The Ceramic Sequence Of The Holmul Region Guatemala

New and comprehensive sequencing of the ceramics in Guatemala's Holmul region provides answers to important questions in Maya archaeology. In this comprehensive and highly illustrated new study, authors Callaghan and Neivens de Estrada use type: variety-mode classification to define a ceramic sequence that spans approximately 1,600 years.

The two volumes of the central Tikal ceramic reports (Tikal Reports 25A and 25B) present the information gathered from the analysis of all ceramics recovered by the University of Pennsylvania research project at Tikal between 1956 and 1970. Tikal Report 25A (Culbert 1993) contains illustrations and brief descriptive captions for all whole vessels recovered from burials, caches, and problematical deposits. Because Tikal Report 25A illustrates the often-spectacular decorated vessels from major burials, it is of the most general interest for comparative purposes. This volume, Tikal Report 25B, presents the Tikal sequence of nine ceramic complexes (the analysis of the small sample of Postclassic Caban ceramics was not completed), describes the ceramics from each complex, presents the data for all counted lots, and illustrates the material from sherd collections. It is a specialist volume, primarily of interest to those actively involved in research with Maya ceramics. The material is complemented by data in the Tikal Reports devoted to excavations and by the analysis of nonceramic artifactual material in Tikal Reports 27A and 27B (Moholy-Nagy and Coe 2008; Moholy-Nagy 2003).

Prehistoric economic relationships are often presented as genderless, yet mounting research highlights the critical role gendered identities play in the division of work tasks and the development of specialized production in pre-modern economic systems. In Gendered Labor in Specialized Economies, contributors combine the study of gender in the archaeological record with the examination of intensified craft production in prehistory to reassess the connection between craft specialization and the types and amount of work that men and women performed in ancient communities. Chapters are organized by four interrelated themes crucial for understanding the implications of gender in the organization of craft production: craft specialization and the political economy, combined effort in specialized production, the organization of female and male specialists, and flexibility and rigidity in the gendered division of labor. Contributors consider how changes to the gendered division of labor in craft manufacture altered other types of production or resulted from modifications in the organization of production elsewhere in the economic system. Striking a balance between theoretical and methodological approaches and presenting case studies from sites around the world, Gendered Labor in Specialized Economies offers a guide to the major issues that will frame future research on how men’s and women’s work changes, predisposes, and structures the course of economic development in various societies. Contributors: Alejandra Alonso Olvera, Traci Ardren, Michael G. Callaghan, Nigel Chang, Cathy Lynne Costin, Pilar Margarita Hernández Escontrías, A. Halliwell, Sue Harrington, James M. Heidke, Sophia E. Kelly, Brigitte Kovacevich, T. Kam Manahan, Ann Brower Stahl, Laura Swantek, Rita Wright, Andrea Yankowski

Pathways to Complexity synthesizes a wealth of new archaeological data to illuminate the origins of Maya civilization and the rise of Classic Maya culture. In this volume, prominent Maya scholars argue that the development of social, religious, and economic complexity began during the Middle Preclassic period (1000–300 B.C.), hundreds of years earlier than previously thought. Contributors reveal that villages were present in parts of the lowlands by 1000 B.C., challenging the prevailing models estimating when civilization took root in the area. Combining recent discoveries from the northern lowlands—an area often neglected in other volumes—and the southern lowlands, the collection then traces the emergence of sociopolitical inequality and complexity in all parts of the Yucatan peninsula over the course of the Middle Preclassic period. They show that communities evolved in different ways due to influences such as geographical location, ceramic exchange, shell ornament production, agricultural strategy, religious ritual, ideology, and social rankings. These varied pathways to complexity developed over half a millennium and culminated in the institution of kingship by the Late Preclassic period. Presenting exciting work on a dynamic and poorly understood time period, Pathways to Complexity demonstrates the importance of a broad, comparative approach to understanding Preclassic Maya civilization and will serve as a foundation for future research and interpretation. Contributors: M. Kathryn Brown | Dr. George Bey III | Tara Bond-Freeman | Fernando Robles Castellanos | Tomas Gallareta Negron | E. Wyllys Andrews V | Anthony Andrews | David S. Anderson | Lauren Sullivan | Jaime J. Awe | James F. Garber | Mary Jane Acuña | William Saturno | Bobbi Hohmann | Terry Powis | Paul Healy | Richard Hansen | Donald W. Forsyth | David Freidel | Barbara Arroyo | Richard E. W. Adams A volume in the series Maya Studies, edited by Diane Z. Chase and Arlen F. Chase

