The Complete Work Of Raphael

Celebrated for his clarity of form, ease of composition and the sublime beauty of his ‘Madonnas’, Raphael is the epitome of the High Renaissance genius. In spite of his untimely death, he left behind a large body of work that would have a monumental influence on the course of art in the ensuing centuries. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of great artists in comprehensive detail. This volume presents Raphael’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Raphael — over 120 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Raphael’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the complete paintings * Easily locate the paintings you want to view * Includes Raphael's drawings and cartoons - spend hours exploring the artist’s works * Features three bonus biographies, including Vasari’s original text - discover Raphael's artistic and personal life * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights RESURRECTION OF CHRIST ST. SEBASTIAN THE MOND CRUCIFIXION THE MARRIAGE OF THE VIRGIN AN ALLEGORY (VISION OF A KNIGHT) MADONNA DEL GRANDUCA MADONNA OF THE GOLDFINCH MADONNA OF THE MEADOW PORTRAIT OF AGNOLO DONI THE CANIGIANI HOLY FAMILY THE DEPOSITION SAINT CATHERINE OF ALEXANDRIA THE SCHOOL OF ATHENS THE ALBA MADONNA THE PARNASSUS PORTRAIT OF POPE JULIUS II THE TRIUMPH OF GALATEA SISTINE MADONNA MADONNA DELLA SEGGIOLA PORTRAIT OF BALTHASAR CASTIGLIONE LA DONNA VELATA THE RAPHAEL CARTOONS THE TRANSFIGURATION The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Drawings LIST OF DRAWINGS The Biographies LIFE OF RAFFAELLO DA URBINO by Giorgio Vasari RAPHAEL SANTI: “THE PERFECT ARTIST, THE PERFECT MAN” by Jennie Ellis Keysor RAPHAEL by Estelle M. Hurll Please visit www.delphiclassics.com to browse through our range of exciting titles

Artist, architect and draughtsman, one of the great masters and one of the most influential painters of the High Renaissance, Raphael produced a huge body of work during his short working life. His artistic development took place in Umbria, Rome and Florence, where he met Michelangelo and Leonardo, and was influenced by their dynamic and evocative images. Some of his subsequent work reflected his admiration for them. In Rome, he painted The School of Athens, a major fresco depicting the greatest thinkers and philosophers of the past and present. His beautiful style is reflected in the second part of the book in a gallery of around 300 of Raphael's major paintings and drawings, with an analysis of each in the context of his life, his technique and oeuvre. Raphael was one of the greatest artists of all time; his death in 1520 marked the end of the 16th century.

A tribute to the master of Urbino on the occasion of the 500th anniversary of his death.The most important exhibition devoted to the painter in 2020. Published in collaboration with the greatest museums in the world, this monograph proposes an original journey backwards, "à rebour", in the universe of Raphael, where his relationship with the ancient and with Rome guides the reader in an unprecedented journey from the artist's death in 1520 to his formative years between Urbino, Città di Castello, Perugia and Siena. The monograph - published on the occasion of the major exhibition in Rome - has a scientific committee of excellence, composed by Matteo Lafranconi, Marzia Faietti, Sylvia Ferino, Alan Brown, Dominique Cordellier, Guido Cornini, Francesco Paolo Di Teodoro, Vincenzo Farinella, Achim Gnann, Barbara Jatta, Alessandro Nova, Nicholas Penny, Mario Scalini, Alessandro Viscogliosi; each member of the committee is the curator of one section of the catalogue which is introduced by his essay and accompanied by the entries of the works. For centuries Raphael (1483-1520) has been recognised as the supreme High Renaissance painter; though he died at 37, Raphael's example as a paragon of classicism dominated the academic tradition of European painting until the mid-19th century. Raphael was born in Urbino where his father, Giovanni Santi, was court painter. He almost certainly began his training there and must have known works by Mantegna, Paolo Uccello and Piero della Francesca from an early age. His earliest paintings were also greatly influenced by Perugino. From 1500 (when he became an independent master) to 1508 he worked throughout central Italy, particularly Florence, where he became a noted portraitist and painter of Madonnas.In 1508, at the age of 25, he was called to the court of Pope Julius II to help with the redecoration of the papal apartments. In Rome he evolved as a portraitist, and became one of the greatest of all history painters. He remained in Rome for the rest of his life and in 1514, on the death of Bramante, he was appointed architect in charge of St Peter's.

The archetypal artist of the High Renaissance, Raphael is regarded as one of the greatest painters of all time. Particularly noted for his paintings of Madonna and Child, his art spanned religious and classical subjects and included a number of portraits and frescoes that are renowned for the excellent skill and grandeur they convey. This beautifully illustrated new book discusses Raphael’s life as well as the themes, styles and techniques of his art, along with examples of his most famous works like The School of Athens, Sistine Madonna, The Triumph of Galatea and Transfiguration.

The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.