The Contours Of America S Cold War

How new ideas of space contributed to a broad mobilization of American power.

This new study shows how the American-led ‘war on terror’ has brought about the most significant shift in the contours of the international system since the end of the Cold War. A new ‘imperial moment’ is now discernible in US foreign policy in the wake of the neo-conservative rise to power in the USA, marked by the development of a fresh strategic doctrine based on the legitimacy of preventative military strikes on hostile forces across any part of the globe. Key features of this new volume include: * an alternative, critical take on contemporary US foreign policy * a timely, accessible overview of critical thinking on US foreign policy, imperialism and war on terror * the full spectrum of critical view sin a single volume * many of these essays are now ‘contemporary classics’ The essays collected in this volume analyse the historical, socio-economic and political dimensions of the current international conjuncture, and assess the degree to which the war on terror has transformed the nature and projection of US global power. Drawing on a range of critical social theories, this collection seeks to ground historically the analysis of global developments since the inception of the new Bush Presidency and weigh up the political consequences of this imperial turn. This book will be of great interest for all students of US foreign policy, contemporary international affairs, international relations and politics.

“A creative, carefully researched, and incisive analysis of U.S. strategy during the long struggle against the Soviet Union.” —Stephen M. Walt, Foreign Policy “Craig and Logevall remind us that American foreign policy is decided as much by domestic pressures as external threats. America’s Cold War is history at its provocative best.” —Mark Atwood Lawrence, author of The Vietnam War The Cold War dominated world affairs during the half century following World War II. America prevailed, but only after fifty years of grim international struggle, costly wars in Korea and Vietnam, trillions of dollars in military spending, and decades of nuclear showdowns. Was all of that necessary? In this new edition of their landmark history, Campbell Craig and Fredrik Logevall engage with recent scholarship on the late Cold War, including the Reagan and Bush administrations and the collapse of the Soviet regime, and expand their discussion of the nuclear revolution and origins of the Vietnam War. Yet they maintain their original argument: that America’s response to a very real Soviet threat gave rise to a military and political system in Washington that is addicted to insecurity and the endless pursuit of enemies to destroy. America’s Cold War speaks vividly to debates about forever wars and threat inflation at the center of American politics today.

Covers the women activists who had been in the Progressive Party before its demise in 1955, and what they did politically after that demise. Their broad definition of peace (including social justice, rather than just absence of violence) was no longer politically popular in an era acknowledging the necessity of war against Soviet Communism, and they pursued their various political aims (racial equality, sexual equality, opposition to war, etc.) in different ways.

This book addresses the roots of the hostility that has characterized the United States’relationship with Cuba and has persisted for decades, even in the wake of the end of the Cold War. It answers the question of why America’s Cold War era policy toward Cuba has not substantially changed, despite a radically changed international environment. Cuba is indeed a "curious case," as the title suggests, and the book uses it to shed light on the contours and paradoxes of US policy during the Cold War and beyond.

To date, scholars have paid little attention to the role that music played at political rallies and protests, the political activism of right-wing and left-wing musicians, and the emergence of musical performances as sites of verbal and physical confrontations between Allende supporters and the opposition. This book illuminates a largely unexplored facet of the Cold War era in Latin America by examining linkages among music, politics, and the development of extreme political violence. It traces the development of folk-based popular music against the backdrop of Chile's social and political history, explaining how music played a fundamental role in a national conflict that grew out of deep cultural divisions. Through a combination of textual and musical analysis, archival research, and oral histories, Jedrek Mularski demonstrates that Chilean rightists came to embrace a national identity rooted in Chile's central valley and its huaso ("cowboy") traditions, which groups of well-groomed, singing huasos expressed and propagated through música típica. In contrast, leftists came to embrace an identity that drew on musical traditions from Chile's outlying regions and other Latin American countries, which they expressed and propagated through nueva canción. Conflicts over these notions of Chilenidad ("Chileanness") both reflected and contributed to the political polarization of Chilean society, sparking violent confrontations at musical performances and political events during the late 1960s and early 1970s. Mularski offers a powerful example and multifaceted understanding of the fundamental role that music often plays in shaping the contours of political struggles and conflicts throughout the world.This is an important book for Latin American studies, history, musicology/ethnomusicology, and communication.