The Cultural Practices Of Modern Chinese Buddhism

Buddhism in China during the late Qing and Republican period remained a powerful cultural and religious force. This innovative book comes from a rising star in this field, offering a new perspective on the influence of Buddhism on Chinese culture.

The Venerable Master Taixu (1890–1947) is the most important and controversial Chinese Buddhist reformer of the twentieth century. Viewed as dangerously rash by conservative Buddhists, irrelevant by secular humanists, and spiritually misguided by Christian missionaries, Taixu was nevertheless committed to forging a socially engaged form of Buddhism and to organizing a Buddhist mission in the West. His bold and inventive "Buddhist revolution" continues to shape aspects of a revitalized Buddhism in East Asia and around the world. The present volume is the first major study in English to focus on the charismatic reformer and his teachings and provides a comprehensive and absorbing interpretation of Taixu’s aims and the divisive controversies that surrounded him. This nuanced work is richly documented with quotations from Taixu’s own writings and from various Chinese intellectuals and evangelists of the period. As the most politically involved of all the Buddhist leaders in the Republican period, Taixu sought to present Mahâyâna Buddhism as the core of a new Chinese culture and the only adequate foundation for a truly global civilization. Distancing himself from those masters who focused on otherworldly paradises and stressed dependence on celestial buddhas and bodhisattvas, he emphasized what could actually be accomplished in this world through the work of thousands of living bodhisattvas dedicated to building a pure land here and now. A realist who acknowledged the complexities of the human condition in an increasingly interdependent and violent world, Taixu was also a utopian who tried to imagine how Buddhists could begin to realize their ultimate ideals—ideals that in fact lay beyond the preservation of institutional Buddhism itself. Students of Buddhism, Chinese religion, contemporary Chinese history and culture, and Taiwan studies will welcome this study of a crucially important and intriguingly complex individual whose life encapsulates many of the forces and possibilities apparent within Chinese Buddhism in the contemporary world.

This collection of essays on later Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography - scriptures and commentaries, sectarian developments, lives of notable monks - to examine a wide range of extracanonical materials that illuminate cultural manifestations of Buddhism from the Song dynasty (960-1279) through the modern period. Straying from well-trodden paths, the authors often transgress the boundaries of their own disciplines: historians address architecture; art historians look to politics; a specialist in literature treats poetry that offers gendered insights into Buddhist lives. The broad-based cultural orientation of this volume is predicated on the recognition that art and religion are not closed systems requiring only minimal cross-indexing with other social or aesthetic phenomena but constituent elements in interlocking networks of practice and belief.

Modern Chinese history told from a Buddhist perspective restores the vibrant, creative role of religion in postimperial China. It shows how urban Buddhist elites jockeyed for cultural dominance in the early Republican era, how Buddhist intellectuals reckoned with science, and how Buddhist media contributed to modern print cultures. It recognizes the political importance of sacred Buddhist relics and the complex processes through which Buddhists both participated in and experienced religious suppression under Communist rule. Today, urban and rural communities alike engage with Buddhist practices to renegotiate class, gender, and kinship relations in post-Mao China. This volume vividly portrays these events and more, recasting Buddhism as a critical factor in China's twentieth-century development. Each chapter connects a moment in Buddhist history to a significant theme in Chinese history, creating new narratives of Buddhism's involvement in the emergence of urban modernity, the practice of international diplomacy, the mobilization for total war, and other transformations of state, society, and culture. Working across an extraordinary thematic range, this book reincorporates Buddhism into the formative processes and distinctive character of Chinese history.

Based partly on unpublished documents and oral information obtained from monks who headed major monasteries on mainland China, Holmes Welch presents a detailed description of the modern practice of Chinese Buddhism. Focusing on the actual rather than the theoretical observances of the religion, he gives an exhaustive account of the monastic system and the style of life of both monk and layman. His study makes new information available for the Western reader and calls into question the whole concept of the moribund state of Chinese Buddhism.

Each chapter of this book offers a biography of a religious leader and a detailed discussion of his or her rise to sainthood over the course of China's twentieth century. Throughout, emphasis is on the creative and largely successful strategies deployed in the face of state indifference or hostility.

This is the first and only book in English on modern Chinese Buddhism written by a practicing Chinese monk. Chen-hua provides a rare eyewitness account of Chinese monastic life and Buddhist practices before they were changed forever by the Communist revolution. It begins with his departure from home in northern China to study Buddhism in Kiansu and Chekiang in the south and ends with his rejoining the monastic order in Taiwan after spending several years as a draftee in the Nationalist army. Following century-old traditions of Ch'an monks, Chen-hua made prilgrimages to all the major monasteries and holy sites, and sought instruction from many famous masters. His ordination at Pao-hua; "Buddha recitation weeks" at Ling-yen; scriptural studies at T'ien-ning; and a pilgrimage to P'u-t'o, the sacred island of Kuan-yin, are some of the highlights of this candid and perceptive book. The Introduction by Chun-fang Yu places the work in a historical perspective. Notes, a glossary of Chinese terms, maps, and photos help readers who are new to the field.

In this illuminating study of a vital but long overlooked aspect of Chinese religious life, Jimmy Yu reveals that in the sixteenth and seventeenth centuries, self-inflicted violence was an essential and sanctioned part of Chinese culture. He examines a wide range of practices, including blood writing, filial body-slicing, chastity mutilations and suicides, ritual exposure, and self-immolation, arguing that each practice was public, scripted, and a signal of cultural expectations. Individuals engaged in acts of self-inflicted violence to exercise power and to affect society, by articulating moral values, reinstituting order, forging new social relations, and protecting against the threat of moral ambiguity. Self-inflicted violence was intelligible both to the person doing the act and to those who viewed and interpreted it, regardless of the various religions of the period: Buddhism, Daoism, Confucianism, and other religions. This book is a groundbreaking contribution to scholarship on bodily practices in late imperial China, challenging preconceived ideas about analytic categories of religion, culture, and ritual in the study of Chinese religions.