The Catcher In The Rye

Anyone who has read J.D. Salinger's New Yorker stories, particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme--With Love and Squalor, will not be surprised by the fact that his first novel is full of children. The hero-narrator of THE CATCHER IN THE RYE is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices--but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.

J. D. Salinger wrote one of the most famous books ever written, The Catcher in the Rye. Salinger wrote many stories and, in 1941, after several rejections, Salinger finally cracked The New Yorker, with a story, "Slight Rebellion Off Madison," that was an early sketch of what became a scene in "The Catcher in the Rye". The magazine then had second thoughts in part because of World War II in which Salinger was in combat, and held the story for five years before finally publishing it in 1946, buried in the back of an issue. Everyone was surprised when the story and the book that followed it became a bit hit. Even today nobody can really explain why Catcher in the Rye is so famous and so popular. Yet, millions have been sold and are still being sold even though only available as used books nowadays. When The Catcher in the Rye was published in 1951, it was registered for copyright as "additional material". This obviously referred to the earlier work "Slight Rebellion Off Madison". The copyright page on "The Catcher in the Rye" states "Copyright 1945, 1946, 1951 by J. D Salinger". The date of 1945 obviously refers to the publication of "I'm Crazy", a short story written by Salinger and published in the December 22, 1945 issue of Collier's magazine that first introduced the character Holden Caulfield to the reading public. Salinger later reworked this short story to incorporate it into The Catcher in the Rye. The two earlier stories are "I'm Crazy", an early version of Holden's departure from prep school that later shows up in The Catcher in the Rye. With minor alteration, much of this story is familiar to readers as the chapter where Holden visits Mr. Spencer. What sets this story apart is the presence of an additional Caulfield sister and the clarity of Holden's resignation and compromise at the end. "Slight Rebellion off Madison" is an early version of another scene in The Catcher in the Rye. The story follows Holden when he is home from Pency and goes to the movies, then skating with Sally Hayes, followed by his drunken calls to her apartment late at night. An early story, it is the first of Salinger's Caulfied works to be accepted for publication.

Literary ombudsman John Crace never met an important book he didn't like to deconstruct. From Salman Rushdie to John Grisham, Crace retells the big books in just 500 bitingly satirical words, pointing his pen at the clunky plots, stylistic tics and pretensions of Big Ideas, as he turns publishers' golden dream books into dross.

Collects essays that look at J.D. Salinger's "The Catcher in the Rye" through a philosophical approach.

Five essays focus on various aspects of the novel from its ideology within the context of the Cold War and portrait of a particular American subculture to its account of patterns of adolescent crisis and rich and complex narrative structure.

Originally published: New York: V Publishing, 2012, as: Chameleon on a kaleidoscope.

Long ago, The Lord Aiduel emerged from the deserts of the Holy Land, possessed with divine powers. He used these to forcibly unify the peoples of Angall, before His ascension to heaven.

One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called 'the real stuff of tragedy.' The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The 'native' is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life.