The Crooked Good

Additional keywords : Aboriginal peoples, First Nations, women.

The struggle of Native American peoples after the arrival of the Europeans is well documented, even in poetry. Yet Blue Marrow introduces a unique voice and perspective to this tension, one that is poignant and simultaneously reminiscent of all that is already familiar. In this haunting collection, Halfe brings to light the hypocrisy shaped by the conflict of Christianity and tradition-unique, informative, artistic and memorable, a combination worthy of note. (KLIATT).

Through the voice of ê-kwêskît – Turn-around Woman – Louise Halfe guides the reader on a three-fold journey down a path where the personal, the historical and the mythic walk hand-in-hand. Louise Halfe revisits familiar Indigenous themes, but pushes them farther than she has before, in this third collection of her moving, powerful poetry. The ancestors speak through a Mother’s fireside stories, and the figure of Rolling Head recurs everywhere on the path – as nightmare, as conscience, as maternal lover. The heartbreaking dysfunction of an Indigenous family, and the haunted memories and temptations of one woman’s quest, are tempered by the tenderness, the loyalty, and the outbursts of earthy laughter that distinguish Louise Halfe’s unique gifts as a poet and as mediator between two cultures.

In heart-wrenching detail, Louise Halfe recalls the damage done by the residential schools to her parents, her family, and herself in her new poetry collection.

“I build this story like my lair. One willow, / a rib at a time” — “The Crooked Good” Since 1990, Sky Dancer Louise Bernice Halfe’s work has stood out as essential testimony to Indigenous experiences within the ongoing history of colonialism and the resilience of Indigenous storytellers. Sôhkêyihta includes searing poems, written across the expanse of Halfe’s career, aimed at helping readers move forward from the darkness into a place of healing. Halfe’s own afterword is an evocative meditation on the Cree word sôhkêyihta: Have courage. Be brave. Be strong. She writes of coming into her practice as a poet and the stories, people, and experiences that gave her courage and allowed her to construct her “lair.” She also reflects on her relationship with nêhiyawêwin, the Cree language, and the ways in which it informs her relationships and poetics. The introduction by David Gaertner situates Halfe’s writing within the history of whiteness and colonialism that works to silence and repress Indigenous voices. Gaertner pays particular attention to the ways in which Halfe addresses, incorporates, and pushes back against silence, and suggests that her work is an act of bearing witness – what Kwagiulth scholar Sarah Hunt identifies as making Indigenous lives visible.

Into the Crooked Place begins a gritty two-book YA fantasy series from Alexandra Christo, the author of To Kill a Kingdom. The streets of Creije are for the deadly and the dreamers, and four crooks in particular know just how much magic they need up their sleeve to survive. Tavia, a busker ready to pack up her dark-magic wares and turn her back on Creije for good. She’ll do anything to put her crimes behind her. Wesley, the closest thing Creije has to a gangster. After growing up on streets hungry enough to swallow the weak whole, he won’t stop until he has brought the entire realm to kneel before him. Karam, a warrior who spends her days watching over the city’s worst criminals and her nights in the fighting rings, making a deadly name for herself. And Saxony, a resistance fighter hiding from the very people who destroyed her family, and willing to do whatever it takes to get her revenge. Everything in their lives is going to plan, until Tavia makes a crucial mistake: she delivers a vial of dark magic—a weapon she didn’t know she had—to someone she cares about, sparking the greatest conflict in decades. Now these four magical outsiders must come together to save their home and the world, before it’s too late. But with enemies at all sides, they can trust nobody. Least of all each other.

The acclaimed author of Carved in Sand—a veteran investigative journalist who endured persistent back pain for decades—delivers the definitive book on the subject: an essential examination of all facets of the back pain industry, exploring what works, what doesn't, what may cause harm, and how to get on the road to recovery. In her effort to manage her chronic back pain, investigative reporter Cathryn Jakobson Ramin spent years and a small fortune on a panoply of treatments. But her discomfort only intensified, leaving her feeling frustrated and perplexed. As she searched for better solutions, she exposed a much bigger problem. Costing roughly $100 billion a year, spine medicine—often ineffective and sometimes harmful —exemplified the worst aspects of the U.S. health care system. The result of six years of intensive investigation, Crooked offers a startling look at the poorly identified risks of spine medicine, and provides practical advice and solutions. Ramin interviewed scores of spine surgeons, pain management doctors, physical medicine and rehabilitation physicians, exercise physiologists, physical therapists, chiropractors, specialized bodywork practitioners. She met with many patients whose pain and desperation led them to make life-altering decisions, and with others who triumphed over their limitations. The result is a brilliant and comprehensive book that is not only important but essential to millions of back pain sufferers, and all types of health care professionals. Ramin shatters assumptions about surgery, chiropractic methods, physical therapy, spinal injections and painkillers, and addresses evidence-based rehabilitation options—showing, in detail, how to avoid therapeutic dead ends, while saving money, time, and considerable anguish. With Crooked, she reveals what it takes to outwit the back pain industry and get on the road to recovery.