The Coming Of The Night

No one can deny that the world is in trouble. Tragedy stalks our streets. Violence and bloodshed fill the news. How do we explain so much chaos? Is there any hope for peace in our time? Dr. David Jeremiah's dramatic narrative on the Book of Revelation answers these and many more challenging questions, by unraveling the imagery and explaining the significance of the events described in the last book of the Bible. Within its pages are the hope and encouragement we need to lift us from the gloom of present events to the promise of a brilliant future.

A stunning evocation of gay desire in the moment just before AIDs by the acclaimed author of City of Night: “Taut writing and unapologetic sexual energy” (The Dallas Morning News). It is 1981, a hot summer night, and an unscripted ritual is about to take place. Jesse, “the kid,” is celebrating one year on the dazzling gay scene and plans to lose himself in its transient pleasures. Clint has fled New York with a sense of unease in the wake of a vicious gay-bashing. Buzz, Boo, Toro, Fredo, and Linda are cruising the city looking for danger, and so is Dave, a “leatherman” devoted to S&M and testing limits. And a priest is searching the streets for a young hustler named Angel, determined to bring him to Jesus. In this city of night we meet a black cowboy, a bodybuilder obsessed with his sexual prowess, a drag-queen porn director hired to rehearse her stars for a closeted Hollywood mogul, and a middle-aged romantic hiding from a new gay world increasingly obsessed with youth and beauty. As the Santa Ana winds, renowned for stirring up desires and violence, breathe fire down the hills of Los Angeles, this cast of characters circles ever closer to the night—and to a confrontation as astonishing as it is inevitable. The Coming of the Night is an ode to the golden age of promiscuity and an unflinching exploration of the dark side of desire. “As exciting as it is chilling,” it proves once again that John Rechy, the trenchant chronicler of gay life, has no parallel (Los Angeles Times).

Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.

A New Translation From The French By Marion Wiesel Born in Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 and deported to the Auschwitz concentration camp, and then to Buchenwald. Night is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's seminal work.

The poetry of Dylan Thomas has long been heralded as amongst the greatest of the Modern period, and along with his play, Under Milk Wood, his books are amongst the best-loved works in the literary canon. This new selection of his poetry contains all of his best-loved verse - including 'I See the Boys of Summer', 'And Death Shall Have No Dominion', 'The Hand that Signed the Paper' and, of course, 'Do Not Go Gentle into that Good Night' - as well as some of his lesser-known lyrical pieces, and aims to show the great poet in a new light. '[Then] the greatest living poet in the English language.' (Observer) 'He is unique, for he distils an exquisite mysterious moving quality which defies analysis.' (Sunday Times)

A “tour de force” novel from the groundbreaking author of City of Night and one of the premier chroniclers of gay life in America (Los Angeles Times). John Rechy takes us inside a “leather and Western” bar located near the deserted waterfront of a large American city. This is a sexual battlefield—a world of trucks, piers, and warehouses—depicted in Rechy’s “eloquent, convincing, basically unsparing” prose (Herbert Gold). The bar regulars are on a ceaseless search for compatible love. The occasional customer hopes for a quick sexual fix. Female and transvestite hookers work the dark streets outside. A couple seeks a voyeuristic experience. And one young man ventures out for the first time. During the course of a single evening we get to know them all and watch as the night descends into the depths of a sexual underworld where danger and play transform into quasi-religious rites that end in ritual sacrifice.

"T'was the night before Christmas, when all through the house Not a creature was stirring-not even a mouse." This timeless poem is so well known to children and so often recited by adults it is virtually a part of our common heritage. Written on Christmas Eve in 1822-in a horse-drawn sleigh with jingling bells according to legend-it evokes the excitement and good cheer of Christmas Eve like no other work of American literature. Paired with Thomas Nast's drawings of St. Nicholas, from which we derive the classic image of Santa Claus, this lovely edition may well become the quintessential American Christmas book for children of all ages.

The most complete and current edition of Dylan Thomas' collected poetry in a beautiful gift edition celebrating the centenary of his birth The reputation of Dylan Thomas (1914-1953) as one of the greatest poets of the twentieth century has not waned in the fifty years since his death. A Welshman with a passion for the English language, Thomas’s singular poetic voice has been admired and imitated, but never matched. This exciting, newly edited annotated edition offers a more complete and representative collection of Dylan Thomas’s poetic works than any previous edition. Edited by leading Dylan Thomas scholar John Goodby from the University of Swansea, The Poems of Dylan Thomas contains all the poems that appeared in Collected Poems 1934-1952, edited by Dylan Thomas himself, as well as poems from the 1930-1934 notebooks and poems from letters, amatory verses, occasional poems, the verse film script for “Our Country,” and poems that appear in his “radio play for voices,” Under Milk Wood. Showing the broad range of Dylan Thomas’s oeuvre as never before, this new edition places Thomas in the twenty-first century, with an up-to-date introduction by Goodby whose notes and annotations take a pluralistic approach.