The Bookseller S Sonnets

A mysterious package from an anonymous artifact donor arrives on the desk of Jill Levin, the senior curator at a Holocaust museum: a secret diary, written by the eldest daughter of St. Thomas More, legal advisor to and close friend of Henry VIII. As Jill and her colleagues work to authenticate this rare find, letters arrive to convey the manuscript's history and the donor's unimaginable story of survival. At the same time, representatives from the Archdiocese of New York arrive to stake their claim to this controversial document, hoping to send it to a Vatican archive before its explosive content becomes public. As the process of authentication hovers between find and fraud, and as the battle for provenance plays out between religious institutions, Jill struggles with her own family history, and her involvement in a relationship she fears will disrupt and disappoint her family.

A lost gem of permutational conceptualism from a key figure in artist's book culture, available again Known internationally as one of Mexico's most important conceptual artists, Ulises Carrión (1941-89) played a decisive role in defining and conceptualizing the genre of the artists' book through his manifesto, "The New Art of Making Books" (1975), which he wrote soon after the 1972 publication of SONNET(S) and his move from Mexico City to Amsterdam, where he opened the legendary bookshop gallery, Other Books and So, the first space dedicated exclusively to artists' publications and an important precursor to such artists' book hubs as Printed Matter. One of Carrión's earliest "bookworks," SONNET(S) represents a landmark shift in the artist's output from poetry to artists' books. Here, Carrión takes a single poem by Dante Gabriel Rossetti through 50 typographic and procedural permutations. This republication is supplemented by new essays on Carrión's bookworks by contemporary artists, writers, and scholars from Mexico, Europe and the US.

Official organ of the book trade of the United Kingdom.

In this lively, fascinating account of the publication of Shakespeare's Sonnets, noted biographer Clinton Heylin brings their convoluted history to light, beginning with the first complete appearance of the Sonnets in print in May, 1609. He introduces us to the "unholy alliance" involved in this precarious enterprise: Thomas Thorpe, the publisher, a self-described "well wishing adventurer;" George Eld, the printer, heavily embroiled in large-scale pirating; William Aspley, the prestigious bookseller, who mysteriously ended his association with Thorpe soon after. Leaving the calamitous world of Elizabethan publishing, Heylin goes on to chart the many editions of the Sonnets through the years and the editorial decisions that led to their present configuration. Passionate, astute, and brilliantly entertaining, the result is a concise and vivid history of perhaps the greatest poetry ever written.

Reprint of the original, first published in 1867.

This year's volume is devoted to the theme of Shakespeare and the Globe, including the original Globe, playhouse of Shakespeare's time, the new Globe Theatre on Bankside and the notion of a global Shakespeare.

A SPECTATOR AND EVENING STANDARD BOOK OF THE YEAR 2020 'A joy. Each chapter instantly became my favourite' David Mitchell, author of Cloud Atlas 'Wonderful' Lucy Mangan 'The right book has a neverendingness, and so does the right bookshop.' This is the story of our love affair with books, whether we arrange them on our shelves, inhale their smell, scrawl in their margins or just curl up with them in bed. Taking us on a journey through comfort reads, street book stalls, mythical libraries, itinerant pedlars, radical pamphleteers, extraordinary bookshop customers and fanatical collectors, Canterbury bookseller Martin Latham uncovers the curious history of our book obsession - and his own. Part cultural history, part literary love letter and part reluctant memoir, this is the tale of one bookseller and many, many books. 'If ferreting through bookshops is your idea of heaven, you'll get the same pleasure from this treasure trove of a book' Jake Kerridge, Sunday Express