The Court Midwife

First published in 1690, The Court Midwife made Justine Siegemund (1636-1705) the spokesperson for the art of midwifery at a time when most obstetrical texts were written by men. More than a technical manual, The Court Midwife contains descriptions of obstetric techniques of midwifery and its attendant social pressures. Siegemund's visibility as a writer, midwife, and proponent of an incipient professionalism accorded her a status virtually unknown to German women in the seventeenth century. Translated here into English for the first time, The Court Midwife contains riveting birthing scenes, sworn testimonials by former patients, and a brief autobiography.

NATIONAL BESTSELLER • This modern classic from the author of The Flight Attendant is a compulsively readable novel that explores questions of human responsibility that are as fundamental to our society now as they were when the book was first published. A selection of Oprah's original Book Club that has sold more than two million copies. On an icy winter night in an isolated house in rural Vermont, a seasoned midwife named Sibyl Danforth takes desperate measures to save a baby’s life. She performs an emergency cesarean section on a mother she believes has died of stroke. But what if—as Sibyl's assistant later charges—the patient wasn't already dead? The ensuing trial bears the earmarks of a witch hunt, forcing Sibyl to face the antagonism of the law, the hostility of traditional doctors, and the accusations of her own conscience. Exploring the complex and emotional decisions surrounding childbirth, Midwives engages, moves, and transfixes us as only the very best novels ever do. Look for Chris Bohjalian's new novel, The Lioness!

An opulent, riveting, and suspenseful continuation of the thrilling historical novel The Midwife of Venice set in medieval Constantinople. AN OPULENT, CAPTIVATING, AND SUSPENSEFUL HISTORICAL NOVEL FROM THE AUTHOR OF THE THRILLING INTERNATIONAL BESTSELLER THE MIDWIFE OF VENICE The Imperial Harem, Constantinople, 1578. Hannah and Isaac Levi, Venetians in exile, have overcome unfathomable obstacles to begin life anew in the Ottoman Empire. He works in the growing silk trade, and she, the best midwife in the capital, tends to the hundreds of women in Sultan Murat III’s lively and infamous harem. One night, Hannah is unexpectedly sum­moned to the extravagant palace and confronted with Leah, a Jewish peasant girl who was violently abducted. The sultan favors Leah as his next conquest and wants her to produce his heir, but if the spirited girl fails an important test, she faces a terrible fate. Taken by Leah’s tenacity, Hannah risks everything to help her. But as Hannah agonizes over her decision, an enchanting stranger arrives from afar to threaten her peaceful life with Isaac, and soon Leah too reveals a dark secret that could condemn them both. Filled with adventure and vivid detail and peopled with memorable charac­ters, The Harem Midwife showcases Roberta Rich’s boundless talent for cap­turing readers’ imaginations.

PULITZER PRIZE WINNER • Drawing on the diaries of one woman in eighteenth-century Maine, "A truly talented historian unravels the fascinating life of a community that is so foreign, and yet so similar to our own" (The New York Times Book Review). Between 1785 and 1812 a midwife and healer named Martha Ballard kept a diary that recorded her arduous work (in 27 years she attended 816 births) as well as her domestic life in Hallowell, Maine. On the basis of that diary, Laurel Thatcher Ulrich gives us an intimate and densely imagined portrait, not only of the industrious and reticent Martha Ballard but of her society. At once lively and impeccably scholarly, A Midwife's Tale is a triumph of history on a human scale.

This work supplied English midwives and English women with a compendium of information for the Continent and from the author's own thirty years of experience.

Not since Anna Diamant’s The Red Tent or Geraldine Brooks’s People of the Book has a novel transported readers so intimately into the complex lives of women centuries ago or so richly into a story of intrigue that transcends the boundaries of history. A “lavishly detailed” (Elle Canada) debut that masterfully captures sixteenth-century Venice against a dramatic and poetic tale of suspense. Hannah Levi is renowned throughout Venice for her gift at coaxing reluctant babies from their mothers using her secret “birthing spoons.” When a count implores her to attend his dying wife and save their unborn son, she is torn. A Papal edict forbids Jews from rendering medical treatment to Christians, but his payment is enough to ransom her husband Isaac, who has been captured at sea. Can she refuse her duty to a woman who is suffering? Hannah’s choice entangles her in a treacherous family rivalry that endangers the child and threatens her voyage to Malta, where Isaac, believing her dead in the plague, is preparing to buy his passage to a new life. Told with exceptional skill, The Midwife of Venice brings to life a time and a place cloaked in fascination and mystery and introduces a captivating new talent in historical fiction.

Renowned for her practice's exemplary results and low intervention rates, Ina May Gaskin has gained international notoriety for promoting natural birth. She is a much-beloved leader of a movement that seeks to stop the hyper-medicalization of birth—which has lead to nearly a third of hospital births in America to be cesarean sections—and renew confidence in a woman's natural ability to birth. Upbeat and informative, Gaskin asserts that the way in which women become mothers is a women's rights issue, and it is perhaps the act that most powerfully exhibits what it is to be instinctually human. Birth Matters is a spirited manifesta showing us how to trust women, value birth, and reconcile modern life with a process as old as our species.

All cultures are concerned with the business of childbirth, so much so that it can never be described as a purely physiological or even psychological event. This volume draws together work from a range of anthropologists and midwives who have found anthropological approaches useful in their work. Using case studies from a variety of cultural settings, the writers explore the centrality of the way time is conceptualized, marked and measured to the ways of perceiving and managing childbirth: how women, midwives and other birth attendants are affected by issues of power and control, but also actively attempt to change established forms of thinking and practice. The stories are engaging as well as critical and invite the reader to think afresh about time, and about reproduction.