Pre-Mamom Pottery Variation and the Preclassic Origins of the Lowland Maya summarizes archaeological researchers’ current views on the adoption and first use of pottery across the Maya lowlands. Covering the early Middle Preclassic period, when communities began using and producing pottery for the first time (roughly 1000–600 BC), through to the establishment of a recognizably Maya tradition, termed the Mamom ceramic sphere (about 600–300 BC), the book demonstrates that the adoption was broadly contemporary, with variation in how the new technology was adapted locally. Analyzing ceramics found at sites in Belize, Petén (Guatemala), and Mexico, the contributors provide evidence that the pre-Mamom expansion of pottery resulted from increased dependence on maize agriculture, exploitation of limestone caprock, and greater reliance on a preexisting system of long-distance exchange. The chapters describe the individual experiences of new potting communities at various sites across the region. They are supplemented by appendixes presenting key chronological data as well as the principal types and varieties of pre-Mamom ceramic complexes across the various spheres: Xe, Eb, Swasey, Cunil, and Ek. A significant amount of new material has been excavated in the last decade, changing what is known about the early Middle Preclassic period and making Pre-Mamom Pottery Variation and the Preclassic Origins of the Lowland Maya a first read of the early ceramic prehistory of the Maya lowlands. It will be a valuable resource for students and scholars interested in the archaeology of the Maya lowlands, Mesoamerican social complexity, and ceramic technology. Contributors: E. Wyllys Andrews V, Jaime Awe, George J. Bey III, Ronald L. Bishop, Michael G. Callaghan, Ryan H. Collins, Kaitlin Crow, Sara Dzul Góngora, Jerald Ek, Tomás Gallareta Negrón, Bernard Hermes, Takeshi Inomata, Betsy M. Kohut, Laura J. Kosakowsky, Wieslaw Koszkul, Jon Lohse, Michael Love, Nina Neivens, Terry Powis, Duncan C. Pring, Kathryn Reese-Taylor, Prudence M. Rice, Robert M. Rosenswig, Kerry L. Sagebiel, Donald A. Slater, Katherine E. South, Lauren A. Sullivan, Travis Stanton, Juan Luis Velásquez Muñoz, Debra S. Walker, Michal Wasilewski, Jaroslaw Źrałka

3,000 Years of War and Peace in the Maya Lowlands presents the cutting-edge research of 25 authors in the fields of archaeology, biological anthropology, art history, ethnohistory, and epigraphy. Together, they explore issues central to ancient Maya identity, political history, and warfare. The Maya lowlands of Guatemala, Belize, and southeast Mexico have witnessed human occupation for at least 11,000 years, and settled life reliant on agriculture began some 3,100 years ago. From the earliest times, Maya communities expressed their shifting identities through pottery, architecture, stone tools, and other items of material culture. Although it is tempting to think of the Maya as a single unified culture, they were anything but homogeneous, and differences in identity could be expressed through violence. 3,000 Years of War and Peace in the Maya Lowlands explores the formation of identity, its relationship to politics, and its manifestation in warfare from the earliest pottery-making villages through the late colonial period by studying the material remains and written texts of the Maya. This volume is an invaluable reference for students and scholars of the ancient Maya, including archaeologists, art historians, and anthropologists.

Vessels can take many forms: as objects made for human interaction and handling, they both contain and are bounded by space. They can be constructed of a wide variety of materials. But the range of vessels - across history and across cultures - are unified in their potential for practicalfunctioning, whether or not a particular object is in fact made to be used in its particular context.In this volume, four essays by leading scholars tackle the category of the vessel in a comparative conversation between classical Greece, late antique Rome, pre-Columbian Mesoamerica, and ancient China. By considering the material properties of the object as container, the interactions between userand artefact, and the power of the vessel as both conceptual category and material metaphor, they argue that many vessels - and assemblages of vessels - were sites of remarkable workmanship and considerable ingenuity, smart and sophisticated commentaries on the very categories that they embody.In placing these individual case studies in dialogue, the volume offers an art historical and cross-cultural study of vessels in ancient societies, considering both objects and their archaeological contexts. Its aim is to make illuminating comparisons, contrasts, and interpretations by juxtaposingtraditions. In keeping with the aims of the series, it serves as a model for a new kind of comparative art history, one which emphasizes material culture and is attentive to questions of evidence and method, yet remains historically grounded and contextually sensitive.