The Cambridge Companion To David Hare

David Hare is one of the most important playwrights to have emerged in the UK in the last forty years. This volume examines his stage plays, television plays and cinematic films, and is the first book of its kind to offer such comprehensive and up-to-date critical treatment. Contributions from leading academics in the study of modern British theatre sit alongside those from practitioners who have worked closely with Hare throughout his career, including former Director of the National Theatre Sir Richard Eyre. Uniquely, the volume also includes a chapter on Hare's work as journalist and public speaker; a personal memoir by Tony Bicât, co-founder with Hare of the enormously influential Portable Theatre; and an interview with Hare himself in which he offers a personal retrospective of his career as a film maker which is his fullest and clearest account of that work to date.

This series contains what no other study guides can offer - extensive first-hand interviews with the playwrights and their closest collaborators on all of their major work, put together by top academics especially for the modern student market. As well as invaluable synopses, biographical essays and chronologies, these guides allow the student much closer to the playwright than ever before! In About Hare, Professor Richard Boon provides an in-depth study of one of the great post-war British playwrights. His study includes a rigorous analysis of Hare's work, as well as interviews with Hare and those who helped to put his work on stage, including Bill Nighy, Vicki Mortimer, Sir Richard Eyre, Lia Williams and Jonathan Kent. With the increasing interest in this major playwright, whose work attracts the very best of acting talent, this book is a timely publication for student and theatregoer alike.

The first comprehensive study of British and American films adapted from modern British plays.

This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced. 1965–1979, covers the period often accepted as the 'golden age' of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of 'alternative' performance venues. Leading academics provide case studies of six of the most important companies, including: * CAST, by Bill McDonnell (University of Sheffield, UK) * The People Show, by Grant Tyler Peterson (Brunel University London, UK) * Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK) * Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK) * Welfare State International, by Gillian Whitely (Loughborough University, UK) * 7:84 Theatre Companies, by David Pattie (University of Chester, UK).

A young lawyer's involvement in her first case leads her through a criminal justice system - police, courts and prisons - which is cracking at the seams.Murmuring Judges is the second play in David Hare's highly acclaimed trilogy about British institutions. Racing Demon, which won four awards as Play of the Year in 1990, was the first part of the trilogy and examined the Church. The Absence of War, a play about the Labour Party, completed the trilogy.

Essential for students of Theatre Studies, this series of six decadal volumes provides a critical survey and reassessment of the theatre produced in each decade from the 1950s to the present. Each volume equips readers with an understanding of the context from which work emerged, a detailed overview of the range of theatrical activity and a close study of the work of four of the major playwrights by a team of leading scholars. Chris Megson's comprehensive survey of the theatre of the 1970s examines the work of four playwrights who came to promience in the decade and whose work remains undiminished today: Caryl Churchill (by Paola Botham), David Hare (Chris Megson), Howard Brenton (Richard Boon) and David Edgar (Janelle Reinelt). It analyses their work then, its legacy today and provides a fresh assessment of their contribution to British theatre. Interviews with the playwrights, with directors and with actors provides an invaluable collection of documents offering new perspectives on the work. Revisiting the decade from the perspective of the twenty-first century, Chris Megson provides an authoritative and stimulating reassessment of British playwriting in the 1970s.

A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.

Twenty years after Tony Kushner's influential Angels in America seemed to declare a revitalized potency for the popular political play, there is a "No Politics" prejudice undermining US production and writing. This book explores the largely unrecognized cultural patterns that discourage political playwriting on the contemporary American stage.