The Contextualized Psalms Punjabi Zabur

The metrical translation of the Psalms into the Punjabi language, set to indigenous music in the late nineteenth century in India, plays a vital role in the personal and communal worship of the global Punjabi Christian community. This book is a pioneer work that comprehensively encompasses the cultural, socio-historical, missional, and sociolinguistic aspects of the Punjabi Psalter. It investigates the unique and fascinating story of the contextualizing of Psalms in an exclusive South Asian Punjabi context and engages in an in-depth study on the life and work of Rev. Dr. Imam-ud-Din Shahbaz. This work determines to bring a deeper appreciation for the Punjabi Psalter by encouraging the Punjabi Christians to not only pass the Psalms on to the next generations but also to grow in loving and valuing their mother-tongue, the Punjabi language. The thrust of this book is to esteem the shared heritage of the global Punjabi Christian community--the Psalms in Punjabi, commonly known as the Punjabi Zabur.

The metrical translation of the Psalms into the Punjabi language, set to indigenous music in the late nineteenth century in India, plays a vital role in the personal and communal worship of the global Punjabi Christian community. This book is a pioneer work that comprehensively encompasses the cultural, socio-historical, missional, and sociolinguistic aspects of the Punjabi Psalter. It investigates the unique and fascinating story of the contextualizing of Psalms in an exclusive South Asian Punjabi context and engages in an in-depth study on the life and work of Rev. Dr. Imam-ud-Din Shahbaz. This work determines to bring a deeper appreciation for the Punjabi Psalter by encouraging the Punjabi Christians to not only pass the Psalms on to the next generations but also to grow in loving and valuing their mother-tongue, the Punjabi language. The thrust of this book is to esteem the shared heritage of the global Punjabi Christian community—the Psalms in Punjabi, commonly known as the Punjabi Zabur.

This book offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan.

Asians make up the largest and most dispersed peoples of the world, and Christians constitute a sizable proportion of this population. Asian Christians are likely to emigrate, and many have embraced Christian faith at their diasporic destinations. In light of these realities, the Asian Diaspora Christianity series charts the growing interconnections between the Diaspora Christian communities by providing a rich, multidisciplinary, and contemporary perspective on the globalization of Asian Christianity. This volume, the last in the Asian Diaspora Christianity series, brings together scholars of Asian background and a few others who are situated in diverse locations to draw insights on Christian ministry from a diasporic perspective. This volume pays special attention to the Asian diasporic experience in areas of theology and ministry. Issues of a practical nature, such as English-language worship, contextual leadership, and missionary training are included.

This volume is a collection of essays on transregional aspects of Malay-Indonesian Islam and Islamic Studies, based on Peter G. Riddell’s broad interest and expertise.

English translation, King James version, of Psalms 1, 7, 19, 23, 100, 121, 123, and 150.

The program that transforms the whole person physically, emotionally, and spiritually.

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and ‘Christian’. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be ‘local’ and ‘Christian’. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.