The Cultivated Wilderness Or What Is Landscape

Paul Shepheard explains how every architectural move that man makes is set in a landscape. He draws on examples of fortified settlements in Norman England that reflect occupation and the New World's grid-layout cities reflecting reason.

This book brings together critical and theoretical essays examining the connections between films and landscapes. It showcases the work of established and emerging academics whose research probes the complex relationships between moving images and the filmed environment, and accounts for the impactful effects of viewing lived spaces and human places on screen. The essays in this collection actively engage with examples of contemporary popular and art cinema, genre films and auteur canon, historical films, propaganda, documentary and animation in their explorations of the meanings with which filmed landscapes are endowed and invested. The breadth of the study is matched by the depth of the interest, with writers here approaching the subject of film landscapes as critics, as film practitioners, and as teachers of film studies and film making. Film Landscapes gives voice to a great many ideas, and includes coverage of a great many films; but it also points forward to ways in which we might revisit discussions of the environments of film and consider ways in which history and creativity, critical understanding and the interaction of human beings and place could be reconsidered and revised to produce new insights.

Cultivated Therapeutic Landscapes provides an in-depth and critical explora-tion of the impact of gardens and gardening on health and wellbeing. In this book we explore the ways in which gardens and gardening prevent illness and restore wellbeing, and how they improve social and health equity via tradi-tional and innovative mechanisms and across a range of sites. Therapeutic landscapes are relational, reciprocal, and evolving. In this book, leading scholars from across the globe demonstrate how therapeutic landscapes research and practice is expanded through and around the pro-cesses of cultivation. Deliberately interdisciplinary, the book explores how tending and caring for green spaces, collectively and individually, works to pre-vent and restore health and wellbeing, as well as impact upstream factors de-termining social justice and equity. A unique combination of academics, clinicians, and practitioners deliver theoretical and practical insights into wide-ranging health-enabling factors, based on new evidence and autoethno-graphic experiences in home gardens, school, and community gardens, clinical settings, public green spaces, and sites of conservation and wildness. This book pushes concepts of cultivation and horticulture into underexplored spatial, on-tological, and wellbeing territories. Despite long-term practical interest, thera-peutic horticulture is only now establishing a strong theoretical and research foundation. This book provides much-needed critical insights into the impact on the key drivers of health, wellbeing, and social equity, with a focus on practical skills for utilising horticulture or designing for particular health needs. It will be of interest to students, scholars, and practitioners in the areas of health geogra-phy; cultural geography; cultural studies; therapeutic horticulture; environ-mental studies; community development and planning; landscape architecture; social work; health studies; and health policy.

As the first monk in the desert, Antony became an early Christian superstar, eclipsing his many ascetic predecessors. The introduction of asceticism into the wilderness also represented an encounter between Christian and Hellenistic ideas. For centuries Greeks had considered the uncultivated geography intrinsically primordial, a chaotic place where man struggled to remain human. The wilderness represented an eternal ordeal, where man always faced fierce beasts, disorder, and death, but also where simultaneously he could attain boundless wealth, wisdom, and even physical immortality. Through Athanasius of Alexandria's fourth-century biography of Antony, we learn how the Christian appropriation of Greek ideas on geography, bodies and immortality raised asceticism to an entirely new level. Placed in his uncultivated landscape, Antony became a true martyr, an athlete of God, and a holy man able to retrieve the bodily incorruptibility lost in the Fall, which all Christians could look forward to at the end of times. In this way Athanasius employed a traditional Greek worldview to demonstrate the superiority of Christianity over Paganism, which never promised ordinary people anything but an eternal existence as dead and disembodied souls.

British architect and critic Paul Shepheard is a fresh new voice in current postmodern debates about the history and meaning of architecture. In this wonderfully unorthodox quasi-novelistic essay, complete with characters and dialogue (but no plot), Shepheard draws a boundary around the subject of architecture, describing its place in art and technology, its place in history, and its place in our lives now. At a time when it is fashionable to say that architecture is everything—from philosophy to science to art to theory—Shepheard boldly and irreverently sets limits to the subject, so that we may talk about architecture for what it is. He takes strong positions, names the causes of the problems, and tells us how bad things are and how they can get better. Along the way he marshals some unlikely but plausible witnesses who testify about the current state of architecture. Instead of the usual claims or complaints by the usual suspects, these observations are of an altogether different order. Constructed as a series of fables, many of them politically incorrect, What is Architecture? is a refreshing meditation on the options, hopes, possibilities, and failures of shelter in society.

Law moves, whether we notice or not. Set amongst a spatial turn in the humanities, and jurisprudence more specifically, this book calls for a greater attention to legal movement, in both its technical and material forms. Despite various ways the spatial turn has been taken up in legal thought, questions of law, movement and its materialities are too often overlooked. This book addresses this oversight, and it does so through an attention to the materialities of legal movement. Paying attention to how law moves across different colonial and contemporary spaces, this book reveals there is a problem with common law’s place. Primarily set in the postcolonial context of Australia – although ranging beyond this nationalised topography, both spatially and temporally – this book argues movement is fundamental to the very terms of common law’s existence. How, then, might we move well? Explored through examples of walking and burial, this book responds to the challenge of how to live with a contemporary form of colonial legal inheritance by arguing we must take seriously the challenge of living with law, and think more carefully about its spatial productions, and place-making activities. Unsettling place, this book returns the question of movement to jurisprudence.

Oddey questions the role of the spectator and director, and the nature of art works and performance. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic twenty-first century landscape.

Silvia Aru, Fabio Parascandolo, Marcello Tanca, Luca Vargiu ForewordFabio Parascandolo Crisis of landscapes, landscapes of the crisis: notes for a socio-ecological approachAnna Maria Colavitti The crisis of the landscape, the crisis of the norms for the landscape, the planning of the landscape between uncertainty and second thoughts. A few basic issuesBenedetta Castiglioni “Institutional” vs “everyday” landscape as conflicting concepts in opinions and practices. Reflections and perspectives from a case study in Northeastern ItalyPaolo D’Angelo Agriculture and landscape. From cultivated fields to the wilderness, and backSilvia Aru The smart city: urban landscapes in the current crisisFederica Pau Sardinian rebirth landscapes. An aesthetician’s outlookMarcello Tanca Cagliari’s urban landscape: a commons?Serge Latouche Degrowth as a territorial-landscape project