The Convicts Of Van Dieman S Land 1840 1853

An account of the voyages which carried some 10 223 convicts, tried in Ireland, to Van Dieman's Land between 1840 and 1853.

On 2 September 1845, the convict ship Tasmania left Kingstown Harbour for Van Diemen's Land with 138 female convicts and their 35 children. On 3 December, the ship arrived into Hobart Town. While this book looks at the lives of all the women aboard, it focuses on two women in particular: Eliza Davis, who was transported from Wicklow Gaol for life for infanticide, having had her sentence commuted from death, and Margaret Butler, sentenced to seven years' transportation for stealing potatoes in Carlow. Using original records, this study reveals the reality of transportation, together with the legacy left by these women in Tasmania and beyond, and shows that perhaps, for some, this Draconian punishment was, in fact, a life-saving measure.

Australia is one of the most ethnically diverse societies in the world today. From its ancient indigenous origins to British colonisation followed by waves of European then international migration in the twentieth century, the island continent is home to people from all over the globe. Each new wave of settlers has had a profound impact on Australian society and culture. The Australian People documents the dramatic history of Australian settlement and describes the rich ethnic and cultural inheritance of the nation through the contributions of its people. It is one of the largest reference works of its kind, with approximately 250 expert contributors and almost one million words. Illustrated in colour and black and white, the book is both a comprehensive encyclopedia and a survey of the controversial debates about citizenship and multiculturalism now that Australia has attained the centenary of its federation.

Drawing on digital criminal records, this book traces the life courses of young convicts who were sentenced at the Old Bailey and transported to Van Diemen's Land in the early 19th century. It explores the everyday lives of the convicts pre- and post-transportation, focusing on their crimes, punishments, education, employment and family life right up to their deaths. Emma D. Watkins contextualizes these young convicts within the punishment system, economy and culture that they were thrust into by their forced movement to Australia. This allows an understanding of the factors which determined their chances of achieving a 'settled life' away from crime in the colony. Packed with case studies offering vivid accounts of the offenders' lives, Life Courses of Young Convicts Transported to Van Diemen's Land makes an important contribution to the history of transportation, social history and Australian history.

Winner of the 2009 Tasmania Book Prize Winner of the 2008 Colin Roderick Award Almost half of the convicts who came to Australia came to Van Diemen’s Land. There they found a land of bounty and a penal society, a kangaroo economy and a new way of life. In this book, James Boyce shows how the convicts were changed by the natural world they encountered. Escaping authority, they soon settled away from the towns, dressing in kangaroo skin and living off the land. Behind the official attempt to create a Little England was another story of adaptation, in which the poor, the exiled and the criminal made a new home in a strange land. This is their story, the story of Van Diemen’s Land. Shortlisted in the 2009 Prime Minister's Literary Awards, the 2009 NSW Premier's Literary Awards, the 2010 Adelaide Festival Awards for Literature, the 2008 Age Book of the Year Awards, the 2008 Victorian Premier's Literary Awards, the 2008 Queensland Premier's Literary Awards, the 2008 NSW Premier's History Awards and the 2008 Australian Book Industry Awards ‘A brilliant book and a must-read for anyone interested in how land shapes people.’ —Tim Flannery ‘The most significant colonial history since The Fatal Shore. In re-imagining Australia's past, it invents a new future.’ —Richard Flanagan ‘Like the best history, Van Diemen's Land is not an artfully constructed narrative with the (inevitably inadequate) evidence banished to endnotes, but a dialogue between historian and reader as they explore the fragile sources, and the silences, together.’ —Inga Clendinnen ‘The publication of Van Diemen's Land signals an entirely fresh approach to Australian history-writing ... This is a brilliant publication.’ —Alan Atkinson ‘A fresh and sparkling account.’ —Henry Reynolds James Boyce is the multiple award-winning author of Born Bad, 1835 and Van Diemen’s Land. He has a PhD from the University of Tasmania, where he is an honorary research associate of the School of Geography and Environmental Studies.

This analysis of female transports to Australia reveals their significant contribution to the new economy.

Andrew Motion brings all his lyricism and inventiveness to bear in this fictional autobiography of the great swindler, Thomas Griffiths Wainewright. A painter, writer, and friend of Blake, Byron, and Keats, Wainewright was almost certainly a murderer. When he died in a penal colony in Tasmania, he left behind fragments of documents and a beguiling legend which Motion uses to create an imagined confession laced with facts, telling the story as no straightforward history could. "Thomas Griffiths Wainewright is a dream subject for either novelist or biographer. . . . Andrew Motion, Britain's poet laureate, clearly felt that neither straight biography nor pure fiction would do Wainewright's complexities justice, and so he combined the two genres. The result is stunning. The central voice is that of Wainewright himself, reflecting back on his life. After each chapter Mr. Motion has added detailed notes that inform and flesh out the narrative, giving not only his own informed opinion of Wainewright's actions but also those of Wainewright's contemporaries and the scholars and writers who have studied him over the past two centuries."—Lucy Moore, Washington Times "Brilliantly innovative, gripping, intricately researched, Motion's biography does justice to its subject at last."—John Carey, The Sunday Times "Engaging and convincing. . . . The trajectory of this character-from neglected and resentful child to arrogant and envious London dandy to sociopathic murderer on to an enfeebled, frightened prisoner-is indelibly imagined and drawn."—Edmund White, Financial Times "[A] fascinating look at an evil artist, a charmer still having his way with us. We can hear him being economical with the truth, telling us and himself just what he wants to hear."—Michael Olmert, New Jersey Star Ledger "Motion crafts a fascinating tale as complex and compelling as if Wainewright himself had written it."—Michael Spinella, Booklist "Did he kill his servant, and possibly others as well? . . . The footnotes seem to say yes, but Wainewright adamantly argues his own case. Motion's prose is flawless, and Wainewright's voice is convincing. But in the long run, it's this ambiguity that makes Wainewright the Poisoner a fascinating and memorable read."—R.V. Schelde, Sacramento News and Review "Who could as for a better Romantic villain than Thomas Griffiths Wainewright? . . . [The book] succeeds on many levels: as an act of ventriloquism, a work of scholarship, a psychological study, as a set of sharp portraits of famous men and an engrossing read. . . ."—Polly Shulman, Newsday "Instead of a straightforward biography, Andrew Motion gives us Wainewright's first person, fictionalized "confession."—a document as circumspect, slyly reticent, and oeaginously smooth as the man himself. Splendid."—John Banville, Literary Review "A genuine tour de force, and on a non-fictional level, a telling portrait of a strange, intriguing and repellant man."—Brian Fallon, Irish Times "A marvelous literary hybrid that totters with one foot in the world of nonfiction, the other in the land of make-believe. One is alternatively swept up in Motion's dizzy imaginative pastiche, or sent crashing into a dusty stack of scholarly cogitations. . . ."—Philadelphia Inquirer "As true a portrait of a liar as its subject could wish. Rich and strange. . . ."—Glasgow Herald