The Coltrane Church

The John Coltrane Church began in 1965, when Franzo and Marina King attended a performance of the John Coltrane Quartet at San Francisco’s Jazz Workshop and saw a vision of the Holy Ghost as Coltrane took the bandstand. Celebrating the spirituality of the late jazz innovator and his music, the storefront church emerged during the demise of black-owned jazz clubs in San Francisco, and at a time of growing disillusionment with counter-culture spirituality following the 1978 Jonestown tragedy. For 50 years, the church has effectively fought redevelopment, environmental racism, police brutality, mortgage foreclosures, religious intolerance, gender disparity and the corporatization of jazz. This critical history is the first book-length treatment of an extraordinary African-American church and community institution.

The John Coltrane Church began in 1965, when Franzo and Marina King attended a performance of the John Coltrane Quartet at San Francisco's Jazz Workshop and saw a vision of the Holy Ghost as Coltrane took the bandstand. Celebrating the spirituality of the late jazz innovator and his music, the storefront church emerged during the demise of black-owned jazz clubs in San Francisco, and at a time of growing disillusionment with counter-culture spirituality following the 1978 Jonestown tragedy. For 50 years, the church has effectively fought redevelopment, environmental racism, police brutality, mortgage foreclosures, religious intolerance, gender disparity and the corporatization of jazz. This critical history is the first book-length treatment of an extraordinary African-American church and community institution.

Long-awaited biography of an African American avant-garde composer Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels. In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual community in Southern California. Exploring her transformation from Alice McLeod, Detroit church pianist and bebopper, to guru Swami Turiya Sangitananda, Monument Eternal illuminates her music and, in turn, reveals the exceptional fluidity of American religious practices in the second half of the twentieth century. Most of all, this book celebrates the hybrid music of an exceptional, boundary-crossing African-American artist.

Describes the spiritual journey jazz musician John Coltrane took in his life and the way that it is reflected in his music.

John Coltrane left an indelible mark on the world, but what was the essence of his achievement that makes him so prized forty years after his death? What were the factors that helped Coltrane become who he was? And what would a John Coltrane look like now--or are we looking for the wrong signs? In this deftly written, riveting study, New York Times jazz critic Ben Ratliff answers these questions and examines the life of Coltrane, the acclaimed band leader and deeply spiritual man who changed the face of jazz music. Ratliff places jazz among other art forms and within the turbulence of American social history, and he places Coltrane not just among jazz musicians but among the greatest American artists.

Urban spaces have always functioned as cradles and laboratories for religious movements and spiritualities. The urban forms a central and nourishing agent for the creation of new religious expressions, and continually negotiates new ways of being spiritual and establishing spiritual ideas and practices. This book explores the intense and complex interplay between the (post) modern city and new religious and spiritual movement, bringing the city and its annexes into the foreground of current research into religion. It develops a new, ethnography-based analysis of the ways in which the pluralist experience of the "urban" inscribes itself into various religious practices and vice versa: how do religiosity and spirituality appropriate and transform meanings of the urban? It focuses on new religious expressions, cosmologies and ways of life that go beyond established belief systems and religious understandings, and explores new conceptions of the word "urban" in a world of increasingly extended urban environments. The book examines how cities are both considered as sites and sources of spirituality, where the globalization of religions takes place as well as the fact that globalization is linked closely to the process of localization. The socio-cultural and political uniqueness of the specific urban context are analyzed to present an innovative perspective on how the interplay between the urban, spiritual and religious should be understood. This book brings a timely new perspective and will be of interest to academics and students in geography, sociology, urban studies, cultural studies and anthropology, as well as for urban planners and policy makers.

Introduction : banks, bonds, and blues -- "Controlled freedom" : jazz, risk, and political economy -- "Homecoming" : Dexter Gordon and the 1970s fiscal crisis in New York City -- Selling the songbook: the political economy of Verve Records (1956-1990) -- Bronfman's bauble: the corporate history of the Verve Music Group (1990-2005) -- Jazz and the right to the city : jazz venues and the legacy of urban redevelopment in California -- "The Yoshi's effect" : jazz, speculative urbanism, and urban redevelopment in contemporary San Francisco