The Chinese Written Character As A Medium For Poetry
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The Chinese Written Character as a Medium for Poetry
Author | : Ernest Fenollosa,Ezra Pound,Jonathan Stalling,Lucas Klein |
Publsiher | : Fordham Univ Press |
Total Pages | : 240 |
Release | : 2009-08-25 |
Genre | : Literary Collections |
ISBN | : 9780823228706 |
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First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.
The Chinese Written Character as a Medium for Poetry
Author | : Ernest Fenollosa |
Publsiher | : San Francisco, City Lights Books |
Total Pages | : 60 |
Release | : 1936 |
Genre | : Chinese language |
ISBN | : UCAL:B3158759 |
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The Chinese Written Character as a Medium for Poetry
![The Chinese Written Character as a Medium for Poetry](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Ernest Francisco Fenollosa |
Publsiher | : Unknown |
Total Pages | : 45 |
Release | : 1969 |
Genre | : Electronic Book |
ISBN | : OCLC:463064920 |
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Instigations of Ezra Pound
Author | : Ezra Pound,Ernest Francisco Fenollosa |
Publsiher | : Unknown |
Total Pages | : 412 |
Release | : 1920 |
Genre | : Chinese language |
ISBN | : HARVARD:32044022657423 |
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The Chinese Written Character as a Medium for Poetry with Offset of the Calcutta Edition of the Pivot
![The Chinese Written Character as a Medium for Poetry with Offset of the Calcutta Edition of the Pivot](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Ernest Fenollosa |
Publsiher | : Unknown |
Total Pages | : 96 |
Release | : 2024 |
Genre | : Electronic Book |
ISBN | : OCLC:27182620 |
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Instigations
Author | : Ezra Pound,Ernest Fenollosa |
Publsiher | : CreateSpace |
Total Pages | : 210 |
Release | : 2014-12-04 |
Genre | : Electronic Book |
ISBN | : 1505374464 |
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Ezra Pound (1885 - 1972) was an American poet and harsh critic following World War I. Pound was also a key contributor to the Modernist movement. One of Pound's most famous works is Instigations which is a series of essays critiquing a variety of writers and books.
Ernest Fenollosa The Chinese Written Character As A Medium For Poetry
Author | : Flemming Olsen |
Publsiher | : Liverpool University Press |
Total Pages | : 85 |
Release | : 2011-04-18 |
Genre | : Literary Criticism |
ISBN | : 9781782840190 |
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Fenollosa's long essay, "The Chinese Written Character as a Medium for Poetry", was a ground-breaking, if idiosyncratic, poetic criticism, as well as a significant illustration of prevalent intellectual concerns. Flemming Olsen follows Fenollosa's theorising, showing the extent to which it is indebted to, and shaped by, post-Positivist tenets.
The Chinese Written Character As A Medium For Poetry
![The Chinese Written Character As A Medium For Poetry](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 2008 |
Genre | : Electronic Book |
ISBN | : OCLC:748361938 |
Download The Chinese Written Character As A Medium For Poetry Book in PDF, Epub and Kindle
First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound's understanding--it is fair to say, his appropriation--of the text. Fenollosa's manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia. Pound's editing of the essay obscured two important features, here restored to view: Fenollosa's encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa's important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound's deletions, insertions, and alterations to Fenollosa's sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa's ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.