The Cambridge Companion To Tacitus

Tacitus is universally recognised as ancient Rome's greatest writer of history, and his account of the Roman Empire in the first century AD has been fundamental in shaping the modern perception of Rome and its emperors. This Companion provides a new, up-to-date and authoritative assessment of his work and influence which will be invaluable for students and non-specialists as well as of interest to established scholars in the field. First situating Tacitus within the tradition of Roman historical writing and his own contemporary society, it goes on to analyse each of his individual works and then discuss key topics such as his distinctive authorial voice and his views of history and freedom. It ends by tracing Tacitus' reception, beginning with the transition from manuscript to printed editions, describing his influence on political thought in early modern Europe, and concluding with his significance in the twentieth century.

A Companion to Tacitus brings much needed clarity and accessibility to the notoriously difficult language and yet indispensable historical accounts of Tacitus. The companion provides both a broad introduction and showcases new theoretical approaches that enrich our understanding of this complex author. Tacitus is one of the most important Roman historians of his time, as well as a great literary stylist, whose work is characterized by his philosophy of human nature Encourages interdisciplinary discussion intended to engage scholars beyond Classics including philosophy, cultural studies, political science, and literature Showcases new theoretical approaches that enrich our understanding of this complex author Clarifies and explains the notoriously difficult language of Tacitus Written and designed to prepare a new generation of scholars to examine for themselves the richness of Tacitean thought Includes contributions from a broad range of established international scholars and rising stars in the field

No field of Latin literature has been more transformed over the last couple of decades than that of the Roman historians. Narratology, a new receptiveness to intertextuality, and a re-thinking of the relationship between literature and its political contexts have ensured that the works of historians such as Livy, Sallust, and Tacitus will be read as texts with the same interest and sophistication as they are used as sources. In this book, topics central to the entire tradition, such as conceptions of time, characterization, and depictions of politics and the gods, are treated synoptically, while other essays highlight the works of less familiar historians, such as Curtius Rufus and Ammianus Marcellinus. A final section focuses on the rich reception history of Roman historiography, from the ancient Greek historians of Rome to the twentieth century. An appendix offers a chronological list of the ancient historians of Rome.

This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.

A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.

A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.

“A model of popular intellectual history. . . . In every way, ?A Most Dangerous Book is a most brilliant achievement.”—Washington Post When the Roman historian Tacitus wrote the Germania, a none-too-flattering little book about the ancient Germans, he could not have foreseen that centuries later the Nazis would extol it as “a bible” and vow to resurrect Germany on its grounds. But the Germania inspired—and polarized—readers long before the rise of the Third Reich. In this elegant and captivating history, Christopher B. Krebs, a professor of classics at Harvard University, traces the wide-ranging influence of the Germania, revealing how an ancient text rose to take its place among the most dangerous books in the world.

This 2000 book examines Tacitus' Annals as an ironic portrayal of Julio-Claudian Rome, through close analysis of passages in which characters engage in interpretation and misreading. By representing the misreading of signifying systems - such as speech, gesture, writing, social structures and natural phenomena - Tacitus obliquely comments upon the perversion of Rome's republican structure in the new principate. Furthermore, this study argues that the distinctively obscure style of the Annals is used by Tacitus to draw his reader into the ambiguities and compromises of the political regime it represents. The strain on language and meaning both portrayed and enacted by the Annals in this way gives voice to a form of political protest to which the reader must respond in the course of interpreting the narrative.