The City As Cultural Metaphor

The urban environment offers a variety of intriguing problems for scholars in different disciplines. The city milieu is rich and varied enough for different kinds of theoretical and practical approaches. In this collection, aestheticians, architects, art historians, geographers and philosophers address questions of the city from their perspectives. The concept of metaphor is the key term by which some of the variety of the urban environment can be captured. Articles in the collection show how the urban milieu and metaphor are intertwined together both at theoretical and practical levels. The city is connected with wilderness and sin, it is studied through images and imagination, and cities such as Constantinople, Copenhagen, Helsinki and St. Petersburg are interpreted as metaphors or with the help of metaphors. The collection gives a fresh and many-sided picture to the problems we are dealing with daily when living in an urban environment.

Classic representations of the city have focused on simplistic urban dichotomies such as renewal or decline, poverty or prosperity, and vice or vigor. We are left with the question of what actually constitutes a city and what makes it and its people succeed or fail. Recent writing on the city, however, has begun to question the images, metaphors, and discourses through which the contemporary city is represented. Discussing recent visual, architectural and spatial transformations in New York and other major world cities in relation to the themes of ethnicity, capital, and culture, Re-Presenting the City moves between interpretive representations of the newly emerging metropolis and the theoretical and methodological questions raised by the task of such representations. Contributors with backgrounds in urban planning, sociology, cultural studies, architecture, art history, geography, and philosophy reflect on the construction of both the real and the unreal city, the images, metaphors and discourses through which the contemporary city is represented, and the texts which both mediate our experience of, as well as contribute to producing, the city of the future.

Throughout history, the vision of a new city - the heavenly Jerusalem coming down from heaven - has inspired human beings to dream about community, society, and the world. Acting as an incentive to turn unsatisfied longing into utopian ideas and, ultimately, action, the language of the Apocalypse of John has long inspired human imagination in a highly effective manner. This fact has contributed to its controversial role in the history of New Testament interpretation; its bizarre, often paradoxical language seems to veil, rather than reveal, its message. Interestingly, the Apocalypse has never ceased to be an inspiration for artists: unlike conceptual language, art does not restrict interpretation, but has the power to incite the reader or audience to imagine. Using artistic expression as paradigm, this book examines a central image - the city - as metaphorical material, investigating the dynamic, interpretive process from text to imagination.

As cities globally re-design their urban landscapes, they produce a different urban aesthetic and create new experiential milieus. Urban regeneration processes generate radical physical, social and cultural changes in neighbourhoods that demand new conceptual frameworks to address their impact upon daily urban life. Sensing Cities investigates the reconfiguration of contemporary public space and life through the prism of the senses. The book explores how the increased stylization of cityscapes requires an understanding of public life as a spatial-sensuous encounter. Degen examines how power relations in public spaces are embedded in, exercised and resisted through the sensuous geography of place. This sensory paradigm is then applied to compare two emblematic regeneration projects, namely el Raval in Barcelona and Castlefield in Manchester. By combining detailed ethnographic analysis and interviews with those involved in planning regeneration processes and those experiencing them, the book argues that a changing sensuous landscape is crucial in redefining people’s social practices, attachments and experiences in places. Focusing on two European cities at the forefront of urban design, Barcelona and Manchester, Degen draws on sociology, geography, anthropology, cultural and architectural studies to provide a critical account of the politics of publicness in the entrepreneurial city. With numerous photographs and maps this book stresses the ongoing, embodied and active nature of regeneration as a lived social process rather than merely a physical or economic exercise. Ultimately, Sensing Cities examines how urban regeneration is made effective through the organisation of sensory experience. This book is essential reading for students and researchers of Architecture, Urban Studies and Human Geography.

The field of anthropology of migration and multiculturalism is booming. Throughout its hundred-odd year history, studies of migration and diverse or ‘plural’ societies have arguably been both marginal and central to the discipline of Anthropology. However, recent years have witnessed the rapid growth of anthropological studies concerning these topics. This has particularly been the case since the 1970s, when anthropologists developed a keen interest in the subject of ethnicity, especially in post-migration communities. Since the 1990s, migrant transnationalism has become one of the most fashionable topics. There is still much to do in research and theory surrounding this field, not least with regard to contemporary public debates around multiculturalism, immigration and ‘integration’ policy. This book presents essays pointing toward a number of possible new directions – both theoretical and methodological – for anthropological inquiry into migration and multiculturalism, including innovative ways of examining diversity discourses, urban conditions, social complexities, scales of analysis, transnational marriages, entangled politics and interwoven cultures. This book was published as a special issue of the Ethnic and Racial Studies.

This book analyses the emotional message of Hungarian folksongs from a Cultural Linguistic perspective, employing a wide range of empirical devices. It combines theoretical notions with analytical devices and has a multidisciplinary essence: it relies on the latest Cultural Linguistic findings, employing spatial semantics, cognitive linguistics, cognitive psychology and ethnography. The book addresses key questions including: How is nature conceptualized by a folk cultural group? How are emotions and other mental states expressed via nature imagery with respect to metaphors and construal schemas? The author argues that folksongs reflect the Hungarian peasant communities’ specific treatment of emotions, captured in an underlying cultural schema ‘reservedness.’ This schema is grounded in principals of morality and tradition, and governs the various levels of representation. The main topics discussed are related to two core issues: cultural metaphors and cultural schemas of construal in folksongs. It provides a detailed example, based on over 1000 folksongs, of how a cultural group’s cognition can be analyzed and better understood through a representative corpus-based linguistic approach. The research is also pioneering in constructing a comprehensive analysis framework adapted to folk poetry, and offers an example of how cultural conceptualizations can be investigated in various discourse types. Last but not least, the book offers insights into the work of Hungarian linguists and folklorists concerning cultural conceptualizations, which have largely been unavailable in English.

The premise of The Asian Games: Modern Metaphor for The Middle Kingdom Reborn - Political Statement, Cultural Assertion, Social Symbol is emphatic. The Guangzhou 2010 Asian Games was a metaphor for hegemony and renaissance. China crushed the other Asian nations with the massive weight of its Gold Medal haul and demonstrated regional self-confidence regained. The huge accumulation of gold medals emphasized that once again China stood apart, and above, other nations of Asia. China's reaction and the reactions of the other Asian nations are explored in The Asian Games. There is another premise in the publication that the Chinese Asian Games were a harbinger of a wider dominance to come: geopolitically, politically, militarily, economically and culturally. And there is a further issue raised by the Guangzhou Asian Games- the continuing determination of the Asian nations to mount a distinctive Games that is Asian and resistant to the cumbersome gigantism of the Modern Olympic Games. Asia now has the wealth to promote, present and project a global sports mega-event with an Asian identity and in an Asian idiom. This Collection is unique in focus, argument and evidence.This book was published as a special issue of the International Journal of the History of Sport.