The Curious Incident Of The Dog In The Nightdress

So there I was roysh, life focked, reputation focked, finances focked - everything completely focked, roysh, and we're talking big time. And it's all Fionn's fault, basically. He's the four-eyed focker who told me that, like, the first time you do it, roysh, you're firing blanks. Like an unloaded Uzi - seriously impressive, hard as fock and totally ready for action, but the safety's, like, on, you know. Well that was a pile of stinking turds for storters. And of course it's muggins here who ends up with the kid - life is SO focking unfair. On top of all that, roysh, the goys stort to, like, totally lose it - JP has gone all Jesus on my orse, Oisinn is basically trying to fock over Interpol and Christian is talking about weddings and, I don't know, love and stuff. I mean, I am seriously beginning to feel like I am the only good-looking, loaded, sane goy in the whole of, like, Dublin.

This is the latest instalment of the misadventures of Ross O'Carroll-Kelly - a hysterical satire of beer, bonking and rugby!

NATIONAL BESTSELLER • A modern classic—both poignant and funny—about a boy with autism who sets out to solve the murder of a neighbor's dog and discovers unexpected truths about himself and the world. “Disorienting and reorienting the reader to devastating effect.... Suspenseful and harrowing.” —The New York Times Book Review Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. And he detests the color yellow. This improbable story of Christopher's quest to investigate the suspicious death of a neighborhood dog makes for one of the most captivating, unusual, and widely heralded novels in recent years.

Reading Paul Howard: The Art of Ross O’Carroll Kelly offers a thorough examination of narrative devices, satirical modes, cultural context and humour, in Howard’s texts. The volume argues that his academic critical neglect is due to a classic bifurcation in Irish Studies between high and popular culture, and will use the thought of Pierre Bourdieu, Sigmund Freud, Mikhail Bakhtin and Jacques Derrida to critique this division, building a theoretical platform from which to examine the significance of Howard’s work as an Irish comic and satirical writer. Addressing both the style and the substance of his work, this text locates him in a tradition of Irish satirical writing that dates back to the Gaelic bards, and includes writers like Swift, Wilde, Flann O’Brien and Joyce. Through textual and contextual analysis, this book makes the case for Howard as a significant and original voice in Irish writing, whose fusion of the three traditional types of satire (Horatian, Juvenalian and Menippean), has created a parallel Ireland that shines a satirical light on its real counterpart. As Freud suggests, humour is a way of accessing aspects of the psyche that normative discourses cannot enunciate, and Howard, through the confessional voice of Ross, offers a fictive truth on twenty years of Irish society, a truth that is not accessed by discourse in the public sphere or by what could be termed literary or high cultural fiction.

Despite his overwhelming fear of interacting with people, Christopher, a mathematically-gifted, autistic, fifteen-year-old boy, decides to investigate the murder of a neighbor's dog and uncovers secret information about his mother.

The multiplicity of interpretations available in the word ‘passages’ is engaged with in this collection of essays that perceptively navigate the ideas of literal and metaphorical crossings, sites of liminality and interstitial zones, the traversal of boundaries and the complex notion of rites and rights of passage. This passages topic is elucidated through discussions on writers as diverse as James Joyce and the Palestinian poet Tawfīq Sāyigh and genres that include the novel, short story, poetry and drama. The diversity of texts is matched by a diversity of theoretical readings that stimulate debate around central ideas such as: how are old texts revisited and re-imagined in the context of new theories? How do contemporary texts re-appropriate the past to critically appraise the present? How is identity renegotiated in cross-cultural texts and in translations? The combination of close textual readings with broader philosophical and cultural deliberations allows for a vigorous examination of texts and theories. The authors, in capturing the cultural moment of their work while acknowledging the ongoing movement of the texts and theory, allow the reader to both contextualise the work and recognise the creative evolution of ideas that are simultaneously at play. Academically orientated, this collection is essential reading for anyone interested in changing theoretical ideas and how they are re-invigorating a reading of literature. It will be of interest especially to students and scholars of English literature, philosophy and cultural studies. Its close textual analysis and multiple perspectives will also make it a very useful classroom text in the aforementioned areas.