The Crowd The Critic And The Muse

Our creativity is inextricably entwined with our humanity. So what shall we make of the world?

It’s no secret that Christians can be ambivalent about music, both popular music and music in the church. In Resonate, author and Eternity Bible College professor Mark Beuving shows Christians how to better appreciate all kinds of music to the glory and pleasure of God. Beuving carefully examines music in the Bible and looks at the various and powerful ways in which music influences our world and our personal lives. He devotes the first section of the book to understanding music, both sacred and secular, exploring biblically why human beings make music and how it affects us. In the second section he highlights some of the many ways we engage with music, from writing songs to discussing artists with our neighbors to worshiping God with fellow believers. Wise and winsome, Beuving writes with an ear for recapturing the wonder of a beautiful part of God’s creation. Readers will be inspired to contemplate more deeply and appreciate more fully God’s good gift of music.

Rock and roll is more than just music. Rock is a culture and an ideology, which carries its own ethos. It is forcefully countercultural and exists as a bane in the sight of dominant Western culture. As rock engages and critiques culture, it invariably encounters issues of meaning that are existential and theological. A transformational theology of rock begins with those existential and theological issues raised by and within rock music. With God On Our Side attempts to respond to these queries in a way that is faithful to the work of the kingdom of God on earth by mining our long theological tradition and seeing what cohesive responses can be made to the issues raised by rock music. At its best, rock acknowledges there is something wrong with the world, raises awareness of marginalized voices, and offers an alternative mode of existence within our present reality. By teasing out the theological issues found in rock music, this book synthesizes the findings to create a distinctive cultural theology that is sensitive to the plight of the marginalized in the West. In this way, the book offers a way forward towards a transformational theology of rock and roll.

Say the words "evangelical worship" to anyone in the United States -- even if they are not particularly religious -- and a picture will likely spring to mind unbidden: a mass of white, middle-class worshippers with eyes closed, faces tilted upward, and hands raised to the sky. Yet despite the centrality of this image, many scholars have underestimated evangelical worship as little more than a manipulative effort to arouse devotional exhilaration. It is frequently dismissed as a reiteration of nineteenth-century revivalism or a derivative imitation of secular entertainment -- three Christian rock songs and a spiritual TED talk. But by failing to engage this worship seriously, we miss vital insights into a form of Protestantism that exerts widespread influence in the United States and around the world. Evangelical Worship offers a new way forward in the study of American evangelical Christianity. Weaving together insights from American religious history and liturgical studies, and drawing on extensive fieldwork in seven congregations, Melanie C. Ross brings contemporary evangelical worship to life. She argues that corporate worship is not a peripheral "extra" tacked on to a fully-formed spiritual, political, and cultural movement, but rather the crucible through which congregations forge, argue over, and enact their unique contributions to the American mosaic known as evangelicalism.

What if changing our perception of God has the potential to change everything? God is not what you think. Visions of an angry, distant, moral scorekeeper or a supernatural Santa Claus handing out cosmic lottery tickets to those who attend the right church or say the right prayer dominate our culture. For many others, God has become irrelevant or simply unbelievable. In The Divine Dance, Fr. Richard Rohr (with Mike Morrell) points readers to an unlikely opening beyond this divinity impasse: the at-times forgotten, ancient mystery of the Trinity—God as utterly one, yet three. Drawing from Scripture, theology, and the deepest insights of mystics, philosophers, and sages throughout history, Fr. Rohr presents a compelling alternative to aloof and fairytale versions of God: One God, belovedly in communion, as All-Vulnerable, All-Embracing, and All-Given to you and me. The Divine Dance makes accessible and practicable the Christian tradition's most surprising gift... God as Community...as Friendship...as Dance. Are you ready to join in?

"'Science Mike' draws on his personal experience to tell the unlikely story of how science led him back to faith. Among other revelations, we learn what brain scans reveal about what happens when we pray, how fundamentalism affects the psyche, and how God is revealed not only in scripture, but in the night sky, in subatomic particles, and in us"--Dust jacket flap.

What if the way we worship isn't just an expression of our faith, but is what shapes our faith? The Church has believed this about the way we worship and pray together for centuries: The way we worship becomes the way we believe. But if this is true, it’s time to take a closer look at what we say and sing and do each week. Drawing from his own discovery of ancient worship practices, Glenn Packiam helps us understand why the Church made creedal proclamations and Psalm-praying a regular part of their worship. He shares about why the Eucharist was the climactic point of their corporate “re-telling of the salvation story.” When our worship becomes a rich feast, our faith is nourished and no longer anemic. The more our worship speaks of Christ, the more we enter into the mystery of faith.

Christian punk is a surprisingly successful musical subculture and a fascinating expression of American evangelicalism. Situating Christian punk within the modern history of Christianity and the rapidly changing culture of spirituality and secularity, this book illustrates how Christian punk continues punk's autonomous and oppositional creative practices, but from within a typically traditional evangelical morality. Analyzing straight edge Christian abstinence and punk-friendly churches, this book also focuses on gender performance within a subculture dominated by young men in a time of contested gender roles and ideologies. Critically-minded and rich in ethnographic data and insider perspectives, Christian Punk will engage scholars of contemporary evangelicalism, religion and popular music, and punk and all its related subcultures.