The Cowboy S Rodeo Rival

Nate Grant knows that his eldest brother has the respect, his middle brother has the smarts, and he was left to fight for his own piece of the spotlight. Thus, began his daring, dangerous, and often a little bit crazy foray into the world of rodeo. Now, with his career on the rise, Nate is back in town to do a promotional show at the local Strawberry Festival to land himself a major sponsor. But when he arrives expecting to be welcomed as the hometown hero, he instead finds himself challenged by the only person who could ever make him shake in his boots: Athena Moore. Athena grew up on the wrong side of the tracks. Limited money for rodeo lessons or competitions meant that while she could best the boys, she couldn’t follow them to the big leagues. Watching Nate excel really lit a fire in her britches and after school she began training and teaching young girls rodeo skills. Winning against Nate at the upcoming Strawberry Festival will show the girls (and Athena) that they could do anything boys could—and do it better to boot. But promoting the event means Nate and Athena are forced to spend time together. Too much time to keep their tumultuous feelings under wraps. Now, there’s a grudging respect to their relationship and a heavy dose of passion too. But as Nate and Athena get closer, their competition becomes public via a reality show. When the lines between promotion and passion are crossed, they’ll be forced to ask themselves what it is they’re fighting for...and what they’ll lose if they win. This novel contains sexual content, profanity and scenes with substance abuse.

Maury Garcia's one of the greatest bull riders in the world... as well as deep in the closet and suffocating under family expectations. But rodeo rookie Tristão Silva, with his sexy samba hips and gentle heart, makes Maury want more than his selfless, sexless life.

This work celebrates a great national pastime and tradition. Taking the reader behind the chutes, Wayne Wooden and Gavin Ehringer reveal the essential character of rodeo culture today and show why it retains such a strong hold on the American imagination.

African American Consciousness focuses on ideas of culture, race, and class within the interdisciplinary matrix of Africana Studies. Even more important, it uses a methodology that emphasizes interpretation and the necessity of interdisciplinary research and writing in a global society. Worldview, culture, analytic thinking, and historiography can all be used as tools of analysis, and in the process of discovery, use pedagogy, and survey research of Africana history. Advancing the idea of Africana Studies, mixed methodology, and triangulation, the contributors provide alternative approaches toward examining this phenomena, with regard to place, space, and time. The essays in this volume include Reynaldo Anderson, "Black History dot.com" Greg Carr, "Black Consciousness, Pan-Africanism and the African World History Project" Karanja Carroll, "A Genealogical Review of the Worldview Concept and Framework in Africana Studies" Denise Martin, "Reflections on African Celestial Culture" Serie McDougal "Teaching Black Males" Demetrius Pearson, "Cowboys of Color" Pamela Reed, "Heirs to Disparity" and Andrew Smallwood, "Malcolm X's Leadership and Legacy." The researchers in this volume investigate, explore, and review patterns of functional, normative, and expressive behavior. The past and present of Africana culture is represented, showing how reflexivity can be an adjustable concept to organize, process, and interpret data. Moreover, humanism and social science demonstrate how researchers establish, extract, and identify the limitations and alternative approaches to research of the historic conditions of black Americans.

They ride horses, rope calves, buck broncos, ride and fight bulls, and even wrestle steers. They are Black cowboys, and the legacies of their pursuits intersect with those of America’s struggle for racial equality, human rights, and social justice. Keith Ryan Cartwright brings to life the stories of such pioneers as Cleo Hearn, the first Black cowboy to professionally rope in the Rodeo Cowboy Association; Myrtis Dightman, who became known as the Jackie Robinson of Rodeo after being the first Black cowboy to qualify for the National Finals Rodeo; and Tex Williams, the first Black cowboy to become a state high school rodeo champion in Texas. Black Cowboys of Rodeo is a collection of one hundred years of stories, told by these revolutionary Black pioneers themselves and set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.

Erickson's articles and essays have been published in Texas Highways, Livestock Weekly, The Dallas Morning News, The Dallas Times Herald, and American Cowboy . This collection is arranged by Place; From Buffalo to Cattle; The Cowboy; Cowboy Tools; Ranch and Rodeo; Animals; and This and That. Many of the pieces are anecdotal, based on Erickson's experiences and observations on ranches. Others required some research and are more historical. Some are essays in which Erickson views contemporary life through the lens of cowboying. But all of them are vintage master storyteller John Erickson, told with humor and thoughtfulness.