The Charlotte Perkins Gilman Reader

THE CHARLOTTE PERKINS GILMAN READER is an anthology of fiction by one of America's most important feminist writers. Probably best known as the author of "The Yellow Wallpaper," in which a woman is driven mad by chauvinist psychiatry, Gilman wrote numerous other short stories and novels reflecting her radical socialist and feminist view of turn-of-the-century America. Collected here by noted Gilman scholar Ann J. Lane are eighteen stories and fragments, including a selection from Herland, Gilman's feminist Utopia. The resulting anthology provides a provocative blueprint to Gilman's intellectual and creative production.

"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.

She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.

The Charlotte Perkins Gilman Reader is an anthology of fiction by one of America's most important feminist writers. Probably best known as the author of "The Yellow Wallpaper, " in which a woman is driven mad by chauvinist psychiatry, Gilman wrote numerous other short stories and novels reflecting her radical socialist and feminist view of turn-of-the-century America. Collected here by noted Gilman scholar Ann J. Lane are eighteen stories and fragments, including a selection from Herland, Gilman's feminist Utopia. The resulting anthology provides a provocative blueprint to Gilman's intellectual and creative production.

Charlotte Perkins Gilman (1860-1935) is best known as the author of the short story The Yellow Wallpaper and a utopian novel, Herland. This reader offers a representative sample of her nonfiction writing. Presented chronologically, it emphasizes her thoughts on gender, evolution, economics, radical political movements, and women's groups.

To "Herland" and Beyond is Ann J. Lane's perceptive biography of Charlotte Perkins Gilman, one of America's most important fin-de-siecle feminists. Drawing from an abundance of diaries, letters, essays, and two autobiographies- one published and one unpublished- Lane contends that her subject's inner life can be traced through the major relationships that gave form to her personality. Accordingly, instead of being a straightforward chronology of Gilman's life, the book is divided into chapters reflecting her relationships with her parents, closest female friends, two husbands, her neurologist, and finally her daughter. Of particular significance and interest ar ethe author's analysis of the intellectual legacy of Gilman's writings and an engaging meditation on Lane's own role as biographer that manifests her affection for her subject.

‘Moving the Mountain’ (1911) is a novel by American feminist and writer, Charlotte Gilman. It is the first book of her classic utopian feminist trilogy that includes ‘Herland’ (1915) and ‘With Her in Our Land’ (1916). After suffering from memory loss due to an accident during his trip to Tibet at the age of 25, John Robertson is eventually found by his sister Nellie thirty years later. She helps him recover his memory, but on returning home to America, John is shocked to discover that much has changed and women are now emancipated. Can he learn to accept equality of the sexes and that the misogynist views of his youth no longer exist? Readers looking for a utopian twist on Margaret Atwood's ́The Handmaid's Tale ́ will love ́Moving the Mountain ́! Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson (1860-1935), was an American feminist, writer, publisher and advocate for social reform. She wrote novels, short stories, poetry, and nonfiction, and has served as a role model for future generations of feminists. She is best remembered for her semi-autobiographical short story, ‘The Yellow Wallpaper’ (1899), which she wrote after suffering a severe bout of post-childbirth depression. Other notable works include her feminist utopian trilogy, ‘Moving the Mountain’ (1911), ‘Herland’ (1915), and ‘With Her in Our Land’ (1916). Gilman also published a collection of poems addressing women’s issues, called ‘In This Our World’ (1993).