in action taken from television, film, and novels …every kind of writer in every genre of fiction is going to want these guides in their go-to reference books… …a tour de force how-to on creating stories audiences adore… …the books every writer has been waiting for—a comprehensive walk-through by an industry pro of everything to think about when building a story of pretty much any kind…

Tropes and the Literary-Scientific Revolution: Forms of Proof argues that the rise of mechanical science in the seventeenth century had a profound impact on both language and literature. To the extent that new ideas about things were accompanied by new attitudes toward words, what we commonly regard as the “scientific revolution” inevitably bore literary dimensions as well. Literary tropes and forms underwent tremendous reassessment in the seventeenth century, and early modern science was shaped just as powerfully by contest over the place of literary figures, from personification and metaphor to anamorphosis and allegory. In their rejection of teleological explanations of natural motion, for instance, early modern philosophers often disputed the value of personification, a figural projection of interiority onto what was becoming increasingly a mechanical world. And allegory—a dominant mode of literature from the late Middle Ages until well into the Renaissance—became “the vice of those times,” as Thomas Rymer described it in 1674. This book shows that its acute devaluation was possible only in conjunction with a distinctively modern physics. Analyzing writings by Sidney, Shakespeare, Bacon, Jonson, Brahe, Kepler, Galileo, Hobbes, Descartes, and more, it asserts that the scientific revolution was a literary phenomenon, just as the literary revolution was also a scientific one.

In the book If Tropes, the author attempts to approach and then deal with some of the most basic problems for a theory of tropes. The investigation proceeds from three basic assumptions: (i) tropes (i.e. particular properties) exist, (ii) only tropes exist (that is, tropes are the only basic or fundamental kind of entities), and (iii) the main-function for tropes is to serve as truth-makers for atomic propositions. Provided that one accepts these assumptions the author finds that the trope-theorist will have to deal with two important matters. Some atomic propositions seem to require universal truth-makers and others seem to require concrete truth-makers. This means that universals and concrete particulars will need to be constructed from the material of tropes. Such constructions are attempted and it is argued that it is possible to deal at least with these basic issues while staying squarely within the boundaries of a purely trope-theoretical framework. The book is written in an untechnical language but requires some prior understanding of basic metaphysics.

Talk is of central importance to politics of almost every kind—it’s no accident that when the ancient Greeks first attempted to examine politics systematically, they developed the study of rhetoric. In Tropes of Politics, John Nelson applies rhetorical analysis first to political theory, and then to politics in practice. He offers a full and deep critical examination of political science and political theory as fields of study, and then undertakes a series of creative examinations of political rhetoric, including a deconstruction of deliberation and debate by the U.S. Senate prior to the Gulf War. Using the neglected arts of argument refined by the rhetoric of inquiry, Nelson traces how everyday words like consent and debate construct politics in much the same way that poets such as Mamet and Shakespeare construct plays, and he shows how we are remaking our politics even as we speak. Tropes of Politics explores how politicians take stands and political scientists probe representation, how experts become informed even as citizens become authorities, how students actually reinvent government while professors merely model politics, how senators wage war yet keep comity among themselves. The action, Nelson shows, is in the tropes: these figures of speech and images of deed can persuade us to turn from ideologies like liberalism toward spectacles about democracy or movements into environmentalism and feminism. His argument is that inventive attention to tropes can mean better participation in politics. And the argument is in the tropes—evidence itself as sights or citations, governments as machines or men, politics as hardball or softball, deliberations as freedoms or constraints, borders as fringes or friends.