The Cost Of Being A Girl

Origins of the gender wage gap -- Freelance jobs : babysitters -- Retail and apparel -- Race and class -- Long term effects

Being a girl is awesome. It can also be really, really hard. And no one knows that better than girls who are going through it right now. From BFFs to Mean Girls, selfies to self-esteem, pimples and periods and peer pressure, Being a Girl tells it like it is. Friendly, funny, reassuring, and totally honest, this is the book mothers will wish they had had when they were younger, and the one girls will turn to again and again.

"Everyone concerned about the toxic effects of inequality must read this book."--Robert B. Reich "This is one of the most thought-provoking books I have read on economic inequality in the US."--William Julius Wilson Since the Great Recession, most Americans' standard of living has stagnated or declined. Economic inequality is at historic highs. But inequality's impact differs by race; African Americans' net wealth is just a tenth that of white Americans, and over recent decades, white families have accumulated wealth at three times the rate of black families. In our increasingly diverse nation, sociologist Thomas M. Shapiro argues, wealth disparities must be understood in tandem with racial inequities--a dangerous combination he terms "toxic inequality." In Toxic Inequality, Shapiro reveals how these forces combine to trap families in place. Following nearly two hundred families of different races and income levels over a period of twelve years, Shapiro's research vividly documents the recession's toll on parents and children, the ways families use assets to manage crises and create opportunities, and the real reasons some families build wealth while others struggle in poverty. The structure of our neighborhoods, workplaces, and tax code-much more than individual choices-push some forward and hold others back. A lack of assets, far more common in families of color, can often ruin parents' careful plans for themselves and their children. Toxic inequality may seem inexorable, but it is not inevitable. America's growing wealth gap and its yawning racial divide have been forged by history and preserved by policy, and only bold, race-conscious reforms can move us toward a more just society.

Her world will be turned upside down... It’s 1935 and beautiful Lindy Gillan dreams of getting away from her boring life in Edinburgh’s impoverished Old Town. Her one consolation is her dear friend Neil, a young writer from the same tenement block, whom she has known for years. But then handsome Rod Connor walks into the shop where Lindy works one day and her life no longer seems quite so boring. Rod’s arrival brings with it new, unexpected opportunities, but with war looming on the horizon, things are about to change. She must make a choice about the man she wants to be with – steady, reliable Neil or dashing and exciting Rod. Lindy’s decision will have unforeseen repercussions, but will she find the lasting happiness she so desperately desires? A moving Scottish saga perfect for fans of Maggie Mason and Maisie Thomas.

A mother's secret past and her daughter's present collide in this richly atmospheric novel from the acclaimed author of The Animals at Lockwood Manor. In the summer of 1973, Ruth and her four friends were obsessed with pre-Raphaelite paintings--and a little bit obsessed with each other. Drawn to the cold depths of the river by Ruth's house, the girls pretend to be the drowning Ophelia, with increasingly elaborate tableaus. But by the end of that fateful summer, real tragedy finds them along the banks. Twenty-four years later, Ruth returns to the suffocating, once grand house she grew up in, the mother of young twins and seventeen-year-old Maeve. Joining the family in the country is Stuart, Ruth's childhood friend, who is quietly insinuating himself into their lives and gives Maeve the attention she longs for. She is recently in remission, unsure of her place in the world now that she is cancer-free. Her parents just want her to be an ordinary teenage girl. But what teenage girl is ordinary? Alternating between the two fateful summers, The Ophelia Girls is a suspense-filled exploration of mothers and daughters, illicit desire, and the perils and power of being a young woman.

Every day young people engage in risky behaviors that affect not only their immediate well-being but their long-term health and safety. These well-honed essays apply diverse economic analyses to a wide range of unsafe activities, including teen drinking and driving, smoking, drug use, unprotected sex, and criminal activity. Economic principles are further applied to mental health and performance issues such as teenage depression, suicide, nutritional disorders, and high school dropout rates. Together, the essays yield notable findings: price and regulatory incentives are critical determinants of high-risk behavior, suggesting that youths do apply some sort of cost/benefit calculation when making decisions; the macroeconomic environment in which those decisions are made matters greatly; and youths who pursue high-risk behaviors are significantly more likely to engage in similar behaviors as adults. This important volume provides both a key data source for public policy makers and a clear affirmation of the usefulness of economic analysis to our understanding of risky behavior.

From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation to contemporary phenomena such as post-feminism, neoliberalism and queer subcultures. Containing work by established and emerging scholars, this volume explodes the narrow post-feminist canon and expands existing geographical, ethnic, and historical accounts of cinematic cultures and girlhood.