The Catastrophist

The Catastrophist is a brilliant, highly acclaimed novel of love, passion, violence, and desire, set in the Belgian Congo in 1959. While expatriates loll about their pools in a colonial paradise soon to erupt into chaos, huge crowds are drawn to the charismatic Congolese independence leader Patrice Lumumba -- and his even more dangerous rivals. One man sees the cracks appearing around him and struggles to hold on to his lover, his sanity, and ultimately, his life. Gillespie, the outsider, a journalist, is in Léopoldville for the beautiful Italian, Inés. He is desperate for her love, while she is obsessed with the unfolding drama, caught up in history, ideology, hero worship. In a world slipping out of control, gripped by disgust, fear, and incomprehension, Gillespie feels that events threaten to overwhelm him -- as does his friendship with the amiable but sinister American, Stipe; his relationship with his canny native driver, Auguste; and, above all, his love for Inès. It is Inès who defines Gillespie as a catastrofista, an Italian word for somebody for whom "no problem is small. Nothing can be fixed; it is always the end," for Gillespie is deeply pessimistic and skeptical about their relationship as well as politics, while Inès believes in engagement and commitment, whatever the risks -- which, as it turns out, are greater than either of them can foresee. As colonial corruption and injustice give way to turmoil, brutality, and murder, Gillespie is finally forced to confront what is happening before his eyes. In subtle, haunting prose, Ronan Bennett captures the complex connection between the personal and the political, between cruelty and lust, between eroticism and love, between courage and fear, between detachment and involvement. The Catastrophist is a bold, courageous novel, at once a searing love story and a terrifying political thriller, in the tradition of such books as Graham Greene's The Comedians or such postcolonial classics as The Year of Living Dangerously -- an erotic Heart of Darkness for the twentieth century.

Honestly the best science I've ever done and - frankly the best science in the history of humankind - has started with the same thought experiment: find the ways in which humanity thinks it is special... and assume that we're not. How do you plan for a catastrophe? Virologist Nathan Wolfe, named one of TIME's 100 Most Influential People in the World for his work tracking viral pandemic outbreaks, proposed pandemic insurance years before the novel coronavirus outbreak. No one bought it. Now, in a post-COVID world, we hear his story. A time-jumping tale based on the life and work of Nathan Wolfe (who also happens to be the playwright's husband). Though not a play about COVID19, it is a true story of a pandemic expert. A deep dive into the profundities of scientific exploration and modern Judaism, the lengths one goes for love and family, the bracing truths of fatherhood and discovery, and the harrowing realities of facing your own mortality, The Catastrophist is also a story of a main character battling the story he's in... and who is writing it.

How do you plan for a catastrophe? Virologist Nathan Wolfe, named one of TIME's 100 Most Influential People in the World for his work tracking viral pandemic outbreaks, proposed pandemic insurance years before the novel coronavirus outbreak. No one bought it. Now, in a post-COVID world, we hear his story. A time-jumping tale based on the life and work of Nathan Wolfe (who also happens to be the playwright's husband). Though not a play about COVID19, it is a true story of a pandemic expert. An deep dive into the profundities of scientific exploration, the lengths one goes for love and family, the bracing truths of fatherhood and discovery, and the harrowing realities of facing your own mortality, The Catastrophist is a world premiere theatrical experience built of and for this moment in time.

"Meet Daniel Wellington. Art historian, academic star, devoted husband, and futurephobe. Although Daniel has known nothing but success, he's convinced the future promises nothing but disaster. When his wife presents him with a tiny, size XXS Yale sweatshirt, Daniel is seized by the impulse to bolt; the specter of imminent fatherhood sends him into a full-blown existential crisis."--Jacket.

Our world is reeling from dire economic crises and ecological disasters. Visions of the apocalypse and impending doom abound. Governments warn that no alternative exists to taking the bitter medicine they prescribe. Catastrophism explores the politics of apocalypse, on the left and right, in the environmental movement, and from capital and the state, and examines why the lens of catastrophe distorts our understanding of the dynamics at the heart of numerous disasters and fatally impedes our ability to transform the world. The authors challenge the belief that it is only out of the ashes that a better society may be born.

The Cosmic Serpent was a giant comet that terrorized mankind in prehistoric times. As a fiery dragon and hurler of thunderbolts, it wrought destruction and disaster upon the Earth. In the last three thousand years, however, these stupendous facts have been all but erased from human memory; not on purpose but simply because we have never arrived at a proper understanding of comets. Now, in this scholarly and entertaining enquiry, the authors bring to bear a battery of modern knowledge gathered by radio-telescopes, satellites, moonshots and the like; and step by step, they unveil for us a remarkable new vision of man's dramatic past and hazardous future.

Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.

A penetrating and ambitious historical novel, Havoc, in Its Third Year is an ingenious, often deeply unnerving narrative of seventeenth-century England that speaks directly to the fanaticism and fears of today. The time is the early seventeenth century, as the quarrel between Royalists and Parliamentarians turns toward civil war, and that between Catholics and Protestants leads toward bloody religious tyranny; the place is a town in northern England, set in a grim landscape swept by crop failures, plague and rumors of war, in which rigid Puritans have taken over government and imposed their own rules. At the center of the novel is John Brigge, the Coroner and a Governor of the town, though not by any means as convinced a zealot as his fellow governors have become. Married and deeply in love with Elizabeth, who is pregnant with their first child, he has a guilty secret to hide in his affection for Dorcas, his wife's ward -- a secret which, in the world of religious prejudice and extremism toward which England is moving, can be lethal. Determined to obey the law, rather than prejudice and the need to make an example of an Irishwoman accused of murdering her own infant, Brigge draws upon himself the hostility and suspicion of the powerful men who have been his fellow governors and who now set out to destroy him in the name of morality. Brigge is both sympathetic and deeply vulnerable. He genuinely loves Elizabeth and longs for their child to be born, but he is also deeply attracted to Dorcas; he is, however guardedly, of "the old faith" and does not hesitate to hide a priest; he favors the wretched vagrants who infest the roads, seeking shelter and a bite to eat, and employs one of them on his farm. He insists on finding out the truth about the Irishwoman's baby, despite the fact that everybody has already decided on her guilt. In short, without intending to do so, John Brigge offers himself up as a victim by refusing to cooperate with the political and religious masters of the town or to subordinate his own conscience to their demand for rigid obedience and piety. Even his own clerk Adam, whom he regards as a son, turns against him in the end in a struggle that will almost cost Brigge his life and that sends him out into a cold and dangerous world, having sacrificed everything he once held dear, stripped of his power and authority, but made heroic by his commitment to love, truth and human feelings. Havoc, in Its Third Year is a novel of great power, drama and terror, at once a love story and a superb work of historical fiction. It confirms Ronan Bennett's reputation as a masterful creator.