The Buildings Of Detroit

The definitive volume on Detroit's architectural history, from the 1700s to the end of the twentieth century. First published in 1968, The Buildings of Detroit: A History by W. Hawkins Ferry is the definitive resource on the architecture of Detroit and its adjacent communities, from pioneering times to the end of the twentieth century. Ferry based his impressive volume on thirteen years of meticulous research, interviews with many prominent architects, and hundreds of photos commissioned specifically for the book. Ferry revised The Buildings of Detroit in 1980, adding the Renaissance Center and other modern works, and this re-released version presents the revised edition adding only a new foreword by John Gallagher. The Buildings of Detroit spans from the early 1700s, when the city was a fur-trading post in the wilderness, to its more contemporary position as the capital of the automotive industry and a major industrial city. Along the way, Ferry offers glimpses of the log cabins of early explorers and soldiers, the Victorian mansions of lumber barons, and the Grosse Pointe and Bloomfield Hills residences of motor magnates. He traces the development of new building techniques that gave rise to the American skyscraper and the modern factory. Ferry details all of downtown's landmark buildings, including many that are no longer standing, and visits fascinating neighborhood structures like movie theaters, hotels, shopping centers, and apartment buildings. In each chapter, readers will meet the visionary architects and clients whose foresight and initiative helped shape the fabric of one of America's great cities. The Buildings of Detroit also includes a selected chronology, maps, references, notes, an extensive index, and 475 illustrations. Previously out of print and difficult to find, this re-released classic will be treasured by Detroit history buffs and architectural historians.

"In the 1910s and 1920s there was more steel going up in Detroit than anywhere outside of New York and Chicago. The result was the country's first high-tech metropolis, a city of lavish monuments and glittering skyscrapers." "The list of major architects who designed buildings for Detroit includes Frank Lloyd Wright, Mies van der Rohe, Stanford White, Daniel Burnham, Cass Gilbert, Albert Kahn, Minoru Yamasaki, Philip Johnson, and numerous others." "Detroit's public buildings - its museums, libraries, schools, and monuments - are second to none in terms of their overall scale, materials, and detailing. Hotels, stores, theaters, and other commercial venues display a breezy cosmopolitanism consistent with the city's position as both a technology hub and a crossroads of immigration." "Overwhelmed by the sheer beauty of the buildings they encountered on a 2003 visit to downtown Detroit, writer Robert Sharoff and photographer William Zbaren were inspired to create American City: Detroit Architecture, 1845-2005, the first new large-format book on the city's architecture in more than thirty years." "The fact that many structures are either endangered or marginally in use makes the book all the more compelling. In 2005, the National Trust for Historic Preservation placed "the historic buildings of downtown Detroit" on the list of the country's most endangered landmarks." "The book also includes examples of interesting new architecture as well as numerous historic buildings from the 1920s and earlier that have been maintained or in some cases painstakingly restored."--BOOK JACKET.

A beautifully designed resource that takes readers on a tour of greater Detroit's many architectural wonders and special landmarks.

A photographically rich biography of protean architect Albert Kahn.

In the early 1900s, Detroit was leading the nation in architectural innovation and designer Wirt Rowland was at the forefront of this advancement, yet few are even aware of his substantial contribution to the evolution of architectural style. It is widely believed that celebrated local architect Albert Kahn designed many of Detroit’s structures, such as the General Motors and First National Bank buildings. In fact, while Kahn’s efforts were focused on running his highly successful firm, it was Rowland, his chief designer, who was responsible for the appearance and layout of these buildings—an important point in appreciating the contributions of both Kahn and Rowland. During the early twentieth century, Rowland devised a wholly new or “modern” design for buildings, one not reliant on decorative elements copied from architecture of the past. As buildings became more specialized for their intended use, Rowland met the challenge with entirely new design methodologies and a number of improved technologies and materials that subsequently became commonplace. Designing Detroit: Wirt Rowland and the Rise of Modern American Architecture begins with a brief overview of Rowland’s early life and career. Author Michael G. Smith goes on to analyze Rowland’s achievements in building design and as a leader of Detroit’s architectural community throughout both World Wars and the Great Depression. The interdependence of architecture with the city’s fluctuating economic prosperity and population growth is explored, illuminating the conditions for good architecture and the arts in general. The author identifies the influence of Jay Hambidge’s “dynamic symmetry” in Rowland’s work and how it allowed him to employ color as a modern replacement for traditional ornamentation, leading to the revolutionary design of the Union Trust (Guardian) Building, for which he receives nearly unanimous praise in national media. This book is concerned primarily with Rowland’s influence on Detroit architecture, but spans beyond his work in Michigan to include the designer’s broad reach from New York to Miami. A comprehensive appendix includes extensive lists of Rowland’s publications, locations he had designed, and jobs taken on by his firm during his tenure. This book represents new research and insights not previously discussed in either scholarly or general audience texts and will be of interest to casual readers of Detroit history, as well as architecture historians.

"In The Guardian Building James W. Tottis tells the story of the opulent block-long tower, the influential company that commissioned it, and the under-appreciated architect responsible for its design. In full-color historic and contemporary photos, Tottis details everything from the china designed by the architect for use in the Guardian dining room to the building's rarely seen upper banking room. Tottis also investigates the sources of design and materials for the Guardian, finding that it brought together the finest artisans, craftsmen, and firms of the time, including Rookwood Pottery, Pewabic Pottery, Moline Furniture Works, architectural sculptor Joe Parducci, and muralist Ezra Winter.".

A comparative study of urban form and the reuse of buildings in modern Detroit and Rome (Italy). This exhibition catalog includes 3 U scholarly essays and 25 catalog entries describing the Usage history of buildings in Detroit & Rome.