The Curious History Of Mazes

Thread your way through this history of mazes from the ancient world to today and solve over one hundred mazes along the way. From prehistoric times, mazes and labyrinths worldwide have served as different symbolic, ritualistic, and practical purposes. Taken as a powerful metaphor for life’s journey, they can be used as tools for meditation and learning at any level, even when completed for recreation. Maze images can be enjoyed as motifs themselves, but also in their material forms—a meditation, puzzle, dance, walk, ritual, pilgrimage, or simply a day out. Drawing upon a wealth of historical and classical literature; accounts written by explorers, archaeologists, and historians; and the output of modern and contemporary world-renowned experts and enthusiasts, social historian Dr. Julie Bounford explores the evolution of mazes through time and across continents, presenting their history in a fun and engaging format while challenging readers to solve over one hundred mazes—many created exclusively for this book by illustrator and artist Trevor Bounford. Learn about: The earliest recorded examples, legends, and mazes in the ancient world Mazes used as sacred rituals and symbols that take us beyond the natural world Turf, stone, hedge, and garden mazes, and sites of communal rustic revels The modern revival, with mazes taken to forms never previously imagined Explore how mazes can improve your mental dexterity and create mindfulness, and use the gazetteer to locate historical, replica, and interesting mazes that exist around the world today.

The Curious History of the Riddle investigates the fascinating origin and history of the riddle, from the very first riddle (the Riddle of the Sphinx) to the twenty-first century, with riddles found in pop culture, including movies (Us), television shows (Game of Thrones) video games, and escape rooms. Riddles are ageless, timeless, and so common that we hardly ever reflect upon what they are and how they originated. Most importantly, their invention helped in the development of lateral thinking, the form of thinking that is the foundation of all kinds of discoveries, from mathematics to science and beyond. In The Curious History of the Riddle, puzzle expert Marcel Danesi delves deep into the riddle's origin and history and covers these fascinating topics: 1. The Riddle of the Sphinx: Origins, Legends, Patterns What creature walks on all fours at dawn, two at midday, and three at twilight? (answer: man) 2. The Greek Anthology and the Exeter Book: Medieval Views and Uses of Riddles This chapter looks at the spread of the riddle in recreational and educational contexts. 3. The Merry Book of Riddles: Riddles in the Renaissance By the late Renaissance, riddles were being tailored more and more to produce humorous or whimsical effects. 4. Enigmas, Charades, and Conundrums: Riddles from the 1600s to the Twentieth Century After the Renaissance, riddles had become virtually every literate European person’s favorite form of recreation, and were included as regular features of many newspapers and periodicals 5. The Twentieth Century: Riddles as Children’s Literature In the twentieth century, riddles became specialized for children, spreading throughout children’s literature and educational manuals. 6. The Twentieth and Twenty-First Centuries: Riddles Go to the Movies and Online In this chapter, the focus is on riddles in various entertainment media, from best-selling novels such as Harry Potter, to movies, such as the Batman series. 7. Connections: Riddles and Rebuses This chapter explores the structure of rebuses as visual riddles, connecting them historically. Part history book, part puzzle book, The Curious History of the Riddle is fully illustrated with over 200 riddles interspersed throughout the text for solving.

Discover the curious history of the world's most addictive game and its unusual upbringing. Celebrating the 100-year anniversary of the beloved crossword puzzle, readers can solve over 100 different puzzles from top constructors.

The hedge-maze, which is the only type with which most of us have a first-hand acquaintance, is generally felt to be a survival of a romantic age, even though we esteem its function as nothing higher than that of a playground for children. Many a tender intrigue has been woven around its dark yew alleys. Mr. Compton Mackenzie, for example, introduces it most effectively as a lovers' rendezvous in "The Passionate Elopement," and no doubt the readers of romantic literature will recall other instances of a like nature. The story of fair Rosamond's Bower is one which will leap to the mind in this connection. This type of maze alone is worth more than a passing thought, but it is far from being the only, or even the most interesting, development of the labyrinth idea. What is the difference, it may be asked, between a maze and a labyrinth? The answer is, little or none. Some writers seem to prefer to apply the word "maze" to hedge-mazes only, using the word "labyrinth" to denote the structures described by the writers of antiquity, or as a general term for any confusing arrangement of paths. Others, again, show a tendency to restrict the application of the term "maze" to cases in which the idea of a puzzle is involved. It would certainly seem somewhat inappropriate to talk of "the Cretan Maze" or "the Hampton Court Labyrinth," but, generally speaking, we may use the words interchangeably, regarding "maze" as merely the northern equivalent of the classic "labyrinth." Both words have come to signify a complex path of some kind, but when we press for a closer definition we encounter difficulties. We cannot, for instance, say that it is "a tortuous branched path designed to baffle or deceive those who attempt to find the goal to which it leads," for, though that description holds good in some cases, it ignores the many cases in which there is only one path, without branches, and therefore no intent to baffle or mislead, and others again in which there is no definite "goal." We cannot say that it is a winding path "bounded by walls or hedges," for in many instances there are neither walls nor hedges. One of the most famous labyrinths, for example, consisted chiefly of a vast and complicated series of rooms and columns. In fact, we shall find it convenient to leave the question of the definition of the words, and also that of their origin, until we have examined the various examples that exist or are known to have existed.

Two of the world’s ancient traditions come alive for young readers in this fascinating book that proves the most interesting distance between two points is never a straight line. This brilliant book on mazes and labyrinths in history and the modern world encourages young readers to really think about why these puzzles are so appealing. Filled with photographs, drawings, artwork, illustrations, and puzzles, it takes a thematic approach to these enigmatic works. Why are we sometimes afraid to get lost—and why does the idea excite us? How do mazes and labyrinths figure in history and mythology? What can nature tell us about humankind’s obsession with lines, spirals, and patterns? Along the way children will learn about the labyrinth designed by Daedalus for King Minos in the ancient city of Crete; the mystery of the Hemet Maze Stone in southern California; and the magnificent labyrinth at the Cathedral of Chartres. They are encouraged to trace their fingers along a labyrinth to experience its soothing effect, to solve maze-related number puzzles, and to create their own mazes and labyrinths. Packed with fun facts and engaging ideas, this book will help children understand why mazes and labyrinths are so popular, while inspiring them to identify and create these fascinating puzzles in their own world.

Mazes and Labyrinths is a look into the origin and mystery of mazes. From ancient stone carvings, Minoan palaces to today's hedge-maze, Matthews chronicles the history of the maze. With over 140 illustrations.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.