The Cartography Of Being

Without you, I have taken to drawing maps on the backs of photographs. On the coast in a raincoat your smile has been dented by a lake, the fluting arms of rivers have made your shoulders look like the bark of birches. from "Cartographer" In Cartography and Walking, Adam Dickinson charts his own listening -- an acute listening of eye and ear, a listening with both body and mind. "Cartography" is more than a metaphor for him, it's a way of being. It is how we dwell in the world, and how intimacy enriches such dwelling. Yet "cartography" is the presiding metaphor, the structure of this book; in giving it such a place, Dickinson reminds the reader of that very human impulse to plot, to imagine. Each poem is itself a kind of mapping, through language and sound, through minute observation, until land, love, and everyday life are given new embodiment, are newly discovered, and a reader finds new countries in strangely familiar settings. "There is a generous, ingenious listening in Adam Dickinson's Cartography and Walking -- bats, houses, bears, killdeer, honey kept under the sink, atlases open on a floor. The things seem to become themselves in this hearing. The world the ear holds in these poems is a good place to stand." -- Tim Lilburn "The supple voice in Adam Dickinson's poetry distills the complexities of emotion and intellect into a clarity of phrasing and metaphor. One hopes for readers who listen half as carefully to the subtleties of his poetry as he listens to the world he evokes. For Adam Dickinson, cartography provides the imaginative contour lines for mapping the features of a colloquy between human experience and the natural world, a world at once familiar and strange, that we call home." -- Ross Leckie

2003 Commonwealth Writers Prize for Best First Book (Caribbean & Canada Region) 2002 City of Calgary W. O. Mitchel Book Award 2001 Canongate Prize for short fiction The Scent of a Lie is a book of fourteen inter-connected stories set in two charismatic towns in Portugal where characters weave in and out of the narrative. The book can be read as a novel in fragments. This is a remarkable debut collection of tales told by a true storyteller. The Scent of a Lie received the 2003 Commonwealth Writers Prize for Best First Book in the Caribbean & Canada region and the 2002 City of Calgary Book Award. One of the stories received the 2001 Canongate Prize for short fiction at the International Book Festival in Edinburgh, Scotland. The Scent Of A Lie, (...) marks the debut of a remarkable writer. - John Terauds, Toronto Star With this book of linked stories, Paulo Da Costa adds piquant new spice to the CanLit broth. Paying homage to a fabulist tradition running from Marquez and Borges and Carlos Fuentes all the way back to Cervantes, Da Costa evokes his God-beset, earthbound peasants, priests and villagers with palpable, redolent precision. Jim Bartley, The Globe and Mail The reader can see just how well da Costa writes: the language here is lyrical and flowing, and the imaginativeness of the stories speaks for itself. Da Costa is clearly a writer to watch. Tim McNamara, Edmonton Journal The most uniformly fresh, sprightly, meaty work of Canadian fiction I’ve read in a long time. Vue weekly, Print Culture - Christopher Wiebe

USA TODAY AND LA TIMES BESTSELLER Finalist for the LA Times Book Prize! “The Cartographers is one of those brilliant books you have to read twice.” — Washington Post “There are echoes of Borges and Bradbury, Pynchon and Finian’s Rainbow, but Ms. Shepherd’s exhilarating and enjoyable work casts a magical glow all its own.” — Wall Street Journal From the critically acclaimed author of The Book of M, a highly imaginative thriller about a young woman who discovers that a strange map in her deceased father’s belongings holds an incredible, deadly secret—one that will lead her on an extraordinary adventure and to the truth about her family’s dark history. What is the purpose of a map? Nell Young’s whole life and greatest passion is cartography. Her father, Dr. Daniel Young, is a legend in the field and Nell’s personal hero. But she hasn’t seen or spoken to him ever since he cruelly fired her and destroyed her reputation after an argument over an old, cheap gas station highway map. But when Dr. Young is found dead in his office at the New York Public Library, with the very same seemingly worthless map hidden in his desk, Nell can’t resist investigating. To her surprise, she soon discovers that the map is incredibly valuable and exceedingly rare. In fact, she may now have the only copy left in existence...because a mysterious collector has been hunting down and destroying every last one—along with anyone who gets in the way. But why? To answer that question, Nell embarks on a dangerous journey to reveal a dark family secret and discovers the true power that lies in maps... Perfect for fans of Joe Hill and V. E. Schwab, The Cartographers is an ode to art and science, history and magic—a spectacularly imaginative, modern story about an ancient craft and places still undiscovered.

Map Worlds plots a journey of discovery through the world of women map-makers from the golden age of cartography in the sixteenth-century Low Countries to tactile maps in contemporary Brazil. Author Will C. van den Hoonaard examines the history of women in the profession, sets out the situation of women in technical fields and cartography-related organizations, and outlines the challenges they face in their careers. Map Worlds explores women as colourists in early times, describes the major houses of cartographic production, and delves into the economic function of intermarriages among cartographic houses and families. It relates how in later centuries, working from the margins, women produced maps to record painful tribal memories or sought to remedy social injustices. Much later, one woman so changed the way we think about continents that the shift has been likened to the Copernican revolution. Other women created order and wonder about the lunar landscape, and still others turned the art and science of making maps inside out, exposing the hidden, unconscious, and subliminal “text” of maps. Shared by all these map-makers are themes of social justice and making maps work for the betterment of humanity.

Thematic Mapping: 101 Inspiring Ways to Visualise Empirical Data explores the rich diversity of thematic mapping using a single dataset from the 2016 US presidential election.

Winner of the 2019 International Cartographic Conference - Educational Products award: A comprehensive, one-stop-shop cartography guide, Cartography. serves as a reference and an inspiration for anyone who is required to make a map, but it does so using a modern visual style.

Our critically acclaimed smash hit Cartographies of Time is now available in paperback. In this first comprehensive history of graphic representations of time, authors Daniel Rosenberg and Anthony Grafton have crafted a lively history featuring fanciful characters and unexpected twists and turns. From medieval manuscripts to websites, Cartographies of Time features a wide variety of timelines that in their own unique ways, curving, crossing, branching, defy conventional thinking about the form. A fifty-four-foot-long timeline from 1753 is mounted on a scroll and encased in a protective box. Another timeline uses the different parts of the human body to show the genealogies of Jesus Christ and the rulers of Saxony. Ladders created by missionaries in eighteenth-century Oregon illustrate Bible stories in a vertical format to convert Native Americans. Also included is the April 1912 Marconi North Atlantic Communication chart, which tracked ships, including the Titanic, at points in time rather than by their geographic location, alongside little-known works by famous figures, including a historical chronology by the mapmaker Gerardus Mercator and a chronological board game patented by Mark Twain. Presented in a lavishly illustrated edition, Cartographies of Time is a revelation to anyone interested in the role visual forms have played in our evolving conception of history