The Colourful Past

An overview of well-known dyestuffs used for dyeing textiles, and the relation between dyestuffs and organic pigments in paintings and their historical relevance.

"Celebrating the 30-year career of British interior designer and architectural historian Edward Bulmer, whose popular line of eco-friendly paints are all-natural and toxic- and plastic-free. Bulmer takes readers on in-depth tours of the centuries-old houses he's worked on, including well-known British homes such as Althorp, Goodwood House, and Pitshill, as well those that are privately owned and lesser known, including his own, Court of Noke in Herefordshire, which was built around 1700"--Publisher's description.

English dress in the second half of the sixteenth century has been studied in depth, yet remarkably little has been written on the earlier years, or indeed on male clothing for the whole century. The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's Great Wardrobe and the royal household, contemporary narrative sources, legislation enacted by Parliament, guild regulations, inventories and wills, supported with evidence and observations derived from visual sources and surviving garments. Whilst all these sources are utilised, the main focus of the study is built around the sumptuary legislation, or the four 'Acts of Apparel' passed by Henry between 1509 and 1547. English sumptuary legislation was concerned primarily with male dress, and starting at the top of society with the king and his immediate family, it worked its way down through the social hierarchy, but stopped short of the poor who did not have sufficient disposable income to afford the items under consideration. Certain groups - such as women and the clergy - who were specifically excluded from the legislation, are examined in the second half of the book. Combining the consideration of such primary sources with modern scholarly analysis, this book is invaluable for anyone with an interest in the history of fashion, clothing, and consumption in Tudor society.

A novel of “love, friendships and laughter, heartbreak, loss and tears, simply life in its full glory” from the author of 183 Times a Year (A Bookaholic Swede). Life is never straightforward. Lizzie is fast approaching fifty. Her once angst-ridden teenage daughters have flown the nest: Cassie to London and Maisy to Australia. And although Connor, Lizzie’s teenage son, is now on his own tormented passage to adulthood, his quest to get there is a far quieter journey than that of his sisters. The hard years, Lizzie believes, are behind her. But things are never quite as black and white as them seem . . . A visit to her daughter in London leaves Lizzie troubled. And that’s just to start. Add to the mix an unexpected visitor, a disturbing phone call, a son acting suspiciously, a run-in with her ex-husband, plus a new man in her life, and Lizzie will soon learn life is something that happens while you’re busy making plans. Nobody said it would be easy. Lizzie knows only too well that life is never straightforward when you see all the colours in between. “All the Colours in Between explores the theme of families in a highly captivating read, full of laughter, tears, and bittersweet moments. A fabulous and surprising read that I would highly recommend.” —The Book Review Café “Filled with emotion: you’ll laugh and you’ll cry but you’ll never forget All the Colours in Between. The characters are so enchanting that I think of them as my own family and I’m sure many readers feel the same.” —The Book Magnet Don’t miss the third book in the trilogy, Time Will Tell

Heritage is a prized cultural commodity in the marketing of tourism destinations. Particular aspects of heritage are often more actively promoted, with others played down. The representation of heritage in tourism as static and timeless, derived since time immemorial from a distant past, is seductive. In Asia, a major part of the tourism market lies in the sale and consumption of highly orientalized images and versions of culture and history. In India’s marketing discourse, the state of Rajasthan symbolizes the nation in its heritage-laden, traditional and most authentic form. These images draw heavily on the British period in India - the Raj. In one sense, this vision of Rajasthan is ennobling, highlighting moments of cultural pride. In another sense, it demeans, by omitting and obscuring salient features of contemporary life. This fascinating book explores the cultural politics of tourism through interdisciplinary perspectives. Carol E. Henderson and Maxine Weisgrau demonstrate that tourism heritage privileges elite histories that recapitulate colonial relationships, compelling non-elites to collude in these narratives of subordination even as they advance their own alternative visions of history.

The senses can be powerful triggers for memories of our past, eliciting a range of both positive and negative emotions. The smell or taste of a long forgotten sweet can stimulate a rich emotional response connected to our childhood, or a piece of music transport us back to our adolescence. Sense memories can be linked to all the senses - sound, vision, and even touch can also trigger intense and emotional memories of our past. In The Proust Effect, we learn about why sense memories are special, how they work in the brain, how they can enrich our daily life, and even how they can help those suffering from problems involving memory. A sense memory can be evoked by a smell, a taste, a flavour, a touch, a sound, a melody, a colour or a picture, or by some other involuntary sensory stimulus. Any of these can triggers a vivid, emotional reliving of a forgotten event in the past. Exploring the senses in thought-provoking scientific experiments and artistic projects, this fascinating book offers new insights into memory - drawn from neuroscience, the arts, and professions such as education, elderly care, health care therapy and the culinary profession.

Mirza Asadullah Khan Ghalib was born in Agra in the closing years of the eighteenth century. He wrote in both Urdu and Persian and was also a great prose stylist. Ghalib fascinates his readers for many reasons, but one of the most noted qualities in Ghalib was that he was a careful, even strict, editor of his work. It is said that he discarded or disregarded more than half of his Urdu verses. These verses were forgotten for long, until as late as 1918, in the library of the princely state of Bhopal. In 1921, they were edited and published as a new Divan-e Ghalib. In Flowers in a Mirror, Mehr Afshan Farooqi continues her research in the strain of her first book, A Wilderness at My Doorstep. She examines Ghalib’s approach to his work, the world in which he lived and composed, and ultimately, his genius. She selects 30 ghazals from the rejected corpus, translates them into English and provides an erudite, sparkling critical commentary. Through this book, she highlights the significance of marginalized poetry and the need to reinstate the forgotten verses in our lives and hearts.