The Cunning Man A Musical Entertainment In Two Acts Originally Written And Composed By M J J Rousseau Translated By Charles Burney

Bringing together leading scholars from the USA, UK and Europe, this is the first substantial study of the seminal influence of Jean-Jacques Rousseau on British Romanticism. Reconsidering Rousseau's connection to canonical Romantic authors such as Wordsworth, Byron and Percy Bysshe Shelley, Jean-Jacques Rousseau and British Romanticism also explores his impact on a wide range of literature, including anti-Jacobin fiction, educational works, familiar essays, nature writing and political discourse. Convincingly demonstrating that the relationship between Rousseau's thought and British Romanticism goes beyond mere reception or influence to encompass complex forms of connection, transmission and appropriation, Jean-Jacques Rousseau and British Romanticism is a vital new contribution to scholarly understanding of British Romantic literature and its transnational contexts.

This index provides valuable information on the vast majority of reviews of poetry, fiction, and drama during the first 25 years of modern, formalized book reviewing in England. Forster introduces readers to the wealth of material in the two major review journals (Monthly Review and Critical Review), the two major magazines (Gentleman’s and London), and 11 other periodicals. She includes in her 3,023 entries information on format, price, and bookseller’s name taken from the books themselves. In her Introduction, Forster surveys some material concerning the reviewers’ public attitude to their self-appointed task to provide a background against which the reviewers’ literary judgments can be examined.

Contains 21 essays discussing aspects of American music which have been studied by musicologist Kearns throughout his career, as well as the music to six compositions written for this tribute volume. Topics range from 18th-century tunebooks and social dances, through 19th- century composers and merchants, to America's international connections in the 20th century. Other specific topics addressed include college song books, periodical and music publishers, research problems in American music, and the music of Native Americans. Annotation copyrighted by Book News, Inc., Portland, OR

Drawing on a wealth of unpublished material, this intimate study of one of the most engaging and energetic men of his age throws new light on his musical and literary career and on his acquaintance with such luminaries as Handel, Haydn, Rousseau, Garrick, and Johnson.

A collection of 18 essays on musical theatre in the eighteenth century, written between 1967 and 2001