The Bookman S Promise

Cliff Janeway is back! The Bookman's Promise marks the eagerly awaited return of Denver bookman-author John Dunning and the award-winning crime novel series that helped to turn the nation on to first-edition book collecting. First, it was Booked to Die, then The Bookman's Wake. Now John Dunning fans, old and new, will rejoice in The Bookman's Promise, a richly nuanced new Janeway novel that juxtaposes past and present as Denver ex-cop and bookman Cliff Janeway searches for a book and a killer. The quest begins when an old woman, Josephine Gallant, learns that Janeway has recently bought at auction a signed first edition by the legendary nineteenth-century explorer Richard Francis Burton. The book is a true classic, telling of Burton's journey (disguised as a Muslim) to the forbidden holy cities of Mecca and Medina. The Boston auction house was a distinguished and trustworthy firm, but provenance is sometimes murky and Josephine says the book is rightfully hers. She believes that her grandfather, who was living in Baltimore more than eighty years ago, had a fabulous collection of Burton material, including a handwritten journal allegedly detailing Burton's undercover trip deep into the troubled American South in 1860. Josephine remembers the books from her childhood, but everything mysteriously disappeared shortly after her grandfather's death. With little time left in her own life, Josephine begs for Janeway's promise: he must find her grandfather's collection. It's a virtually impossible task, Janeway suspects, as the books will no doubt have been sold and separated over the years, but how can he say no to a dying woman? It seems that her grandfather, Charlie Warren, traveled south with Burton in the spring of 1860, just before the Civil War began. Was Burton a spy for Britain? What happened during the three months in Burton's travels for which there are no records? How did Charlie acquire his unique collection of Burton books? What will the journal, if it exists, reveal? When a friend is murdered, possibly because of a Burton book, Janeway knows he must find the answers. Someone today is willing to kill to keep the secrets of the past, and Janeway's search will lead him east: To Baltimore, to a Pulitzer Prize-winning author with a very stuffed shirt, and to a pair of unorthodox booksellers. It reaches a fiery conclusion at Fort Sumter off the coast of Charleston, South Carolina. What's more, a young lawyer, Erin d'Angelo, and ex-librarian Koko Bujak, have their own reasons for wanting to find the journal. But can Janeway trust them? Rich with the insider's information on rare and collectible books that has made John Dunning famous, and with meticulously researched detail about a mesmerizing figure who may have played an unrecognized role in our Civil War, The Bookman's Promise is riveting entertainment from an extraordinarily gifted author who is as unique and special as the books he so clearly loves.

Denver cop-turned-bookdealer Cliff Janeway is lured by an enterprising fellow ex-policeman into going to Seattle to bring back a fugitive wanted for assault, burglary, and the possible theft of a priceless edition of Edgar Allan Poe's "The Raven." The bail jumper turns out to be a vulnerable young woman calling herself Eleanor Rigby, who is also a gifted book finder. Janeway is intrigued by the woman -- and by the deadly history surrounding the rare volume. Hunted by people willing to kill for the antique tome, a terrified Eleanor escapes and disappears. To find her -- and save her -- Janeway must unravel the secrets of the book's past and its mysterious maker, for only then can he stop the hand of death from turning another page....

In a 19th century unlike our own, the shadowy assassin known as the Bookman moves unseen. His weapons are books; his enemies are many. And when Orphan, a young man with a mysterious past, loses his love to the sinister machinations of the Bookman, Orphan would stop at nothing to bring her back from the dead. In The Bookman, World Fantasy Award winner Lavie Tidhar writes a love letter to books, and to the serial literature of the Victorian era: full of hair-breadth escapes and derring-dos, pirates and automatons, assassins and poets, a world in which real life authors mingle freely with their fictional creations – and where nothing is quite as it seems. New 2016 edition includes the novelette “Murder in the Cathedral”. Discover, truthfully, what actually happened when Orphan visited Paris. File Under: Steampunk [Alternate Victorian London | Reptilian royalty | Diabolical anarchists | Extraordinary adventure!]

William Troy (1903-1961) was a highly regarded literary critic during the 1930s and 1940s. Among his contemporaries, he ranked with Edmund Wilson, Kenneth Burke, and F. O. Matthiessen. Indeed, in the preface to the posthumous, 1968 publication of his Selected Essays, which won a National Book Award, Allen Tate placed Troy among the handful of the best critics of this century. Troy's criticism was informed by an intelligence so balanced that, where many theoreticians took up positions in logical traps, he easily avoided them. At the very moment when scholars and critics were either treating literature like polemics or investigating ideas as if belles-lettres were a sub-category of history or philosophy, Troy acknowledged both the centrality of literary ideas and their distinction from ideas in other forms. When confronted with a text, he analysed it with a firm sense of its inherent meaning and of its cultural implications, in a style that expresses seriousness of commitment precisely and clearly. The Bookman presents a selection of Troy's remaining writings on such major literary figures as Henry James, e. e. cummings, Ernest Hemingway, Edith Wharton, F. Scott Fitzgerald, T. S. Eliot, Andre Gide, William Faulkner, James Joyce, Albert Camus, Jean Cocteau, Willa Cather, W. H. Auden, Virginia Woolf, and Emile Zola. Troy produced a body of work that is timeless, permanent, and exemplary -- perhaps as much as, if not more so than, the work of such other critical contemporaries of his as the Anglo-Americans Yvor Winters, I. A. Richards, William Empson, George Jean Nathan, and R. P. Blackmur. Published in conjunction with Film Nation: William Troy on the Cinema, 1933-1935 (ISBN 978-1-78976-173-3), The Bookman is clear evidence of Troy's role as one of the foremost critics of his age. Inclusion of a substantive index makes the work an essential and accessible gateway to a wide range of literary criticism.

An omnibus edition of the most exciting steampunk series of recent years. Lizard Kings and swashbuckling pirates, secret government agencies and scuttling automata, tripods and airships. There’s never been a series with quite so much adventure crammed between two covers! File Under: Steampunk [ Alternate History! | Diabolical Anarchists! | Murder Most Foul | The End of Days ] From the Trade Paperback edition.

With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.