The Colours Of Imagination

What Color Is Your Imagination? was inspired by a conversation with Nadine Owens Burton's then preschool aged son during a car ride home. That four-year-old's question and subsequent declaration about the color of his imagination developed into a lesson on problem-solving for her staff while as a Head Start Director. It has since provided information and inspiration for various other teams. For the past decade plus, Ms. Owens Burton has presented workshops and keynotes based on the theme through her company, Owens Burton Consulting. She is now putting those lessons into a book. The first half of the book begins with a metaphor of the various types of creative and problem solving environments, where these environments are represented by various colors. The ideal is Purple Imagination. The second half gives the reader ten ways to increase one's own creativity and problem solving skills, one's own Purple Imagination.

Anika is a 9-year-old enthusiastic girl who has always been fond of stories. Yes, this is another story, a story of a girl who has been interested in stories since she was 3 years old. Gradually, Anika started writing short pieces, and this time she has tried expressing herself through her poems and stories. She is a girl full of vitality and versatility. Besides writing, Anika also enjoys reading her storybooks, sketching, drawing, painting, playing with blocks of different kinds, making her animated projects, and dancing. When she is not found doing any of these, she is perhaps watering the plants or helping in the kitchen. With a keen interest in so many fields, she knows exactly how to make a good day an amazing one. I should not forget to mention the diary entry that she does every day, religiously before going to bed. Anika is equally popular among her friends, as well as her teachers. At present, she is studying in class IV, has a blog and a YouTube channel of her own. Currently, she is in her 4th year of Kathak. Utilizing this lockdown period, she has recently completed her animation and robotics courses (stage I and stage II) through online mode. Also, the book that she has come up with during this lockdown period is a lesson on how to utilize the available resources effectively.

A young woman losing her vision rides the subway with her dog in search of emotional healing.

From Instagram sensation Kristina Webb (@colour_me_creative) comes a completely original and unique book to inspire and unlock your creativity. Color Me Creative gives readers a firsthand look into Kristina's personal life, including her exotic upbringing and the inspirational story of how, at nineteen years old, she has become one of the most popular artists of her generation, with a following in the millions. Readers can then go on their own journey by completing the fifty creative, art-inspired challenges designed by Kristina herself. This is the perfect gift not only for artists but for anyone wanting to awaken their inner creative. Featuring Kristina's beautiful custom art throughout, Color Me Creative will help readers escape the ordinary and unlock their imagination. This book offers readers the chance to download the free Unbound app to access interactive features and bonus videos by scanning the customized icon that appears throughout the book, including never-before-seen home videos and videos of Kristina drawing.

"Zulay is a blind girl who longs to be able to run in the race on field and track day at her school"--

The Multicultural Imagination is a challenging inquiry into the complex interrelationship between our ideas about race and color and the unconscious. Michael Vannoy Adams takes a fresh look at the contributions of psychoanalysis to a question which affects every individual who tries to establish an effective personal identity in the context of their received 'racial' identity. Adams argues that 'race' is just as important as sex or any other content of the unconcscious, drawing on clinical case materal from contemporary patients for whom 'race' or color is a vitally significant social and political concern that impacts on them personally. He does not assume that racism or 'colorism' will simply vanish if we psychoanalyse them, but shows how a non-defensive ego and a self-image that is receptive to other-images can move us towards a more productive discourse of cultural differences. Wide-ranging in its references and scope, this is a book that provokes the reader - analyst or not - to confront personally those unconscious attitudes which stand in the way of authentic multicultural relationships.

Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull--between segregationist cultural logics and music's disrespect of racially defined boundaries--is an animating force in twentieth-century American popular culture.