The Creation Of Eve And Renaissance Naturalism

This book traces how four early Renaissance masters represented the Creation of Eve.

This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam's side at God's command.

How does a visual artist manage to narrate a story, which has a sequential and therefore temporal progression, using a static medium consisting solely of spatial sign elements and, what is more, in a single image? This is the question on which this work is based, posed by its designer, Alberto Argenton, to whose memory it is dedicated. The first explanation usually given by scholars in the field is that the artist solves the problem by depicting the same character in a number of scenes, thus giving indirect evidence of events taking place at different times. This book shows that artists, in addition to the repetition of characters, devise other spatial perceptual-representational strategies for organising the episodes that constitute a story and, therefore, showing time. Resorting to the psychology of art of a Gestalt matrix, the book offers researchers, graduates, advanced undergraduates, and professionals a description of a large continuous pictorial narrative repertoire (1000 works) and an in-depth analysis of the perceptual-representational strategies employed by artists from the 6th to the 17th century in a group of 100 works narrating the story of Adam and Eve.

The Routledge Companion to Eve is a comprehensive and interdisciplinary collection which explores the history of interpretation that surrounds Eve’s character in both religious writings and cultural texts. The primary themes discussed in the volume include the religious, historical, and cultural ideologies that have influenced interpretations of Eve, as well as the cultural impact of these interpretations on gender identities and injustices. Chapters trace the evolution of Eve’s interpretive history from ancient biblical texts up to the present day. The contributors engage with both traditional modes of inquiry in text-based religious research as well as the newer fields of reception history and cultural criticism to explore the rich history of interpretation and reception surrounding Eve, as well as the cultural and historical impact these interpretations have had on women’s religious and social lives across space and time. The Routledge Companion to Eve is an original and important collection which will equip readers to begin their own explorations of Eve’s extraordinary legacy. It will be an invaluable resource for scholars of Gender Studies, Biblical Studies, Theology, Religion and Gender, Literary Studies, History of Art, and Cultural Studies.

Winner, 2024 Haskins Medal, Medieval Academy of America Winner, 2023 Margaret W. Rossiter History of Women in Science Prize, History of Science Society Winner, 2022 Award for Excellence in the Study of Religion: Historical Studies, American Academy of Religion Honorable Mention, 2023 John Boswell Prize, The Committee on Lesbian, Gay, Bisexual & Transgender History (CLGBTH) Longlisted, 2022 Lambda Literary Award for LGBTQ Studies, Lambda Literary Awards The Shape of Sex is a pathbreaking history of nonbinary sex, focusing on ideas and individuals who allegedly combined or crossed sex or gender categories from 200–1400 C.E. Ranging widely across premodern European thought and culture, Leah DeVun reveals how and why efforts to define “the human” so often hinged on ideas about nonbinary sex. The Shape of Sex examines a host of thinkers—theologians, cartographers, natural philosophers, lawyers, poets, surgeons, and alchemists—who used ideas about nonbinary sex as conceptual tools to order their political, cultural, and natural worlds. DeVun reconstructs the cultural landscape navigated by individuals whose sex or gender did not fit the binary alongside debates about animality, sexuality, race, religion, and human nature. The Shape of Sex charts an embrace of nonbinary sex in early Christianity, its brutal erasure at the turn of the thirteenth century, and a new enthusiasm for nonbinary transformations at the dawn of the Renaissance. Along the way, DeVun explores beliefs that Adam and Jesus were nonbinary-sexed; images of “monstrous races” in encyclopedias, maps, and illuminated manuscripts; justifications for violence against purportedly nonbinary outsiders such as Jews and Muslims; and the surgical “correction” of bodies that seemed to flout binary divisions. In a moment when questions about sex, gender, and identity have become incredibly urgent, The Shape of Sex casts new light on a complex and often contradictory past. It shows how premodern thinkers created a system of sex and embodiment that both anticipates and challenges modern beliefs about what it means to be male, female—and human.

Honouring Erica Cruikshank Dodd, Art and Material Culture in the Byzantine and Islamic Worlds analyzes aspects of the constructed narratives and reconstructed realities of the visual-material record of diverse Mediterranean faith communities from medieval into contemporary times.

Fully illustrated throughout, The Renaissance is a highly accessible and colourful journey along the cultural contours of Europe from the Late Middle Ages to the early modern period.

Demonstrating the influence of optical science on medieval relief sculpture, this groundbreaking book reveals that the concepts that informed the codification of perspective by Renaissance painters were already being employed by sculptors centuries earlier.