The Casanova

In T L Swan's steamy third installment of the Miles High Club, Kate's hot new pen pal is a welcome distraction from her horrible boss. But nobody is as distracting as Elliot Miles...and he knows it. My favorite hobby is infuriating Elliot Miles. Just the sight of my boss's handsome face triggers my sarcasm. God knows how he earns his Casanova reputation--if a million women want him with his personality, what the heck am I doing wrong? Disgusted with my love life, I join a dating app under a fake name. I start chatting to a man named Edgar. He's not my type and lives on the other side of the world, but we hit off a friendship, laugh and confide in each other. But lately things are getting weird at work. Elliot's being...attentive. His eyes linger a little longer than they should, and there's a heat behind them that I haven't felt before. And then, in the shock of all shocks, he tells me that my vulnerability is appealing. But when was I vulnerable? Horror dawns...Has my boss been reading my emails to Edgar? Damn it, why did I use my work email? Oh no, does he know what I really think of him? I'd rather die than ever admit it. Or, even worse: is it possible that the man I loathe in real life is the man I'm falling for online?

“Sexy, surprising, funny, insightful, and wildly entertaining” (Huffington Post)—the definitive biography of Giacomo Casanova, the impoverished boy who became the famous writer, notorious libertine, and self-invented genius in decadent eighteenth-century Europe. Today, “Casanova” is a synonym for “great lover,” yet the real story of this remarkable figure is little known. A figure straight out of a Henry Fielding novel, Giacomo Casanova was erotic, brilliant, impulsive, and desperate for recognition; a self-destructive genius. Over the course of his lifetime, he claimed to have seduced more than one hundred women, among them married women, young women in convents, girls just barely in their teens, women of high and low birth alike. Abandoned by his mother, an actress and courtesan, Casanova was raised by his illiterate grandmother, coming of age in a Venice filled with spies and political intrigue. He was intellectually curious and read forbidden books, for which he was jailed. He staged a dramatic escape from Venice’s notorious prison, I Piombi, the only person known to have done so. He then fled to France, ingratiated himself at the royal court, and invented the national lottery that still exists to this day. He crisscrossed Europe, landing for a while in St. Petersburg, where he was admitted to the court of Catherine the Great. He corresponded with Voltaire and met Mozart and Lorenzo da Ponte—assisting them as they composed the timeless opera Don Giovanni. And he wrote what many consider the greatest memoir of the era, the twelve-volume Story of My Life. Laurence Bergreen’s Casanova recounts this astonishing life in rich, intimate detail, and at the same time, paints a dazzling portrait of eighteenth-century Europe, filled with a cast characters from serving girls to kings and courtiers, “great fun for any history lover” (Kirkus Reviews).

Changing perceptions about male sexuality In his groundbreaking new book, noted expert on teenage and adult masculine behavior Andrew Smiler debunks the myth that teenage boys and young men are barely able to control their sex drives, which may lead to destructive hyper-sexuality, unwanted pregnancy, and sexually transmitted diseases. Dr. Smiler helps us recognize that the majority of boys and men do not fit this stereotype and that boys’ sexual development is multi-faceted. He also shows how this shift in attitude could help create young men who are more mature, and have better relationships with partners and friends. Explains how the Casanova Complex has developed over time and how it can hurt young males Provides the latest research on male sexuality, including information from the author’s own studies. Offers guidance for parents and counselors of boys who want to help them develop lasting and meaningful relationships, as well as for the parents of girls who are dating. This book dismantles the stereotype of boys as driven only by an obsession with having intercourse with multiple partners, and calls for deeper growth and understanding of modern masculinity.

This book interrogates the enduring and controversial legend of Casanova, from a seducer of women to a man of science and key participant in the Enlightenment.

The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.

Camden Poe is the last of The Lucky Three, the surviving Pittsburgh Titans who weren’t on the team plane the night it went down. By all outward appearances, he’s adjusted to post-crash life well but inside he’s wrestling with the guilt of living. The catastrophe that killed the Pittsburgh Titans changed my entire world. My teammates were more than my friends—they were my brothers. I mourned their loss with the rest of the nation but then I did as I’ve been taught… I moved on. I focused on returning to the ice with the newly rebuilt team and put the tragedy behind me. Considering the circumstances, I adjusted well. Or so I thought. Now I’m plagued by nightmares of the crash and my play has suffered as a result. Facing the possibility of losing my place on the team, I need to pull myself together and fast. My buddy and linemate, Mitch Brandt died in the crash, leaving his wife Danica and son Travis behind to pick up the pieces of their shattered family. After reconnecting with Danica at a support group meeting, I find myself inexplicably drawn to helping her and her son move forward. What starts as two friends finding solace in one another following a tragedy becomes something more, leaving us both wondering if we deserve this chance. I feel as if I’m walking a precarious line between a man falling for an incredible woman and a man moving in on his dead friend’s wife. But one thing is crystal clear—I’ve found a peace with Danica that I wasn’t sure I’d ever have again. Now I need to find the confidence within myself to push past the insecurities and make sure she knows how important she is to me because if I don’t, I’ll lose the one thing that makes me truly complete.

Trachtenberg, a recovering Casanova, takes the reader on a fascinating journey inside the Casanova complex, telling what a life of migratory sexuality is really like and who the women are that make it possible. He describes the syndrome as a true compulsive disorder, similar to alcoholism.

What do Woody Allen, O.J. Simpson, and Gary Condit have in common with Leslie Cauldwell, protagonist of Nersesian's latest offering? They are Suicide Casanovas. What compels powerful men in the prime of their professional lives to risk so much? Following the commercial success of his first four novels, Suicide Casanova presents a psychosexual thriller, a dramatic departure from his youthful black comedies: Humbert Humbert without the paedophile penchant, Hannibal Lechter without the appetite.