The Curious Moaning Of Kenfig Burrows

This volume was inspired by the life and work of Victorian astronomer and photographer Thereza Dillwyn Llewelyn, and her father, John.

Autobiographical memory and photography have been inextricably linked since the first photographs appeared during the 19th century. These links have often been described from each other's discipline in ways that often have led to misunderstandings about the complex relationships between them. The Handbook of Research on the Relationship Between Autobiographical Memory and Photography covers many aspects of the multiple relationships between autobiographical memory and photography such as the idea that memory and photography can be seen as forms of mental time and the effect photography has on autobiographical memory. Covering key topics such as identity, trauma, and remembrance, this major reference work is ideal for industry professionals, sociologists, psychologists, artists, researchers, scholars, academicians, practitioners, educators, and students.

Haunting black and white photographs of moths, beetles and butterflies, presented alongside an essay by the artist.

An urgent, timely, and political analysis of the boredom that dominates our everyday immersion in distracting technologies.

"Los Angeles-based artist Henry Taylor (born 1958) applies his brush both to canvas and to unconventional materials--suitcases, crates, cereal boxes, cigarette packs--using everyone and everything around him as source material. Published on the occasion of Taylor's 2012 exhibition at MoMA PS1, where the artist established his New York studio for the duration of the show, the publication explores Taylor's ambitious and deeply humanistic project to present a worldview defined by the people--extraordinary and ordinary--with whom we live." -- Publisher's website.

Winner of the 2019 National Book Award “The sight lines in Sze’s 10th collection are just that―imagistic lines strung together by jump-cuts, creating a filmic collage that itself seems to be a portrait of simultaneity.” ―The New York Times From the current phenomenon of drawing calligraphy with water in public parks in China to Thomas Jefferson laying out dinosaur bones on the White House floor, from the last sighting of the axolotl to a man who stops building plutonium triggers, Sight Lines moves through space and time and brings the disparate and divergent into stunning and meaningful focus. In this new work, Arthur Sze employs a wide range of voices—from lichen on a ceiling to a man behind on his rent—and his mythic imagination continually evokes how humans are endangering the planet; yet, balancing rigor with passion, he seizes the significant and luminous and transforms these moments into riveting and enduring poetry. “These new poems are stronger yet and by confronting time head on, may best stand its tests.” ―Lit Hub “The wonders and realities of the world as seen through travel, nature walks, and daily routine bring life to the poems in Sight Lines.” ―Library Journal

A ten-year photographic journey along the river Ganges documenting the effects of pollution, industrialisation and climate change.

Photography, Truth and Reconciliation charts the connections between photography and a crucial issue in contemporary social history. The book examines the prevalence of photography in cultural responses to processes of truth and reconciliation, and argues that photographs are a valuable means through which stories can be retold and historiography can be rethought. Five compelling case studies from Argentina, Canada, Australia, South Africa and Cambodia underscore the special role that this medium has played in facilitating processes of recovery, and in reconstructing suppressed histories, even when a documentary record of the events does not exist. The diverse practices addressed in this book – including artistic, protest, institutional, archival, legal and personal photography – prompt a new consideration of photography’s links to presence, place, time, spectatorship and justice. Collectively, these practices attest to photography’s key role in transitional justice, and in shaping historical understanding internationally. Important reading for students taking photography, visual culture, history and media studies courses, Photography, Truth and Reconciliation explores key historical and theoretical themes, including photography and testimony, international discourses on human rights and justice, and problematic notions of public and collective memory.