The Burl Ives Song Book

First published in 1948, this autobiography from Burl Ives, whom Carl Sandberg calls “the greatest folk ballad singer of them all,” is as fresh and wholesome as a summer’s breeze out of an Illinois cornfield. His ballads have long been an authentic expression of his land and its people—songs his grandmother taught him in the Midwestern farm country, songs remembered by old-timers in small towns all over the land, songs he heard hobos singing—songs we have come to know and love. In Wayfaring Stranger, writing in the stirring imaginative language of the ballad, Burt Ives tells of a night spent in a haystack with a pig, and of a brief fight with a railroad cop on top of a boxcar. He hitched a ride with Al Capone’s master bootlegger; he barely escaped the clutches of an old maid in Maine; he fell in love on a Great Lakes steamer; he played for evangelists and politicians; in speakeasies and public parks. Always he listened to the people, and he learned their songs. Anywhere he could get an audience, he sang his ballads: Barbara Allen, The Riddle Song, Fair Eleanor, Old Smokey, Silver Dagger, Foggy Foggy Dew. Now in Wayfaring Stranger, he has written his own story—as warm and appealing as the songs he sings. “It’s a fine book, warm, and full-bided, like Burl himself. Burl gives the reader the combination which is in everything he sings: a sense of dignity without pretentiousness, of simplicity without sentimentality. He makes the folk feeling richly alive. Some of his little character sketches remind me of the unforgettable etchings in Sherwood Anderson’s Winesburg. In short, Burl tells stories just the way he plays and sings—naturally, unaffectedly, poignantly.”—Louis Untermeyer

This history of folk music looks at musicians, collectors and other figures from around the world. The book presents an overview of international folk roots and shows the contributions of the artists and the evolution of folk music as a force for political and social change. Profiles of Pete Seeger, Burl Ives, Woody Guthrie and others show how the stage was set for the American folk revival of the 1960s.

This book provides a stimulating account of the dominant cultural forms of 1950s America: fiction and poetry; theatre and performance; film and television; music and radio; and the visual arts. Through detailed commentary and focused case studies of influential texts and events - from Invisible Man to West Side Story, from Disneyland to the Seattle World's Fair, from Rear Window to The Americans - the book examines the way in which modernism and the cold war offer two frames of reference for understanding the trajectory of postwar culture. The two core aims of this volume are to chart the changing complexion of American culture in the years following World War II and to provide readers with a critical investigation of 'the 1950s'. The book provides an intellectual context for approaching 1950s American culture and considers the historical impact of the decade on recent social and cultural developments.