The Commentary Of Father Monserrate S J On His Journey To The Court Of Akbar Tr

Translated From The Original Latin By J.S. Hoyland.

Caravans tells the fascinating story of countless Punjabi Khatri merchants who built great business empires through their ingenuity and spirit of adventure. Operating during the sixteenth through the nineteenth centuries, these merchants risked everything and travelled across Afghanistan, Central Asia, Iran and Russia. They used sophisticated techniques to convert a modest amount of merchandise into vast portfolios for trade and moneylending ventures. Caravans challenges the belief that the rising tide of European trade in the Indian Ocean usurped the overland ‘Silk Road’ trade, and demonstrates how thousands of Punjabis created a booming market in Central Asia at precisely this historical moment.

The Indian Ocean world has a rich history of socio-economic and cultural exchanges across time and space. This book and its companion, Connecting the Indian Ocean World explore these connections around the wider Indian Ocean world. The book looks at the extensive range of maritime networks that criss-crossed pre-modern Asia and the Indian Ocean region connecting ports, peoples and cultures. It explores the connected histories of these regions and the movement of merchants, commodities and money which created the multi-cultural and cosmopolitan port cities like Surat and Nagasaki. With contributions from Indian and Japanese scholars, the volume analyses travellers’ accounts and trade routes between Japan and India, offering insights into how maritime movement shaped culture, politics and the social life of people in the most populated and productive regions of the world in the early modern period. Rich in archival material, this book will be of interest to scholars and researchers of Indian Ocean history, maritime history, economic and commercial history, Asian and South Asian history and social anthropology.

The Present Volume Of The Annual Series Of Art And Culture Carrying The Sub-Title 'Painting And Perspective' Relates To The Following Themes: (A) Cultural Set-Up And Values; (B) Sculpture And Painting And (C) Science And Technology. The Articles Of The Volume Are Not Restricted To Any Particular Period Or Geographical Area. Moreover, The Purpose Is To Encourage Scholars To Think And Write In Terms Of Social Mores And Values As Far As Possible.

Canada has seen the study of Islamic art and archeology grow steadily over the last five decades, with growth in research and teaching across numerous Canadian universities as well as important collections of Islamic art and archaeological materials, most notably at the Royal Ontario Museum and the Aga Khan Museum. Made for the Eye of One Who Sees uncovers the contributions of scholars and museum curators at Canadian institutions to current scholarship on Islamic art. Employing a wide range of approaches and theoretical perspectives, contributors cover topics from across the Islamic world dating from the eighth century to the present. Subjects include the iconography of architectural design and decoration, the role of Qur’anic inscriptions, the representation of symbolic animals in sculpture, and the interpretation of Persian manuscript painting. The book also juxtaposes modern and contemporary worlds, providing insightful reflections on the early history of the Islamic collections at the Royal Ontario Museum, Matisse’s creative encounter with Byzantine and Islamic visual culture, and the ongoing dialogue between new media and the traditional concepts underpinning Islamic art. Bringing together recent scholarship on Islamic art, architecture, and archaeology, Made for the Eye of One Who Sees provides an overview of the important contributions Canada is making to this rich and evolving field of study.