The Bullet Stops Here

A kill-crazy butcher is loose in the Arizona territory and only one man is bold enough to end the mayhem . . . Johnstone Country. The Killing Starts Now. Luke Jensen joins a posse of misfits and greenhorns on a murderous manhunt that’s doomed from the start—and there’s no turning back . . . THE BULLET STOPS HERE Someone is terrorizing the Arizona border. Burning down ranches. Butchering travelers. Blazing a trail of bloodthirsty raids and robbing the railroads blind. His name is Melichus. A ruthless half-breed outlaw with a mile-long record of cruelties and crimes, he’s the most wanted man in the territory. And the massive price on his head has attracted the attention of every trigger-happy, would-be bounty hunter this side of the Rio Grande. But Luke Jensen knows something they don’t: The bigger the bounty, the deadlier the prey. Against his better judgment, Luke accepts an offer from the Great Southern Railroad to lead a posse of hired guns to stop Melichus in his tracks. Problem is, the gunmen are untrained, undisciplined, and unruly. To make matters worse, a meddlesome pair of Pinkertons are along for the ride, too. But the real trouble starts when their team gets caught in a three-sided gunfight with an Apache war party and the Mexican Army. It’s fast becoming the bloodiest manhunt Luke’s ever seen—and the final showdown could be his last . . . Live Free. Read Hard.

When it comes to writing weapons, most authors shoot from the hip--and miss. The Writer's Guide to Weapons will help you hit your target every time. Firearms and knives have starring roles in a wide range of genres--crime, thriller, war, mystery, Western, and more. Unfortunately, many depictions of weapons in novels and film are pure fiction. Knowing the difference between a shotshell and a slug, a pistol and a revolver, or a switchblade and a butterfly knife is essential for imbuing your story with authenticity--and gaining popularity with discerning readers. Inside you'll find: • An in-depth look at the basics of firearms and knives: how they work, why they work, what they look like, and how to depict them accurately in your stories. • The biggest weapons myths in fiction, TV, and film. • A surefire guide for choosing the correct weapon for your characters, no matter their skill level, strength, or background. • A review of major gun and knife laws, weapons safety tips,and common police tactics. • "The Hit List," showcasing the most popular weapons for spies, detectives, gunslingers, gangsters, military characters, and more. • Examples highlighting inaccurate vs. accurate weapons depictions. • An insightful foreword by David Morrell, the award-winning creator of Rambo. Equal parts accessible, humorous, and practical, The Writer's Guide to Weapons is the one resource you need to incorporate firearms and knives into your fiction like a seasoned professional.

When mobile librarian Israel Armstrong's library-on-wheels is stolen at an annual library convention in London, he sets out with his irascible companion Ted Carson to find it. Their search leads them to a suspicious convoy of New Age travelers.

Following on the heels of the bestselling Family Jensen and Matt Jensen, The Last Mountain Man series comes this explosive new series that follows the adventures of Smoke Jensen's long-lost brother, Luke. Original.

Bookmobiles have become popular again, and this anthology--the first monograph on bookmobiles to be published in over 25 years--explains why--as well as the what, where, when, and how of successful mobile library programs. Thirty-six experienced authors share their insight and ideas in this valuable and practical guide. The book is divided into four sections: 'In Defense of Bookmobiles;' 'Mobile Services Administration;' vehicles and equipment; and services to special populations. Contributors include John Philip, Carol Hole, Russ Topping, Eric Anderson, Bernard Vavrek, and Judith and Bert Boyce. Catherine Suyak Alloway is Director of Access and Information Services, St. Louis Public Library.

JOHNSTONE COUNTRY. THE BULLET STOPS HERE. Introducing one of the most unusual heroes of the lawless West—a mysterious man in black who rides from town to town, delivering hope, healing, and hard-fought justice . . . his way. In his younger days, Taylor Callahan didn’t know right from wrong—and didn’t much care either. As a Confederate bushwhacker, renegade outlaw, and all-around hellraiser, he gave the devil himself a run for his money. Most folks figured Taylor would end up swinging from a noose or shot dead in poker game. But somewhere along the road to perdition, he decided to change his wicked ways. To atone for his sins. And to fight the good fight—against the evil that men do. . . . So he became a traveling preacher. But Taylor Callahan is no ordinary preacher. He rides the western circuit looking to help lost souls. But his mission of peace takes a violent turn when he enters the godforsaken town of Falstaff, Texas. Better known to locals as “False Hope,” this one-time paradise has become a purgatory for homesteaders—thanks to a greedy rancher, corrupt mayor, and notorious confidence man. Even so, Callahan vows to keep his Colt .45 in his saddle bag. But when these lowlife devils pull out sticks of dynamite, a man has to do what a man has to do—before the whole town is blown to kingdom come. . . . Live Free. Read Hard.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.