The Cambridge Quintet

In this narrative tour-de-force, five of the greatest minds of the 20th century argue whether machines will ever have the ability to think like humans--and whether they should be allowed to do so.

Table of contents

On its first appearance in 1891, Brahms' Clarinet Quintet was immediately recognised as a remarkable achievement, and a century later it still has the power to claim the hearts and minds of players and audiences alike. Widely regarded as Brahms' supreme achievement in the field of chamber music, the Clarinet Quintet is here placed in the context of the history of the clarinet and its repertory, and of Brahms' own compositions before 1891. The influence of the Meiningen clarinet virtuoso Richard Mühlfeld unleashed a new vein of creativity in Brahms, and this forms a basis for discussion, together with questions of performance practice (in relation to both clarinet and string quartet) and the legacy of Brahms' clarinet music. These chapters are complemented by a comprehensive analysis of the music.

Rosy Gilchrist and her hesitant sidekicks, Felix Smythe and Professor Cedric Dillworthy, are visiting Cambridge: Rosy to attend a Newnham reunion, and Felix and Cedric to attend preparations for the unveiling of a statue of the latter's old tutor. But plans for the statue are far from set in stone, and the meddling Gloria Biggs-Boothby is determined to see it created by another artist. It's inconvenient, then, when he turns up dead.As Rosy and her associates become increasingly embroiled in events, they face a number of teasing questions: is the deaf and frail Emeritus Prof. Aldous Phipps quite as benign as he seems? Is the Bursar a secret misogynist with a rooted aversion to large women (e.g. to Gloria)? And who is the unwitting husband that Dr John Smithers is so busy cuckolding?

This history covers mainland and island Southeast Asia from Burma to Indonesia. Volume I is from prehistory to c1500. Volume II discusses the area's interaction with foreign countries from c1500-c1800. Volume III charts the colonial regimes of 1800-1930 and Volume IV is from World War II to 1999.

A necessary and thought-provoking read for the age of coronavirus, exploring eleven scenarios that may trigger the collapse of the modern world — from pandemics to nuclear apocalypse to robot uprisings — and what we can do to prevent and survive them. In the twenty first century, our world has become impossibly complicated, relying on ever more advanced technology that is developing at an exponential rate. Yet it is a fact of mathematical life that higher and higher levels of complexity lead to systems that are increasingly fragile and susceptible to sudden, spectacular collapse. In this highly provocative and grippingly readable book, John Casti brilliantly argues that today’s advanced, overly complex societies have grown highly vulnerable to extreme events that will ultimately topple civilization like a house of cards. Like Nassim Taleb’s The Black Swan meets Jared Diamond’s Collapse, Casti’s book provides a much-needed wake-up call, sounding a fascinating and frightening warning about civilized society’s inability to recover from a global catastrophe. An eye-opening and necessary read, X-Events is a shocking look at a world teetering on the brink of collapse, and a population under constant threat from pandemic viruses, worldwide communication breakdowns, nuclear winter, or any number of unforeseeable “X-Events.” Fascinating and chilling, X-Events provides a provocative tour of the catastrophic outlier scenarios that could quickly send us crashing back to the preindustrial age – and shows that they may not be as far-fetched as they seem.

Günter Grass is Germany's best-known and internationally most successful living author, from his first novel The Tin Drum to his recent controversial autobiography. He is known for his tireless social and political engagement with the issues that have shaped post-War Germany: the difficult legacy of the Nazi past, the Cold War and the arms race, environmentalism, unification and racism. He was awarded the Nobel Prize for literature in 1999. This Companion offers the widest coverage of Grass's oeuvre across the range of media in which he works, including literature, television and visual arts. Throughout, there is particular emphasis on Grass's literary style, the creative personality which inhabits all his work, and the impact on his reputation of revelations about his early involvement with Nazism. The volume sets out, in a fresh and lively fashion, the fundamentals that students and readers need in order to understand Grass and his individual works.