The Clay Writer

This concise book by the well-known Serbian writer and literary researcher summarizes his decade-long experience of teaching creative writing at the Faculty of Philology, University of Belgrade. Always offering attendees four good reasons for not attending his course, or, in a broader perspective, discouraging them from professional writing altogether, the author reflects ultimately on what it really takes to become a writer of literary fiction. This essay, which makes up the first part of this work, is complemented by a selection of witty short stories, forming the second part, and which have been used as templates in the teaching context.

A stunning and lyrical debut novel Vincent Appleton smiles at his daughters, raises a gun, and blows off his head. For the Appleton sisters, life had unravelled many times before. This time it explodes. Eight-year-old Hariet, known to all as Ari, is dispatched to Cape Breton and her Aunt Mary, who is purported to eat little girls. But Mary and her partner, Nia, offer an unexpected refuge to Ari and her steadfast companion, Jasper, an imaginary seahorse. Yet the respite does not last, and Ari is torn from her aunts and forced back to her twisted mother and fractured sisters. Her new stepfather, Len, and his family offer hope, but as Ari grows to adore them, sheÍs severed violently from them too, when her mother moves in with the brutal Dick Irwin. Through the sexual revolution and drug culture of the 1960s, Ari struggles with her fatherÍs legacy and her motherÍs addictions, testing limits with substances that numb and men who show her kindness. Ari spins through a chaotic decade of loss and love, the devilish and divine, with wit, tenacity, and the astonishing balance unique to seahorses. The Clay Girl is a beautiful tour de force about a child sculpted by kindness, cruelty, and the extraordinary power of imagination, and her families „ the one sheÍs born in to and the one she creates.

Autobiographical poetry from one of Kentucky’s rising Affrilachian literary stars. Bernard Clay’s autobiographical poetry debut, English Lit, juxtaposes the roots of Black male identity against an urban and rural Kentucky landscape. Hailed as one of the most authentic voices of his generation, Clay artfully renders coming-of-age in the predominately Black West End of Louisville, Kentucky. Balancing the spirited grit of a farmer and the careful lyricism of a poet, English Lit is a triumph of new Affrilachian—African American and Appalachian—literature.

An edgy, affecting, and darkly funny debut novel — narrated by Skunk, an eleven-year-old girl in a coma — that explores innocence and its betrayal as powerfully and unforgettably as do Lullabies for Little Criminals and The Lovely Bones Skunk Cunningham’s world is a small one, populated by her family; her teachers and schoolmates; and her neighbours, the quiet Buckley family and the five terrifying Oswald girls and their thug of a father, Bob. When Saskia Oswald, with her stilettos and tight pants, asks shy Rick Buckley for a ride in his new car, he can’t believe his luck. But after a quick fumble, Saskia broadcasts Rick’s deficiencies to anyone who will listen, including her younger sisters. This act of thoughtless cruelty will see Rick dragged off by the police, humiliated, and “broken,” — and, in a tragic chain of events, will leave Skunk hanging on to her young life by a thread. From her hospital bed, Skunk shows us her hapless father finding love, and her idealistic favourite teacher losing it; “Broken” Buckley spiralling into madness; and the Oswald clan coming apart at the seams. As we inch ever closer to the mystery behind her coma, Skunk’s innocence becomes a beacon by which we navigate a world as comic as it is tragic, and as engaging as it is finally uplifting. Broken introduces Daniel Clay as a brilliant and utterly original voice in international fiction.

This concise book by the well-known Serbian writer and literary researcher summarizes his decade-long experience of teaching creative writing at the Faculty of Philology, University of Belgrade. Always offering attendees four good reasons for not attending his course, or, in a broader perspective, discouraging them from professional writing altogether, the author reflects ultimately on what it really takes to become a writer of literary fiction. This essay, which makes up the first part of this work, is complemented by a selection of witty short stories, forming the second part, and which have been used as templates in the teaching context.

