The Castle Community

Lists of owners, constables, and other known officials of English and Welsh castles, with sources. Arranged alphabetically by name of castle within each county.

This original and pioneering book examines the role of the castle in the Norman conquest of England and in the subsequent administration of the country. The castle is seen primarily as an instrument of peaceful administration which rarely had a garrison and was more often where the sheriff kept his files and employed his secretariat. In most cases the military significance of the castle was minimal, and only a very few ever saw military action. For the first time, the medieval castle in England is seen in a new light which will attract the general reader of history and archaeology as much as the specialist in economic and social history.

This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at "The Castle" during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of "conversation" as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. The book is divided into three sections. The first contains essays by project curator Mary Jane Jacob, critic and coeditor Michael Brenson, and cultural critic Homi K. Bhabha. Their essays describe fresh approaches to contemporary art and its audiences at a time of increased access through technology and decreased government funding. The second section contains essays by the six artists/collaborative teams involved in the project. Their works, aimed at public participation, included installation-performances, collaborations with Atlanta communities, cross-country tours, and the creation and presentation of food as a means to stimulate conversation and construct community. The artists are: artway of thinking (Italy), Ery Camara (Senegal/Mexico), Mauricio Dias and Walter Riedweg (Brazil/Switzerland), Regina Frank (Germany), IRWIN (Slovenia), and Maurice O'Connell (Ireland).The final section contains seven essays by the critics, curators, educators, administrators, and artists who led the "Conversations on Culture" at The Castle. The essays are by Jacquelynn Baas, Michael Brenson, Lisa Graziose Corrin, Amina Dickerson and Tricia Ward, Steven Durland, Susan Krane, and Susan Vogel.

Castles are perhaps the greatest symbol of the Middle Ages. But what was life like inside these mighty fortresses? This book examines the rise of castles as the center of noble life and provides information on the men, women, and children who lived within the castle walls.

In 2020 and 2021, at the height of the Covid pandemic, Gwrych Castle was familiar to the British public as the setting of I’m A Celebrity... Get Me Out Of Here! Lesser known is that, at the beginning of the Second World War, this once-grand country house in North Wales became home to around two hundred Jewish refugee children who had been rescued from Europe on the Kindertransport. Under trying conditions, while the families they had been separated from faced the gravest of dangers, these children and their adult guardians established a Hachshara at Gwrych Castle: a training centre intended to prepare them for the dream of establishing a Jewish homeland in Palestine (Eretz Yisrael), where they hoped one day to be reunited with the families they left behind. In this fascinating debut, historian Andrew Hesketh tells the story of these refugees and the community they built, shining a light on a chapter of Jewish history that deserves to be far more widely known. He recounts moving moments of friendship, respect, tension and humour as the new arrivals and local residents came to know each other, while the shadows of war loomed ever closer, and the Hachshara project found itself facing an uncertain future.

Kafka's story about a man seeking acceptance and access to the mysterious castle is among the central works of modern literature. This translation follows the German critical text and includes a detailed introduction and notes to this famously enigmatic novel.

Thirteenth-century England was a special place and time to be a bishop. Like their predecessors, these bishops were key members of the regnal community: anointers of kings, tenants-in-chief, pastors, counsellors, scholars, diplomats, the brothers and friends of kings and barons, and the protectors of the weak. But now circumstance and personality converged to produce an uncommonly dedicated episcopate-dedicated not only to its pastoral mission but also to the defence of the kingdom and the oversight of royal government. This cohort was bound by corporate solidarity and a vigorous culture, and possessed an authority to reform the king, and so influence political events, unknown by the episcopates of other kingdoms. These bishops were, then, to place themselves at the heart of the dramatic events of this era. Under King John and Henry III-throughout rebellion, civil war, and invasion from France, and the turbulent years of Minority government and Henry's early personal rule-the bishops acted as peacemakers: they supported royal power when it was threatened, for the sake of regnal peace, but also used their unique authority to reform the king when his illegal actions threatened to provoke his barons to rebellion. This changed, however, between 1258 and 1265, when around half of England's bishops set aside their loyalty to the king and joined a group of magnates, led by Simon de Montfort, in England's first revolution, appropriating royal powers in order to establish conciliar rule. Bishops in the Political Community of England, 1213-1272 examines the interaction between the bishops' actions on the ground and their culture, identity, and political thought. In so doing it reveals how the Montfortian bishops were forced to construct a new philosophy of power in the crucible of political crisis, and thus presents a new ideal-type in the study of politics and political thought: spontaneous ideology.