The City Of Devi

Armed only with a pomegranate, Sarita ventures into the empty streets of Mumbai, on the eve of its threatened nuclear annihilation. She is looking for her physicist husband Karun, who has been missing for over a fortnight. She is soon joined on her quest by Jaz - cocky, handsome, Muslim, gay, and in search of his own lover. Together they traverse the surreal landscape of a dystopia rife with absurdity, and are inexorably drawn to the patron goddess Devi ma, the supposed saviour of the city. Groundbreaking and multilayered, The City of Devi is a fearlessly provocative tale of three individuals balancing on the sharp edge of fate.

From the author of The Death of Vishnu, "a big, pyrotechnic…ambitious…ingenious" (Wall Street Journal) novel. Mumbai has emptied under the threat of imminent nuclear annihilation; gangs of marauding Hindu and Muslim thugs rove the desolate streets; yet Sarita can think of only one thing: buying the last pomegranate that remains in perhaps the entire city. She is convinced that the fruit holds the key to reuniting her with her physicist husband, Karun, who has been mysteriously missing for more than a fortnight. Searching for his own lover in the midst of this turmoil is Jaz—cocky, handsome, and glib. "The Jazter," as he calls himself, is Muslim, but his true religion has steadfastly been sex with men. Dodging danger at every step, both he and Sarita are inexorably drawn to Devi ma, the patron goddess who has reputedly appeared in person to save her city. What they find will alter their lives more fundamentally than any apocalypse to come. A wickedly comedic and fearlessly provocative portrayal of individuals balancing on the sharp edge of fate, The City of Devi brilliantly upends assumptions of politics, religion, and sex, and offers a terrifying yet exuberant glimpse of the end of the world.

A dystopia like no other, Manil Suri paints a vibrant portrait of an India on the brink of collapse, two figures travelling across the unknown in a world scarily close to the modern day 'This vividly imagined book about personal and national destruction – and the possibilities of salvation – lingers long after the final page, showing how it is loss that teaches the value of what is most loved' Anita Sethi, Independent 'Consuming, passionate, and ultimately poignant' Guardian Armed only with a pomegranate, Sarita ventures into the empty streets of Mumbai, on the eve of its threatened nuclear annihilation. She is looking for her physicist husband Karun, who has been missing for over a fortnight. She is soon joined on her quest by Jaz - cocky, handsome, Muslim, gay, and in search of his own lover. Together they traverse the surreal landscape of a dystopia rife with absurdity, and are inexorably drawn to the patron goddess Devi ma, the supposed saviour of the city. Groundbreaking and multilayered, The City of Devi is a fearlessly provocative tale of three individuals balancing on the sharp edge of fate.

With brutal honesty and poetic urgency, Ananda Devi relates the tale of four young Mauritians trapped in their country's endless cycle of fear and violence. Eve out of Her Ruins is a heartbreaking look at the Mauritius tourists don't see, and an exploration of the construction of personhood at the margins of society.

WINNER OF THE NEUSTADT PRIZE This novel of post-9/11 London is a masterful dissection of racism, aging, and the perturbing nature of desire. Ananda Devi's "fluid, poetic language memorably conjures a union of two outcasts" (The New Yorker). A chance encounter on Portobello Road incites an unsettling, magnetic attraction between Mary, a seventy-five-year-old white British spinster, and Cub, a thirteen-year-old Jamaican boy from Brixton. Mary increasingly clings to phantoms as dementia overtakes her reality, latching on to Cub and channeling all of her remaining energy into their relationship. But their macabre romance comes to a horrific climax, as white supremacy, poverty, and class conflict explode on the streets of London. Through exquisite juxtaposition, Devi uses lush prose to confront the tensions of an increasingly nationalistic metropolis, and the queasy nature of desire muddled with power. “A gorgeously written, profoundly upsetting fairy tale of race, class, power, and desire.” —Kirkus Reviews, starred review "Brutal and entirely believable, a gorgeous and haunting depiction of London and the real lives and memories of those unseen within it." —Publishers Weekly

Vishnu, the odd-job man in a Bombay apartment block, lies dying on the staircase landing. Around him the lives of the apartment dwellers unfold - the warring housewives on the first floor, the lovesick teenagers on the second, and the widower, alone and quietly grieving at the top of the building. In a fevered state Vishnu looks back on his love affair with the seductive Padmini and comedy becomes tragedy as his life draws to a close.

This Washington Post "Best Book of the Year" grapples with the complexities of the second–generation American experience, what it means to be a woman of color in the workplace, and a sister, a wife, and a mother to daughters in today's America. When a woman—known only as Mother—moves her family from Atlanta to its wealthy suburbs, she discovers that neither the times nor the people have changed since her childhood in a small Southern town. Despite the intervening decades, Mother is met with the same questions: Where are you from? No, where are you really from? The American–born daughter of Bengali immigrants, she finds that her answer―Here―is never enough. Mother's simmering anger breaks through one morning, when, during a violent and unfounded police raid on her home, she finally refuses to be complacent. As she lies bleeding from a gunshot wound, her thoughts race from childhood games with her sister and visits to cousins in India, to her time in the newsroom before having her three daughters, to the early days of her relationship with a husband who now spends more time flying business class than at home. Drawing inspiration from the author's own terrifying experience of a raid on her home, Devi S. Laskar's debut novel explores, in exquisite, lyrical prose, an alternate reality that might have been. "The entire novel takes place over the course of a single morning. . . and the effect is devastatingly potent." —Marie Claire "Devi S. Laskar's The Atlas of Reds and Blues is as narratively beautiful as it is brutal . . . I've never read a novel that does nearly as much in so few pages." —Kiese Laymon, author of Heavy

Machine generated contents note: -- Acknowledgments -- Conventions for transliteration, transcription and sources -- Introduction -- The struggle over truth -- Hinglaj in perspective -- Historical Representations and recent changes -- (Un)necessary hardships in "getting there"--Change and perseverance -- Solidifying Hinglaj: Striving for a uniform tradition -- Conclusion -- Bibliography -- Index