WINNER OF THE PULITZER PRIZE • NEW YORK TIMES BESTSELLER • The epic, beloved novel of two boy geniuses dreaming up superheroes in New York’s Golden Age of comics, now with special bonus material by the author—soon to be a Showtime limited series “It's absolutely gosh-wow, super-colossal—smart, funny, and a continual pleasure to read.”—The Washington Post Book World Named one of the 10 Best Books of the Decade by Entertainment Weekly • Finalist for the PEN/Faulkner Award, National Book Critics Circle Award, and Los Angeles Times Book Prize A “towering, swash-buckling thrill of a book” (Newsweek), hailed as Chabon’s “magnum opus” (The New York Review of Books), The Amazing Adventures of Kavalier & Clay is a triumph of originality, imagination, and storytelling, an exuberant, irresistible novel that begins in New York City in 1939. A young escape artist and budding magician named Joe Kavalier arrives on the doorstep of his cousin, Sammy Clay. While the long shadow of Hitler falls across Europe, America is happily in thrall to the Golden Age of comic books, and in a distant corner of Brooklyn, Sammy is looking for a way to cash in on the craze. He finds the ideal partner in the aloof, artistically gifted Joe, and together they embark on an adventure that takes them deep into the heart of Manhattan, and the heart of old-fashioned American ambition. From the shared fears, dreams, and desires of two teenage boys, they spin comic book tales of the heroic, fascist-fighting Escapist and the beautiful, mysterious Luna Moth, otherworldly mistress of the night. Climbing from the streets of Brooklyn to the top of the Empire State Building, Joe and Sammy carve out lives, and careers, as vivid as cyan and magenta ink. Spanning continents and eras, this superb book by one of America’s finest writers remains one of the defining novels of our modern American age. Winner of the Bay Area Book Reviewers Award and the New York Society Library Book Award

If one seeks to understand Haudenosaunee (Six Nations) history, one must consider the history of Haudenosaunee land. For countless generations prior to European contact, land and territory informed Haudenosaunee thought and philosophy, and was a primary determinant of Haudenosaunee identity. In The Clay We Are Made Of, Susan M. Hill presents a revolutionary retelling of the history of the Grand River Haudenosaunee from their Creation Story through European contact to contemporary land claims negotiations. She incorporates Indigenous theory, Fourth world post-colonialism, and Amerindian autohistory, along with Haudenosaunee languages, oral records, and wampum strings to provide the most comprehensive account of the Haudenosaunee’s relationship to their land. Hill outlines the basic principles and historical knowledge contained within four key epics passed down through Haudenosaunee cultural history. She highlights the political role of women in land negotiations and dispels their misrepresentation in the scholarly canon. She guides the reader through treaty relationships with Dutch, French, and British settler nations, including the Kaswentha/Two-Row Wampum (the precursor to all future Haudenosaunee-European treaties), the Covenant Chain, the Nanfan Treaty, and the Haldimand Proclamation, and concludes with a discussion of the current problematic relationships between the Grand River Haudenosaunee, the Crown, and the Canadian government.

“A diabolically creepy hybrid of horror and psychological suspense that thrills as much as it unsettles. You’ll keep turning the pages even as your hands shake.”—Riley Sager, New York Times best-selling author of Home Before Dark A pulse-pounding, true-crime-based horror novel inspired by the McMartin preschool trial and Satanic Panic of the ’80s. Richard doesn’t have a past. For him, there is only the present: a new marriage, a first chance at fatherhood, and a quiet life as an art teacher in Virginia. Then the body of a ritualistically murdered rabbit appears on his school’s playground, along with a birthday card for him. But Richard hasn’t celebrated his birthday since he was known as Sean . . . In the 1980s, Sean was five years old when his mother unwittingly led him to tell a lie about his teacher. When school administrators, cops, and therapists questioned him, he told another. And another. And another. Each was more outlandish than the last—and fueled a moral panic that engulfed the nation and destroyed the lives of everyone around him. Now, thirty years later, someone is here to tell Richard that they know what Sean did. But who would even know that these two are one and the same? Whisper Down the Lane is a tense and compulsively readable exploration of a world primed by paranoia to believe the unbelievable.