The Columbia History Of The 20th Century

In the parade of highlights with which many have tried to sum up the twentieth century, the overarching patterns and fundamental transformations often fail to come into focus. The Columbia History of the 20th Century, however, is much more than a chronicle of the previous century's front-page news. Instead, the book is a series of twenty-three linked interpretive essays on the most significant developments in modern times--ranging from athletics to art, the economy to the environment. Rather than presenting a linear narrative, each author uncovers patterns of worldwide change. James Mayall, for example, writes on nationalism from the rise of European fascism to the rise of Asian and African nations; Sheila Fitzpatrick traces the history of communism and socialism in Moscow and Havana. In her chapter on women and gender, Rosalind Rosenberg covers the progress of women's rights throughout the world, from Middle Eastern activism to the American feminist movement. Jean-Marc Ran Oppenheim's history of sports traces the spread of Western sports to all corners of the globe and the West's appropriation of such activities as martial arts. In each, the important strands of history--events, ideas, leading figures, issues--come together to offer an illuminating look at cultural connection, diffusion, and conflict, showing in stark relief how this period has been unlike any preceding era of human history.

This valuable reference is an authoritative guide to 20th century French thought. It considers the intellectual figures, movements and publications that helped define fields as diverse as history, psychoanalysis, film, philosophy, and economics.

-- New England Review of Books

This illustrated historical reference work provides an interpretive overview of each of the countries of Eastern Europe, focusing particularly on political developments and including references to significant social, cultural and economic events.

Designed as a companion to The Columbia Literary History of the United States, this compilation of 31 major essays covers the American novel from the 1700s to the present, although the majority deal with the 20th century. Within each era, themes, genres, and topics such as realism, gender, romance, and technology are discussed in depth, as well as modern Canadian, Caribbean, and Latin American fiction. Each essayist selects only the authors who best illustrate the topic, thus subtly skewing the view of the literary scene at that time. The volume also covers women, minorities, popular fiction, and the book marketplace. ISBN 0-231-07360-7: $59.95.

Latinos are now the largest so-called minority group in the United States—the result of a growth trend that began in the mid-twentieth century—and the influence of Latin cultures on American life is reflected in everything from politics to education to mass cultural forms such as music and television. Yet very few volumes have attempted to analyze or provide a context for this dramatic historical development. The Columbia History of Latinos in the United States Since 1960 is among the few comprehensive histories of Latinos in America. This collaborative, interdisciplinary volume provides not only cutting-edge interpretations of recent Latino history, including essays on the six major immigrant groups (Mexicans, Cubans, Puerto Ricans, Dominicans, Central Americans, and South Americans), but also insight into the major areas of contention and debate that characterize Latino scholarship in the early twenty-first century. This much-needed book offers a broad overview of this era of explosive demographic and cultural change by exploring the recent histories of all the major national and regional Latino subpopulations and reflecting on what these historical trends might mean for the future of both the United States and the other increasingly connected nations of the Western Hemisphere. While at one point it may have been considered feasible to explore the histories of national populations in isolation from one another, all of the contributors to this volume highlight the deep transnational ties and interconnections that bind different peoples across national and regional lines. Thus, each chapter on Latino national subpopulations explores the ambiguous and shifting boundaries that so loosely define them both in the United States and in their countries of origin. A multinational perspective on important political and cultural themes—such as Latino gender systems, religion, politics, expressive and artistic cultures, and interactions with the law—helps shape a realistic interpretation of the Latino experience in the United States.

This book draws attention to the controversy that surrounds Betty Friedan, Germaine Greer, Gloria Steinem, and Simone de Beauvoir’s lives and the important role that their life stories have played in their feminist writing. Directly and indirectly, the four women have contributed to battles over feminism’s meaning through autobiographically informed political writing. Inevitably, therefore, their biographers are also participants in these battles, yet not always on the same side as their subjects. Writing Feminist Lives introduces a further fold of nuance into considerations of biography and feminism by showing that the biographers of the four women have made methodological choices that reflect their loyalty to, or their scepticism towards, competing ideological definitions of the exemplary feminist life.

This anthology is the first to survey the full range of modern Japanese drama and make available Japan's best and most representative twentieth- and early-twenty-first-century works in one volume. It opens with a comprehensive introduction to Meiji-period drama and follows with six chronological sections: "The Age of Taisho Drama"; The Tsukiji Little Theater and Its Aftermath"; "Wartime and Postwar Drama"; "The 1960s and Underground Theater"; "The 1980s and Beyond"; and "Popular Theater," providing a complete history of modern Japanese theater for students, scholars, instructors, and dramatists. The collection features a mix of original and previously published translations of works, among them plays by such writers as Masamune Hakucho (The Couple Next Door), Enchi Fumiko (Restless Night in Late Spring), Morimoto Kaoru (A Woman's Life), Abe Kobo (The Man Who Turned into a Stick), Kara Juro (Two Women), Terayama Shuji (Poison Boy), Noda Hideki (Poems for Sale), and Mishima Yukio (The Sardine Seller's Net of Love). Leading translators include Donald Keene, J. Thomas Rimer, M. Cody Poulton, John K. Gillespie, Mari Boyd, and Brian Powell. Each section features an introduction to the developments and character of the period, notes on the plays' productions, and photographs of their stage performances. The volume complements any study of modern Japanese literature and modern drama in China, Korea, or other Asian or contemporary Western nations.